A way to attack it might be to find a continued fraction form
like I did for tanh, about 4 or 5 terms was an adequate approximation.
Hi,
I'd like to use a signal [atan2~] in a Pd without externals nor
[expr~] (i.e. inn RjDj). Does anyone have a purepd implementation of
it or maybe a pointer
Signal conditioner with volumising action and Nutramide? I think you're onto
something there Chris.
In my fast paced salon and catwalk lifestyle I need a product that actually
CARES for my my waveforms.
On Sat, 23 May 2009 14:17:19 +0200
Frank Barknecht f...@footils.org wrote:
there's a
This has always confused me, and even in my book I took a simplified
approach to explaining lists.
It is definitely worth working hard on this passage
to choose clear and agreed words.
a.
Hallo,
Hans-Christoph Steiner hat gesagt: // Hans-Christoph Steiner wrote:
In keeping with the
I agree, and have more or less reached the stage where I could sound design
an entire small film in Pd.
Time is obviously a factor and if I were to do this it would really need
a few other volunteers who were enthusiastic about it (sound design for
such a feature could be a challenging project)
I love these things. The original reason for trying them was
to have a silent (no fan) system. The 533/600MHz Edens are
wonderful for installations and really cheap now.
Best all rounder is the 1GHz Nehemia imo, I've gigged with one
instead of a laptop and they are very reliable. You can run
[X] normal.png
[ ] bold.png
I haven't fully followed this thread so not sure
if this applies to comments, object names or everything,
anyway - I hope we will keep at least one large/heavyweight
font for lecture slides, it's hard to see courier on the
beamer
my 2c
andy
You're on exactly the right track and thinking all the right things.
An important value to grab is the length of the sample (in samples)
which you can get from [soundfiler]. Multiply your [phasor~] by the
magnitude of the loop and add it to an offset in samples and that should
be the table
what do you gain from turning abstractions into
subpatches??
You gain the advantage of being able to distribute
a Pd patch built from many disparate abstractions as
a single file.
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Is tar available for Windows users?
On 15/05/2007, at 18.30, IOhannes m zmoelnig wrote:
apart from that, tar allows you to distribute your multi-file Pd patch
as a single file too.
I second that.
A more robust way of loading stuff (from fx. an untar'd tar ball)
would make a better
Also, if the patch is to be linked from a web page
(link to a single Pd file) then most browsers can
associate the filetype and open Pd. This doesn't
work if the file is tarred or zipped so just
make it a tar file isn't really a satisfactory
solution.
The more robust way is to have everything
Try tanh function mapped to the range of about -5 +5 and a small signal input.
http://mathworld.wolfram.com/HyperbolicTangent.html
Here's a nice approximation with five multiplies
http://www.musicdsp.org/archive.php?classid=5#238
what's the best and most cpu efficient way to clip a signal in an
I really like that Kevin. Is there any connection between the
parts of the triptych other than a purely aesthetic one
(which works very well imho)?
Here's a piece shown in gallery for the Edinburgh Scienece Festival last year
as part of the Ensight project.
http://www.ensight.org.uk/index.php
.pd)
robbert
padawan12 [EMAIL PROTECTED] wrote:
If you were ate the Mediamatic Puredata workshop last month then as I
promised
attendees here's the notes. Sorry it's taken me a while to get this done,
been
busy with other work. Lecture notes/slides as Pd are given for the first
I'm interested in these. How do they work?
On Fri, 30 Mar 2007 02:00:52 -0400
marius schebella [EMAIL PROTECTED] wrote:
hi,
accidentally I found two objects (boids2d and boids3d) which could be
very nice tools, if only they were working.
I have no idea who ported them to pd, but message
.
padawan12 wrote:
I'm interested in these. How do they work?
On Fri, 30 Mar 2007 02:00:52 -0400
marius schebella [EMAIL PROTECTED] wrote:
hi,
accidentally I found two objects (boids2d and boids3d) which could be
very nice tools, if only they were working.
I have no idea who ported
fft~ + pique
/doc/4.fft.examples sinedecomposer.pd
might give you some ideas
On Tue, 27 Mar 2007 23:20:31 -0500
Jared [EMAIL PROTECTED] wrote:
Summary: I'm interested in capturing audio through a microphone and, in
real time, determining which frequency range (from a set range of
Generative work you make in Pd could be sent to a sequencer
as midi then loaded into a program like Lillypond or Finale to
print out.
