this exhibition sounds good - will try to get there this weekend - is
it still on?
(particularly want to see Harold Cohen's work)
dave
On 2 March 2010 07:03, Jim Andrews j...@vispo.com wrote:
thanks for that, rob. well done.
how is the book? did you buy a copy?
ja
http://vispo.com
Hi Dave,
Yes, it is still open - dates below...
Digital Pioneers
Victoria And Albert Museum
7 December 2009 - 25 April 2010
wishing you well.
marc
this exhibition sounds good - will try to get there this weekend - is
it still on?
(particularly want to see Harold Cohen's work)
dave
On
thanks marc!
dave
On 2 March 2010 09:22, marc garrett marc.garr...@furtherfield.org wrote:
Hi Dave,
Yes, it is still open - dates below...
Digital Pioneers
Victoria And Albert Museum
7 December 2009 - 25 April 2010
wishing you well.
marc
this exhibition sounds good - will try to get
Opening of virtual exhibition in Twinity
5th March 2010, 6 p.m., German time (UTC+1)
REMAP BERLIN
By Marco Manray Cadioli
5th March - 21st March 2010
The exhibition hall Altes Museum in the virtual world Twinity will open
the exhibition:
Remap Berlin by Marco Manray Cadioli
CALL FOR PAPERS AND PERFORMANCES
DRHA 2010 Conference: Digital Resources for the Humanities and Arts
Sunday 5th September - Wednesday 8th September 2010
Brunel University, West London
www.drha2010.org.uk
CONFERENCE THEME: Sensual Technologies: Collaborative Practices of
Interdisciplinarity
The
WORKSHOP: WEARABLE SOUND EXPERIMENTS
This four day workshop introduces basic soft electronics techniques for
constructing fabric sensors and wearable circuits. Instead of using
soldering irons and wire, we will use sewing needles and conductive
thread.The theme of the workshop is hacking sound
[Sketching] Arduino usage survey.
On January 1st, we announced that we're working towards Arduino 1.0
(for details, see this post). Our goal is to stabilize the platform so
that it's supportable and a good foundation for future developments.
We've been getting good feedback from experienced
On Mon, 1 Mar 2010 23:03:28 -0800, Jim Andrews j...@vispo.com wrote:
thanks for that, rob. well done.
Thanks! I've been getting some good feedback for the review. :-)
how is the book? did you buy a copy?
I did buy a copy. :-) The book is a small, slim hardback packed with
images and details.
Call for Papers
Transmission: HOSPITALITY
Thursday 1st - Saturday 3rd July 2010
Sheffield, UK
Call for Papers - deadline 15 March 2010
Guests: Clegg and
Guttmannhttp://www.culture24.org.uk/places+to+go/north+west/manchester/art39574
(Artists, Germany), Juliet Flower
How Companies Are Using Your Social Media Data.
Companies are mining the social web to build dossiers on you.
Information posted publicly on blogs, Facebook, Twitter, forums and
other sites is fair game. It is yet another reminder that people need to
be aware of what they are posting on social
A Thousand Machines.
A Concise Philosophy of the Machine as Social Movement
Gerald Raunig
Translated by Aileen Derieg
In this concise philosophy of the machine, Gerald Raunig provides a
historical and critical backdrop to a concept proposed forty years ago
by the French philosophers FĂ©lix
I'm not sure what anyone else thinks about this, but I'd always just assumed
that my existence on a website that is hosted and run by a company, is only
there to harvest marketing data anyway? Like being allowed to wander through
a mall, but only during the hours of consumerism. The fun bit is to
Stolen Moments, a human webcam in New York.
The process of getting used to being constantly watched and monitored by
webcams, social networks and unscrupulous invaders of our privacy has
certainly had an effect on our expressions and movements. Our everyday
gestures have necessarily taken on
is most of the work generative? in other words, is it generated from
programming the artist wrote?
was there any principle of selection in the exhibit other than a temporal
one, ie, work from the 50's through 70's?
ja
http://vispo.com
On Mon, 1 Mar 2010 23:03:28 -0800, Jim Andrews
On 02/03/10 21:34, Jim Andrews wrote:
is most of the work generative? in other words, is it generated from
programming the artist wrote?
I don't know how many technicians will have been involved, but given the
time period covered it's almost a given that most of the art would be
produced
stuff from 2nite, Azure, Myk, myself -
http://www.alansondheim.org/jazzlounge2.mp3
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