Hi Roger,

Welcome to the Netbehaviour list,

Some on here may not know (but many do), that furthernoise is a sister 
sister of furtherfield & is well worth a visit - http://www.furthernoise.org

Furthernoise has its own dedicated group of reviewers just like 
furtherfield has.

We used to be involved in pirate radio antics in Bristol (UK) in the 
late eighties, early nineties - broadcasting from Roger's loft every now 
and then ;-)

marc


Roger Mills wrote:
 > Hi Everyone,
 >
 > Some really interesting posts on here recently, although I have not 
had time to comment till now. I thought I would start with a bit of 
shameless promotion for Furthernoise.org as the February issue up online 
and full of lots of crackly experimental noise music for your listening 
and reading pleasure.
 >
 > Furthernoise issue February 2009
 > http://www.furthernoise.org/index.php?iss=77
 >
 > "Seconds in Formaldehyde, Waterscape, Suchness" (feature)
 > A movement of drone-gaze tone-haze guitar wranglers is on the rise. 
Somewhere at the centre is Seconds in Formaldehyde, placing notes, 
harmonics and chords in suspension. He's one of a loose affiliation of 
likeminds making ambient gold from base string metal, he's rolled out on 
his Waterscape label works by fellow-travellers as various as Peter 
Wright, Jason Sloan, and Hakobune.
 > http://www.furthernoise.org/page.php?ID=285
 > feature by Alan Lockett
 >
 > "ESP Organism - Brown Wing Overdrive" (review)
 > Brown Wing Overdrives new album ESP Organism, released on John Zorn's 
Ztadik label is rightly catalogued under Lunatic Fringe, and if John 
himself thinks that, then you get some idea of what your in for. What 
runs through this forty six minute melange of electro-acoustic 
shamanistic glitch is a truly serious concern for the absurd.
 > http://www.furthernoise.org/page.php?ID=283
 > review by Roger Mills
 >
 > "Imperfect Silence - Various" (review)
 > Imperfect Silence is a radical collaboration between artists working 
together purely online. Global boundaries and cultural differences make 
way for free jazz and diverse sonic improvisation, as Phil Hargreaves 
edits together the material to provide a personal narrative of Cadavre 
Esquis.
 > http://www.furthernoise.org/page.php?ID=275
 > review by Alex Young
 >
 > "No Traces" (review)
 > Infraction Records, purveyors of fine ambience since 2001, serves up 
its first 2009 release in No Traces, a new recording whose sounding body 
clads itself in old raiment of vinyl scratch and radio crackle. 
Alexander ‘Sleepy Town Manufacture’ Ananyev and Stanislav ‘Unit 21’ 
Vdovin are the agents guiding discreet psychonavigations through Russian 
mind-fields.
 > http://www.furthernoise.org/page.php?ID=280
 > review by Alan Lockett
 >
 > "Not To Be Taken Away - Matt Weston" (review)
 > Matt Weston fires out another solo release on his 7272Music label. 
Not to be Taken Away is a brave set of compositions documenting Mr. 
Weston's electronic experimentation with live percussion improvisation. 
What for the listener "should be taken away" from these collections of 
tracks, is that Matt is attempting to work on a few different levels.
 > http://www.furthernoise.org/page.php?ID=282
 > review by Derek Morton
 >
 > "Over All of Spain the Sky is Clear - Interbellum" (review)
 > Interbellum plays a languid, melancholy soundtrack for rainy 
afternoons and Sunday mornings. The ocean waves on the album cover 
provide an apt allusion to the cello-piano duet's ever wandering melodies.
 > http://www.furthernoise.org/page.php?ID=279
 > review by Caleb Deupree
 >
 > "Signal Ruins" (review)
 > In his instruments, Matthew Burtner - joined here by Juraj Kojs on 
piano and W. Aniseh Khan-Burtner on percussion and noise generators - 
does not find the condition for the amplification of man's tragic masks 
but the site of a symbiosis according to which instrumental bodies are 
comprised of a certain complex of possibilities.
 > http://www.furthernoise.org/page.php?ID=284
 > review by Max Schaefer
 >
 > "Sympathetic Vibration - Marcus Jones" (review)
 > Often, recordings exist as complete works in themselves, or as 
documents or mementos of a live performance. Sympathetic Vibration is 
one of a rapidly expanding body of works that do not fit easily into 
either category, blurring the boundaries between recorded materials and 
live event. Stacey Sewell chats to its creator, phonographer and sound 
designer Markus Jones.
 > http://www.furthernoise.org/page.php?ID=274
 > review by Stacey Sewell
 >
 > "The Sad Sea - Hotel Hotel" (review)
 > The fate of the Marie Celeste is one of those enduring stories 
charged with urban myth and intrigue, which still captures imaginations 
to this day. It is infused with all the imagery and emotion that is the 
foundation of the many artistic and literary interpretations of the 
story. With this in mind, Austin based post rockers Hotel Hotel have 
picked up the gauntlet and run with an ambient concept album The Sad Sea.
 > http://www.furthernoise.org/page.php?ID=277
 > review by Roger Mills
 >
 > "Two sides of RP Collier" (review)
 > Portland, Oregon, might seem an unlikely location for an experimental 
collection of instruments that originated in sub-Saharan Africa, but 
Robert Patterson (aka RP) Collier not only builds them, he hooks them up 
to stomp boxes and wires them directly to computers. He plays 
conventional instruments as well, creating guitar improvisations that 
sound more like a group than a solo performance.
 > http://www.furthernoise.org/page.php?ID=278
 > review by Caleb Deupree
 >
 > "Under Voices: Les voix de la Tour Eiffel - China Blue" (review)
 > China Blue has a romantic relationship with the Eiffel Tower. In 
2005, her then boyfriend proposed to her from the top of this Paris 
landmark. Ultimately this led to a fascination with documenting the 
acoustic properties of the tower using a combination of special seismic 
and binaural microphones. What results is a varied album of mostly 
ambient pieces, inspired by the sounds of environmental forces on 
architecture.
 > http://www.furthernoise.org/page.php?ID=281
 > review by Derek Morton
 >
 >
 >
 >
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 > NetBehaviour mailing list
 > NetBehaviour@netbehaviour.org
 > http://www.netbehaviour.org/mailman/listinfo/netbehaviour

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