salut henrik,
i think what you mean is that you wonder if [bonk] has a delay
function itself.. as for as i know it does not so i think
you need a delay patch..
alexandre
On 15/07/07, giucant [EMAIL PROTECTED] wrote:
hi,
i haven't understand if you want a delay on the
triggered sample or a
alexandre r. decoupigny wrote:
salut henrik,
i think what you mean is that you wonder if [bonk] has a delay
function itself.. as for as i know it does not so i think
you need a delay patch..
i'd rather say: luckily [bonk] has no built-in delay function, but you
can easily add this
On Sat, 2007-07-14 at 16:26 +0200, Steffen Leve Poulsen wrote:
Hi PD'ers
trax @ http://steffen.menneske.dk/ether/
-CordicTripod.mp3
-deepGreen.mp3
-fsatEddie.mp3
-roughGuideToPeace.mp3
playlist ether.m3u
mvh Steffen Leve Poulsen aka pulsed
hey, cool. i really enjoyed (and
This is fairly esoteric to me. Could you give a real world example of
what such an object would be used for? What need does it fulfill in your
own patching strategies? Why did you make it?
best,
d.
Mathieu Bouchard wrote:
using a [tracecall] object you can trace back the original cause of
Hi andy,
many thanks for your infos. the link you gave me helps a lot, but how can I get
more informtaion about the lookup tables you mentioned? I have never used them
before, so they are still quite a mystery.
thanks,
m.
One thing you might like to look at is the Fletcher Munsen curve.
Hallo Frank,
I am workin with Pd version 0.39.2-extended-rc3 under Windows XP and I cannot
find the [mtx_phon_curve] in Iemmatrix object you metioned.
how (where) can I find that? and how does it work?
Thanks,
m.
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Howdy, Andy.
Another interesting effect (don't remember what they call it) is that at
certain high frequencies, subjects tend to report that the frequency changes
as the volume changes, when in reality the volume is all that changes. Hmm,
I bet there was a way to say that with half as many
On Sun, 15 Jul 2007 12:11:13 -0400
Chuckk Hubbard [EMAIL PROTECTED] wrote:
Howdy, Andy.
Another interesting effect (don't remember what they call it) is that at
certain high frequencies, subjects tend to report that the frequency changes
as the volume changes, when in reality the volume is
using a [tracecall] object you can trace back the original cause of
messages.
This is fairly esoteric to me. Could you give a real world example of
what such an object would be used for? What need does it fulfill in your
own patching strategies? Why did you make it?
I would mostly use this
On Sun, 15 Jul 2007, [*~] wrote:
do you think it will be useful to take this feature a bit further by
allowing user to step through the tracecall, with object hilited as
visual feedback?
All sorts of things are possible. I have plenty of ideas in mind on how to
use it. [tracecall] can be
hello,
i'm flabbergasted.
how do you all know when a ramp has finished ramping? none of PD's
line/line~/vline~ objects have a mechanism notifying the user that
the end has been reached.
what are your workarounds (apart from recoding the externs) ?
curious
jasch
jasch wrote:
hello,
i'm flabbergasted.
how do you all know when a ramp has finished ramping? none of PD's
line/line~/vline~ objects have a mechanism notifying the user that
the end has been reached.
what are your workarounds (apart from recoding the externs) ?
afaik, this has
You can also use Line~ or curve~, both from the cyclone lib and
included in Pd Extended.
Tom
On 7/15/07, IOhannes m zmoelnig [EMAIL PROTECTED] wrote:
jasch wrote:
hello,
i'm flabbergasted.
how do you all know when a ramp has finished ramping? none of PD's
line/line~/vline~ objects
hola,
as it is still too hot to go to the beach,
i did another streaming patch for audio.
its dependencies are pdogg and playlist.
have fun,
sevy
ps : to make it work smoothly
on my not so powerful machine,
i had to increase the audiobuf to 5000.
Quoting [EMAIL PROTECTED]:
hola,
a little
of course, con este calor,
i forgot the attechment, oops...
