Hello,
I have a question, how hard do you think it would be create a notation
engine for GEM? What considerations would go into the design?
On the simplest level, I'm imagining doing non-rhythmic notation to
display chords and cells for improvisors.
Since the number of notes on a chord would be
On 13 Jul 2008, at 7:28 AM, Jack wrote:
I would like to use one PC with ubuntu and 2 graphic cards with 2
outputs (total : 4 video outputs).
I usually use a Mac.
Can you give me a good harware configuation using Pd and GEM
equivalent to a MacPro configuration (2 intel Quad-core 2,8 GHz and
ok, sorry to have caused a fuss.
last question: hypothetically, if miller was to include ~ and ~ into
vanilla, would they load properly then?
i think those objects SHOULD be a part of vanilla pd anyway. in any sort of
audio synthesis patch i do, they invariably need to be used.
This sounds like all kinds of awesome. I second (third?) the call to
document.
BTW, us Max users dont just hate puppies. We eat them! And vote for
McCain! WE ARE EVIL!
I really hope people trash talk during the contest, Oh man, that
would just be awesomely hysterical.
On Jul 16, 2008, at
frank, i found a glitch with sssad.
if you use sssad to save the state of a toggle, then sending a [set( message
to SSSAD_ADMIN will force a bang on the toggle, even if sssad has not
received any data for that toggle. a [route bang] or [sel bang] before the
[sssad] outlet fixes this problem.
hard off wrote:
ok, sorry to have caused a fuss.
last question: hypothetically, if miller was to include ~ and ~ into
vanilla, would they load properly then?
yes of course.
again: the only problem with these objects is that you cannot have files
(e.g. binary files containing the code for
ok.
i think i undersand.
there is an other possibility based on the gemlist_info object that get curent
transformation matrix and convert it to rotation / translation ...
so, what i think is the most simple is :
gemhead
|
rotateXYZ (for the drag rotation, should be (0
Thanks, cyrille,
I looked up some of the objects which were new to me in order to
understand your method, and your example makes an awful lot of sense.
I will try implementing it later today.
Mean while,
you can save few cpu using gemlist_matrix and GEMglMultMatrix.
Can you please show
PSPunch wrote:
Thanks, cyrille,
I looked up some of the objects which were new to me in order to
understand your method, and your example makes an awful lot of sense.
I will try implementing it later today.
Mean while,
you can save few cpu using gemlist_matrix and
i have a couple of sequencers with 16 steps and about 5 parameters for each
step
, and then a bunch of synths and drum machines running.
i have always used textfile for saving sequence and control data for such
setups, but if i have a hundred patterns or more, it gets really slow. i
guess its
On Wed, Jul 16, 2008 at 7:05 PM, Dafydd Hughes [EMAIL PROTECTED] wrote:
Competitors: Frank Tsonis vs. Dafydd Hughes and David McCallum
While I play for the Pd team, I find this rather unfair, 2 on 1. But
on the other hand, most Max users I've met think that Max is twice as
good so I guess that
hard off wrote:
i have a couple of sequencers with 16 steps and about 5 parameters for each
step
, and then a bunch of synths and drum machines running.
i have always used textfile for saving sequence and control data for such
setups, but if i have a hundred patterns or more, it gets
Cyrille,
With your advise, I think I've successfully implemented the algorithm I
had in mind.
The sad thing is, the algorithm I imagined did not exactly function in
the way I wanted.
i.e. 1,
during one drag session, when rotating the Y axis (dragging right or
left) 180 degrees and then
Hi
I have a simple (i hope) question. How can i read a midi file stored in my hd.
What i want to do is to read data from a .mid file and write them in a table.
Thanks
_
Connect to the next generation of MSN Messenger
This is rotating about local axes within the pot, which move when the pot
moves, creating the strange response. The response should be based on a
global set of axes, which will remain constant and provide the response you
want.
On 7/17/08, PSPunch [EMAIL PROTECTED] wrote:
Cyrille,
With
You could use [mrpeach/midifile] or [mrpeach/binfile] depending on how raw
you want the data.
Martin
Costis Benardis wrote:
I have a simple (i hope) question. How can i read a midi file stored in my
hd. What i want to do is to read data from a .mid file and write them in a
table.
Thanks
Date: Thu, 17 Jul 2008 15:26:28 +0200
From: Costis Benardis [EMAIL PROTECTED]
Subject: [PD] How to read .mid files
Hi
I have a simple (i hope) question. How can i read a midi file stored in my
hd. What i want to do is to read data from a .mid file and write them in a
table.
