hi o. and k.,
i like your work very much.
i've been thinking about sex last months...
... sex as the subject of art work.
i've been thinking, first of all, about sade the divine.
maybe you can help me telling why do you choose sex as a subject in your
art works...
here are my thoughts, i
State of Denial.
Having come full circle in half a century, today British citizens stand
on the brink of having their 'fundamental rights and freedoms'
enshrined in the plasticated chip of a compulsory ID card. But what,
asks Martin Twomey of the Hackney NO2ID Group, is this card for exactly
bols
I don't know the bols. I play tabla. I play melody. I don't know where it
comes from or where it goes. My eyes are closed. I sense the skins. I
sense the rings. I sense the syahi. The puri is mine. The chutta are mine.
The tabla sit on chutta. The chutta offer them to me. The chutta
Hi
I´ve tryred to get in touch with Jason Nelson trough his website
www.secrettechnology.com .
I asked him - the contact me machine - if he could be interested in
showing up our work http://www.secrettechnology.com/resident/helen.htm
at INHOTIM, a museum devoted to contemporary art, located at
or subliminal
- seriously, that would be an interesting 'wager' -
sublime as subliminal, as if the intermediary always
escaped (whereas the sublime is already constructed
as infinnitude)
or defuge
- seriously, what amounts to the sadness, the collapsed
o avatar, rise in the midst of