On Wed, 28 Mar 2007 19:19:22 +
josue moreno [EMAIL PROTECTED] wrote:
hi everyone,
im making a research project about computer asisted
I'd love to hear work that comes out of a combination of
Csound and Pd I think both are great, just different.
Something I feel very strongly about though, are there
still 'licensing issues' with Csound or has it shaken off
all it's encumberances and become a totally free OS
codebase?
On Tue,
Amazing idea for a project Carl.
The way I see it you have two routes.
1) Do a full finite element physical model of a circular lamina
and measure the amplitude at many points on the surface. The sand
falls into minima nodes iirc .
2) Cheat. Create the visuals by mapping the known standing
On Mon, 19 Mar 2007 10:55:39 -0700
shift8 [EMAIL PROTECTED] wrote:
spore, not seed - sry :)
looks like eno's doing a procedural / generative sound track for it!
Yeah I checked that out. It's procedural music, basically what we do
in puredata.
Thanks for sharing that I enjoyed it. Some lovely sounds. I wasn't much
taken with Mr quacky at the start :), but once that was over I enjoyed the
textures and decelerating rythms. I don't hear how the maths works, but it
works for me.
If you like textures based on dilating/warping events the
On Fri, 23 Mar 2007 23:20:01 +0100
Roman Haefeli [EMAIL PROTECTED] wrote:
i'd like to have the same
opportunity for the [open(-message.
Me too.
Doesn't Pd have some kind of local special variable $cwd or something?,
that would be nice way to unify all filesystem relative things.
a lot of fun, I think the results turned out pretty good.
best,
Andy
~David
On 3/24/07, padawan12 [EMAIL PROTECTED] wrote:
Thanks for sharing that I enjoyed it. Some lovely sounds. I wasn't much
taken with Mr quacky at the start :), but once that was over I enjoyed the
textures
Chun-Lee and Evan mentioned a possible Prague workshop this summer.
There's a possibility I may do one in Bristol in the next couple of
months, but it would be audio only not GEM and graphics.
On Tue, 20 Mar 2007 13:18:46 +0100
Derek Holzer [EMAIL PROTECTED] wrote:
Hi George,
I've been
On Thu, 15 Mar 2007 22:56:46 -0400
Chuckk Hubbard [EMAIL PROTECTED] wrote:
On 3/16/07, padawan12 [EMAIL PROTECTED] wrote:
On Thu, 15 Mar 2007 06:54:40 -0700
shift8 [EMAIL PROTECTED] wrote:
As Chuckk and some of the other mathematicians have said here, some
esoteric pure math like
On Fri, 16 Mar 2007 14:06:37 -0400
Chuckk Hubbard [EMAIL PROTECTED] wrote:
What what was? The Csound opcode?
No the book on stats for music applications.
I do think of it as overkill for synthesis purposes, but people use
Csound for lots of other purposes. I guess for algorithmic
binary to decimal, just raise the nth bit 2^^n, decimal to binary see attached
(done from Kyles link) - problem: the list is a variable length and you probably
want to pad it with zeros for whatever word length you have.
On Fri, 16 Mar 2007 12:17:02 -0600
David Powers [EMAIL PROTECTED] wrote:
On Fri, 16 Mar 2007 13:18:12 -0600
David Powers [EMAIL PROTECTED] wrote:
Wow I thought for sure this would be built in ... or at least a common
external.
It possibly is. I'm just showing you how to do it from scratch in a way
that directly follows the algorithm Kyle pointed you at.
You could
the help. ill send ya a vid and the
patch when complete..
m
--- padawan12 [EMAIL PROTECTED] wrote:
Actually - I found something interesting. Seems like
you might get away with only
deleting 2 restores, the ones that try to restore
unpack. that doesn't make sense
so I assume
On Thu, 15 Mar 2007 21:26:15 +0100
Frank Barknecht [EMAIL PROTECTED] wrote:
.. but there's always the JO
Smith's website for the formulas.
Ah yes for more advanced, Julius Smith physical modelling guru
http://www-ccrma.stanford.edu/~jos/index.html
Dave Bensons (with the free pdf of his
On Thu, 15 Mar 2007 16:49:13 -0700
shift8 [EMAIL PROTECTED] wrote:
truly - i've learned so much from pd, the help docs (brilliantly
implemented in pd themselves), and all of the rocking folks that share
Yeah, massive community bigup, it's really coming together now. You don't
realise the
] wrote:
i seem to be missing:
lowpass, highpass and pow~
running 0.39.2-extended-test7 on winxp
-josh
padawan12 wrote:
Sorry Hardoff, scratch that last load of rubbish. The parasite synth is the
wrong patch, and I thought I was talking about different oscillators, it
should have been
Dunno if you can make this into anything useful. It's very nasty.
twin vari-slope triangle - chebyshev waveshaper - formant
^ |
|_ FM feedback |
I was trying to get something like a virus sound for a mate who
is into jungle.
