together strongly when being pulled in
opposite directions? —At the limit, the paper would tear—and not along the
folds—before the lock breaks.
Saadya
Lister's skeptical verdict re
Leonardo and origami still, unfortunately, seems to hold---
Saadya
-
Saadya Sternberg, PhD
Origami Artist Curator
e: saa...@saadya.net
w: origami-aesthetics.blogspot.com
--
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On May 21, 2013, Saadya saa...@saadya.net wrote:
José Tomas Buitrago mentions a 1526 engraving by Durer, where the 2 folded
letters on Erasmus' desk appear to be of the same construction as in your
painting--that is, divided into three parts but not equally. (Presumably this
information
A while back in this discussion (9 Oct 2014) Dave Mitchell wrote
I do feel that much of modern origami is driven by (several different kinds
of) dissatisfaction with what just folding paper can do rather than an
acceptance of its inherent limitations (which are what make origami
different and
? Somewheres?
We need to start insisting on more respect for our field.
Saadya
an intriguing
thread, though as said, the term "dry tension" really has to be trashed.
Saadya
On Wednesday March 8 David O'Sullivan wrote:
>>Something that I wonder about more is if there are any plans for the
>>works to be publicly displayed in any way? There is an aura of wonder
>>and mystery around Yoshizawa's oeuvre partly as a consequence of the
>>works being boxed up and only
Rectangle. I have them stand up, cover one eye,
and raise the cut-in-half sheet---while keeping an uncut sheet below
them on the table--until they see, side by side, that the proportions
are the same. (The idea is also to set in train ideas about optics
and proportions.)
Saadya
one-like shape there, which
will be three-dimensional, unless and until it is flattened. End of
story.
You can quote me on that.
Saadya
