[NetBehaviour] Despair Ballet

Despair Ballet https://youtu.be/EBvY7643inU VIDEO http://www.alansondheim.org/despair.jpg keep keep i a a a minute. want despair illness feeling absolute besides are there feeling been the at keep to i a a a minute. to to minute. a a a i to keep at at I've and there are besides the world)

Re: [NetBehaviour] analogy and AI poetry

NI sounds cool but the video sounds more like a typical advertisement; every ad I see here for medicines for example uses similar rhetoric. NI isn't going to work unless it's accompanied by something that will stop, say, the Bransons from spending money on useless egoistic space travel and

Re: [NetBehaviour] analogy and AI poetry

Hi Eryk, Recently I started using "imaging" sometimes for "imagination" to get at the verbal/visual dynamic in Leonardo and Dante (as the earliest moderns, in a way). I see Leonardo's painting Esperienza as a portrait of Experience which is akin to Imagination. Also it is an Experiment -- an

Re: [NetBehaviour] Space blocks time

Simon this is great! I was just reading Calvino's second story in Cosmicomics yesterday, the nebula one, it reminds in the best sense. Resonates too somehow with the Madonna of the Rocks, not Wasps haha, a picture confusing to me of which I prefer the more pointed Louvre version which got il

Re: [NetBehaviour] analogy and AI poetry

Hi Eryk & all, Here is the other video by the The Centre4NI: The secret to innovation is NI (why biology will save us) The Centre4NI says on its website that: “Natural Intelligence is the intelligence that is as old as time. It knows what

Re: [NetBehaviour] analogy and AI poetry

Max, Paul & all; Thanks for all the thought-provoking links, everyone. Sometimes there are shades of panic in the way I see AI art. It’s like the machine is getting deep into my psyche, colonizing the culture as data and spitting something out that barely resembles art or beauty or play. I think

Re: [NetBehaviour] Monica Ross

Hi Jorn, Yes, Ele would have been around in Newcastle, before Sheffield and later in London, now living in Sweden. I often think we need more books that issue forth timelines where histories and current themes and contexts are examined in a way not as new or old but as an assemblage of