If you were ate the Mediamatic Puredata workshop last month then as I promised
attendees here's the notes. Sorry it's taken me a while to get this done, been
busy with other work. Lecture notes/slides as Pd are given for the first session
on message/control and introductory sudio synthesis. The
Don't you hate it when that happens :(
I tried these options and found an error
pd -nomidi -noaudio -nrt -verbose -d 3 ./foruseintargeting2.pd
pdtk_post {
error: }
pdtk_post {canvas_restore: out of context}
pdtk_post {
consistency check failed: }
pdtk_post {t_canvasenvironment}
Segmentation
First thing I tried with it. In fact it dies even with -nogui
Some kind of restore problem I think. So I removed all the restore
commands and now it opens. Well, I say it opens, I think there may
be some usability issues (its borked bigtime).
How can we use the debug output to more precisely
If someone took the trouble to write a robots.txt do please observe it.
A website with limited bandwidth can take a big hit from too many full spiders.
In resonance with another active thread, I still take it as an old fashioned
duty of hacker ethic that we have to lead by example in an age where
: Tue, 6 Mar 2007 17:52:46 +
From: padawan12 [EMAIL PROTECTED]
Subject: Re: [PD] PD vista compatability
To: pd-list@iem.at
Message-ID: [EMAIL PROTECTED]
Content-Type: text/plain; charset=US-ASCII
It's a trap! Get out of there Geert!
On Mon, 05 Mar 2007 22:58:01 +0100
Geert
But I don't think you can update the jitteryness (can I say that)
of metroplus on the fly like with this. For humanising drums this
is the way to go because it seems happy with you updating the
list without any hiccups.
There's some rules for humanising based on anatomy/physical ergonomics,
a
Yes, the problem is because the files are too big for a 32 bit
version of Pd. Try using a disk based file player like [readsf~]
On Tue, 06 Mar 2007 02:05:55 +
gilberto bernardes [EMAIL PROTECTED] wrote:
Dear all,
I'm having a problem in a patch and I would thank all the help. I just
Seems like it worked and you already have the files.
Have a look in your current working directory.
Please could you post the exact command line given
and we can see any possible errors.
On Tue, 6 Mar 2007 02:14:03 -
jared [EMAIL PROTECTED] wrote:
Hey all,
Sorry to keep dragging this
Helpfile B.14.sampler.rockafella may be a good place to start.
On Mon, 5 Mar 2007 14:15:26 -0600
Mike McGonagle [EMAIL PROTECTED] wrote:
I don't want to change the subject (and if needed, we can start a new
thread), but as this might be a related topic, here it is...
What would it take to
It used to work on Linux, but then started inserting a non printable
(square box) character after about 0.36. I've always considered this
temporarily broken and expected it to be fixed very soon.
On Tue, 27 Feb 2007 14:11:21 -0600
David Powers [EMAIL PROTECTED] wrote:
Yes, it's always
Good stuff, thanks for solving these common complex operations
as useful abstractions Chuck.
Just to add a word to the previous discussion, I picked up a little
paperback called Imagining Numbers by Barry Mazur which is a great
idiots introduction to number theory, cartesian and polar forms and
On Sun, 25 Feb 2007 02:50:55 -0500
Chuckk Hubbard [EMAIL PROTECTED] wrote:
Vanilla Pd is so low-level
it's like working on the microsound level the whole time.
A good thing for a composer to experience I reckon, at least for a while.
Improved understanding micro level gives an automatic
On Wed, 21 Feb 2007 10:30:28 +0100
Frank Barknecht [EMAIL PROTECTED] wrote:
A couple of little improvements to specdelay to make it more useful as an
audio effect.
Hallo,
David Powers hat gesagt: // David Powers wrote:
I wish there was an fft for dumbies ... or, I guess, some kind of
[list prepend add]
|
[list trim]
is probably what you want.
On Mon, 19 Feb 2007 22:55:33 -0600
John Harrison [EMAIL PROTECTED] wrote:
I have a very simple problem which I can't seem to figure out.