Quoting [EMAIL PROTECTED]:
hola,
as it is still too hot to go to the beach,
i did another streaming patch for audio.
its dependencies are pdogg and playlist.
have fun,
sevy
ps : to make it work smoothly
on my not so
yes, that one i am well aware of.
i'm more concerned about getting the exact edge of the signal vector
line~ finishes in, not some other clock() firing whenever it's done.
i couldn't find anything here: lists.puredata.info/search
are there other/better places to search the list?
thanks
*j
hmm, errm, yes well, i'm actually running PDa on an ARM procesor ;=)
anybody wants to port cyclone to PDa ? (hello fixed point DSP...)
/*j {chuckles}
You can also use Line~ or curve~, both from the cyclone lib and
included in Pd Extended.
___
Line~ is not the same as line~
But you can simulate Line~'s behavior with Pd's basic objects. See the
attached patch.
Tom
On 7/15/07, jasch [EMAIL PROTECTED] wrote:
hmm, errm, yes well, i'm actually running PDa on an ARM procesor ;=)
anybody wants to port cyclone to PDa ? (hello fixed point
excellent,
and threshold~ is even in PDa
thanks
/*j (off to count cycles)
Line~ is not the same as line~
that much i figured
But you can simulate Line~'s behavior with Pd's basic objects.
yeah, maybe it would be worth it to upgrade line~ and vline~ (if
that's not considered a heresy :)
Como se financia giss?
2007/7/15, [EMAIL PROTECTED] [EMAIL PROTECTED]:
of course, con este calor,
i forgot the attechment, oops...
Quoting [EMAIL PROTECTED]:
hola,
as it is still too hot to go to the beach,
i did another streaming patch for audio.
its dependencies are pdogg and
good question
we should thank the two big sponsors
of the infrastructure supoorting us:
* Le Hangar, barcelona ( http://www.hangar.org/ )
and side projects like Horitzo TV
( http://www.horitzo.tv/ ) where hangar
was providiong the technical support ( and more ).
* BEK, Norway
and Gisle
This is not necessary Jasch. In Pd we know that line [line~] has finished
because we told it how long to be a priori. Pd does not chain computations
as time sequenced events like, when A is finished begin B, when B is complete
begin C... It computes everything on the sheet (following right-left
and not to forget a few individuals interested in free media
adding their ressources to the network :
D.Cuartielles ( University of Malmö )
Psand ( http://www.psand.net )
Hackitectura
Hans Christoph Steiner
Medellin Wireless ( Alejo Duque )
Luka Princic ( Ljubljana )
...
sorry if i forgot
hi jasch and thomas
this approach has some disadvantages. first, [line~] does execute
messages only on block boundaries, that means the start is floating
somwewhere around between now and 1.45ms later (with blocksize of 64 @
44100Hz sr), though i don't know if [line~]'s endpoint is quantized to a
On 7/15/07, Libero Mureddu [EMAIL PROTECTED] wrote:
I have also a question: originally the piece had also an animation made
with gem. Do you know how to export as a video file a gem animation?
pix_snap followed by pix_record or use pix_write and a third party tool like
Quicktime Pro to make
Hey Libero,
good to see you made your own video of this. Sara still has the one we
shot in the workshop, but we haven't done anything with it yet. I think
even just this morning I was wondering if I should post it somewhere. We
must be tuned to the same psychic TV station!
One thing: I wished
On Sun, Jul 15, 2007 at 03:18:05PM +0200, Derek Holzer wrote:
This is fairly esoteric to me. Could you give a real world example of
what such an object would be used for? What need does it fulfill in your
own patching strategies? Why did you make it?
I can't answer for matju, but it seems
Hi,
What dB level would be great to use as a table output to play with? I
thought that 60dB would be Ok.
http://www.mail-archive.com/pd-list@iem.at/msg04224.html
It depends on the actual amplitude of the sound that is output from
the speakers. A few modifications to a table that would be
i made the same thing a while back, and visualised it with gem:
http://puredata.hurleur.com/sujet-446-this-going-freak
if you use a piano sample and set the speed correctly, the audio will be
almost exactly the same.
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