Thanks
Hi
I'm trying to build something generic for performing live with pd and
for the most parts, it's going really well.
But I need to save the state of everything (a patch with some
instances of some abstractions), so that the widgets will preserve their
state between sessions.
I looked into
hello,
yes, there was a small bug in your algo.
it's easier for me to make a patch than to explain the problem.
so, i think this is what you need.
cyrille
PSPunch a écrit :
Cyrille,
With your advise, I think I've successfully implemented the algorithm I
had in mind.
The sad thing is,
This sounds interesting, I will take a look at it when I get out of work...
As far as what improvisors need, I'm working in the more
'experimental' improv scene right now, which means:
1. They won't be playing 'Cmajor7' but rather collections of pitch
cells such as (0 3 5 1 2 4) in some specific
Hi
Is it possible (for reasons of visual feedback) to change the background
color of one instance of an abstraction? It's an abstraction where only
one instance is active at the time, so I'd like to change the background
color of the active one. Is obviously should be done programatically
hi,
either put a canvas in the background and change it via send/receive or
use sys_gui in combination with hcs/canvas_name which lets you change
the font/bg colors of your patch dynamically.
marius.
Atte André Jensen wrote:
Hi
Is it possible (for reasons of visual feedback) to change the
David Powers a écrit :
This sounds interesting, I will take a look at it when I get out of work...
As far as what improvisors need, I'm working in the more
'experimental' improv scene right now, which means:
1. They won't be playing 'Cmajor7' but rather collections of pitch
cells such as (0
Hello,
after my switch from Debian Etch to Lenny I have also tried the latest
versions of Pd-extended, 0.40-rc3 and the current autobuilds for 0.40
and 0.42. All three of them cannot load certain libraries that are in my
startup list. Having not followed the list closely in the last weeks and
Yeah, you could probably use the float value of $0 to generate the
color.
.hc
On Jul 17, 2008, at 1:18 PM, marius schebella wrote:
hi,
either put a canvas in the background and change it via send/
receive or
use sys_gui in combination with hcs/canvas_name which lets you change
the
Can you post the transcript from the Pd window? Are you using your
own .pdrc or .pdsettings? Sounds like 'libdir' might not be getting
loaded. It needs to be loaded first.
Also, it is better to use the default preferences, then use either
[import] or [declare] to load other libraries
On Jul 17, 2008, at 4:34 AM, hard off wrote:
ok, sorry to have caused a fuss.
last question: hypothetically, if miller was to include ~ and ~
into vanilla, would they load properly then?
i think those objects SHOULD be a part of vanilla pd anyway. in
any sort of audio synthesis patch
On Jul 17, 2008, at 5:03 AM, IOhannes m zmoelnig wrote:
hard off wrote:
ok, sorry to have caused a fuss.
last question: hypothetically, if miller was to include ~ and ~
into
vanilla, would they load properly then?
yes of course.
again: the only problem with these objects is that you
1. (0 3 5 1 2 4) might make sense for an engineer because zero for him would
be the first note,
but a musician uses to start with one, not zero. If this notation is for
expressing some voicings,
that is a lot easier and free to read under jazz notation for a human,
unless the numbers
Hi Atte
The best way to start using memento is to get a patch that works, copy
and paste the guts into your own and adapt. That is, providing that
memento works at all on your system. There is a guide on footils.org
that should get you started with the ideas behind the system. It
works fine
Okay, I guess I need to check out the pdmtl stuff, I don't have
pd2ascii and ascii2pd but it definitely looks useful. (It took me a
second to realize you wrote a note explaining where pd2ascii was from,
I thought my pd-ext was missing something at first...) In fact, I
definitely better revisit
David Powers a écrit :
1. (0 3 5 1 2 4) might make sense for an engineer because zero for him would
be the first note,
but a musician uses to start with one, not zero. If this notation is for
expressing some voicings,
that is a lot easier and free to read under jazz notation for a human,
Just remember I've made an abstraction for that long ago, it won't be as
fast as DS but it works and it's attached
patrice colet a écrit :
David Powers a écrit :
1. (0 3 5 1 2 4) might make sense for an engineer because zero for him would
be the first note,
but a musician uses to start
Hi David list,
I did a project at Stanford/ccrma, for which my pal Rob designed a
system that used Lilypond to display the output of a patch, and that
worked beautifully, from the performer's (my) point of view. Here's a
link to his paper, see section 2.7.
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