2009/6/3 Christopher Fynn cf...@gmx.net:
but on the marketing idea, I'd prefer to see that low-key and *not* try and
compete against the 100's of free fonts sites.
I think we can take several approaches.
Is OFL aiming to be a libre alternative to those sites or a libre
alternative to
Is OFL aiming to be a libre alternative to those sites or a libre
alternative to Monotype, Linotype, Adobe etc?
IMHO the main objective of OFLB is to teach designers to license
clearly their work and teach users to actually check those licenses.
dafont, myfont, etc would be fine if they
Any news on importing the current OFLB code into svn?
Thanks for the hard work already done on all this.
Could someone please put the current work in a repository somewhere so
others can help out?
--
Nicolas Spalinger, NRSI volunteer
Debian/Ubuntu font team / OpenFontLibrary
Any news on importing the current OFLB code into svn?
Thanks for the hard work already done on all this.
Could someone please put the current work in a repository somewhere so
others can help out?
Thanks!
--
Nicolas Spalinger, NRSI volunteer
Debian/Ubuntu font teams / OpenFontLibrary
FYI:
https://sourceforge.net/projects/gwdrawfonttool/
Written in Python, using GTK+ and Cairo, this project is comprised of
a canvas capable of drawing East-Asian character glyphs registered at
the GlyphWiki project (http://glyphwiki.org), and so-called drawfonts
which draw them in a specific
Seems our wiki is hit by spammers.
Anybody here on the list would like to help clean it up?
Thanks,
--
Nicolas Spalinger, NRSI volunteer
Debian/Ubuntu font teams / OpenFontLibrary
http://planet.open-fonts.org
signature.asc
Description: OpenPGP digital signature
After seeing Nicolas' cool OFL T shirt, I want to be able to sell T
shirts at the launch to raise money with our nice new logo :-)
Yeah, the 2 t-shirts I had crudely made the day before flying to
Montréal were just iron transfers of these 2 images:
For commercial foundries the licensing boils down to pay me and thus
licensing compliance is de facto checked at the credit card stage.
They're not a good model for fonts with non-monetary licensing
clauses.
Actually, it's often worse than just pay me. Even once you've paid, would
that
Hi,
Nicolas Spalinger wrote:
Dave Crossland wrote:
You can download a chat between Ed Trager, Ben Weiner and I about the
development of the site we had tonight - its 31Mb at
http://www.openfontlibrary.org/2009-05-31_OFLB_devtalk.mp3
Great to know some more about the ongoing work and
Hi,
Behdad Esfahbod wrote:
Ok, listening. It still slightly worries me that all the new code
being written is duplicating lots of code that is already out there...
OK, well, please give us some more hints about which functionality we
shouldn't be duplicating... ;-)
Also, Ed talks about
On 06/03/2009 02:02 PM, Ben Weiner wrote:
Hi,
Behdad Esfahbod wrote:
Ok, listening. It still slightly worries me that all the new code
being written is duplicating lots of code that is already out there...
OK, well, please give us some more hints about which functionality we
shouldn't be
Le mercredi 03 juin 2009 à 13:43 -0400, fontfree...@aol.com a écrit :
Actually, it's often worse than just pay me. Even once you've paid,
would that commercial license allow you to create a derivative font
for your own specialized needs or desires, even if only used
internally? Probably not.
2009/6/3 fontfree...@aol.com:
For commercial foundries the licensing boils down to pay me and thus
licensing compliance is de facto checked at the credit card stage.
They're not a good model for fonts with non-monetary licensing
clauses.
Actually, it's often worse than just pay me. Even once
2009/6/3 fontfree...@aol.com:
A section dedicated to the proprietary commercial potential for fonts
I strongly oppose doing this.
Plus a section strongly advising people submitting fonts to openfontlibrary
to avoid using copyleft licenses, as this might diminish or destroy
their
The new OFLB desparately needs these sections:
A section dedicated to the proprietary commercial potential for fonts
derived from fonts licensed as open source type fonts. Show people where
they
can sell their derivative fonts, how to setup a business.
Plus a section strongly
Hi, everyone,
On Wed, Jun 3, 2009 at 2:08 PM, Behdad Esfahbod beh...@behdad.org wrote:
On 06/03/2009 02:02 PM, Ben Weiner wrote:
Hi,
Behdad Esfahbod wrote:
Ok, listening. It still slightly worries me that all the new code
being written is duplicating lots of code that is already out
2009/6/3 Ed Trager ed.tra...@gmail.com:
Heh, heh, you are assuming that I like writing documentation ...
lol!
I hasten to add that Ed has been working to a high professional
standard on this in his spare time, but since I wanted to speed things
up, I have been sponsoring the work out of my own
On 06/03/2009 03:28 PM, Ed Trager wrote:
Fontaine also overlaps with fontconfig and
pango in huge parts.
I'm not as convinced that fontaine overlaps so extensively with
fontconfig. The way orthographies are grouped in fontaine is quite
different than in fontconfig.
The treatment of Japanese
This site http://www.theleagueofmoveabletype.com/ distributes fonts
under the Creative Commons Attribution Share Alike Licence
http://creativecommons.org/licenses/by-sa/3.0/
Which allows copying, distribution and attributed derivative works under
the same, similar or a compatible license.
Is
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