I have a message coming in from a receive object as defined by the user.
It is what I
, February 08, 2007 11:26 AM
To: padawan12
Cc: [EMAIL PROTECTED]; [EMAIL PROTECTED]; pd-list@iem.at
Subject: Re: [pd] shaper filter
no, it was [~ ]
i think there's probably an [expr~] equivalent, but couldn't be assed
to figure it out.
[expr~ $v1 = $v2] should do
On Wed, 7 Feb 2007 12:19:08 +0100
Steffen [EMAIL PROTECTED] wrote:
I thought we (the potential users of the database) in this phase
could brainstorm and discuss ideas on how we would like it.
Good idea. One I thought of is to have a difficulty/level attribute.
Some examples are too hard for
That's gorgeous. It runs fast on the 550MHz machine here. Shame about
the baudline_jack though, it just crashes, so the only input that works
is /dev/audio
On Wed, 7 Feb 2007 14:27:28 +0100 (CET)
Erich Berger [EMAIL PROTECTED] wrote:
hi,
just got a link from a friend to this software
On Wed, 7 Feb 2007 00:17:01 +0900
hard off [EMAIL PROTECTED] wrote:
cheers denis, thanks for your replies. i want to get something that
does the same job as the shaper filter in the k2000 synthbut from
reading a bit, i still don't have too much idea, but i think that
maybe it's just a
On Wed, 07 Feb 2007 00:16:18 +0100
Malte Steiner [EMAIL PROTECTED] wrote:
actually there was never a Kawai K2000, only K1,K3,K4, K5 and K5000 (and
another K1, K1 II or something like that)
Yeah I had both K5 and K1 for a while. If I remember correctly K1 was 4 part
per voice, just 4 static
On Thu, 01 Feb 2007 20:40:45 +0100
Thomas Mayer [EMAIL PROTECTED] wrote:
thanks for all your suggestions, TAPESTREA looks great
Which reminds me - it's one Raul Diaz should be interested in.
Afair it' wavelet analysis, fourier resynthesis, with the intermediate
domain as the image
Looks like you cut it right for the phase actually.
What I notice looking at it in the editor is quite a bit of VLF, there's
a wobble in there at about 2-4 Hz. Very low frequencies tend to give you
a DC offset mismatch wherever you cut it, so try high passing it at
above 20Hz.
Also, there's a
Hi Echo!
Tip: Don't use files longer than 2 mins :)
Best way is to use [sfread~] instead.
Andy
On Wed, 31 Jan 2007 00:37:54 +0100
Echo Ho [EMAIL PROTECTED] wrote:
hallo pidier
i'm using Core 2 Duo mac book , and i don't know if the flowing
problem is a os x (10.39 pd 0.39.2 extended
That's what I'd assumed too, and a little test with [unsig~], [env~] or
[snapshot~] shows there are still empty (zero filled) blocks passed.
Or, in other words, you can only reduce CPU usage in a chain by explicit
use of [switch~] to turn of DSP computation in subpatches and abstractions.
And I
Hans, please could you give a very quick summary of the mapping library
and the problems it's intended to solve (for those of us who missed the
announce, or forgot).
Cheers
Andy
On Mon, 29 Jan 2007 18:17:49 -0500
Hans-Christoph Steiner [EMAIL PROTECTED] wrote:
Cyrille and I started work on
That's a wonderful explanation and exploration of wavelets Raul.
In particular I think your diagrams of the analysis and resynthesis
processes are very good.
While the idea of wavelet resynthesis isn't new the transformations
you're showing in chapter 3 seem insightful and original.
And
Ah yes I see. Then Roman is closer with [list2symbol].
But you want to concat symbols without the separator (whitespace).
Hmm, not sure, I'll have to pass on that for now.
On Sat, 20 Jan 2007 13:46:47 -0500
[EMAIL PROTECTED] wrote:
hi, thanks for the patch, was only trying to get h, u, and p
No Sam, it's a trap! Run for your life!
Visit http://linux.org for the best upgrades :)
On Mon, 15 Jan 2007 11:44:41 +0100
sam iravanian [EMAIL PROTECTED] wrote:
Hi,
I'm new to PD and currently use a windows based laptop for patching. Vista
being around the corner I had a question:
Is
First account given by Abbot Abbot
http://en.wikipedia.org/wiki/Flatland
and summarised in a more easy going modern form by Rudy Rucker
http://www.2secondfuse.com/archives/rudyruckerthefourthdimensi.html
:)
On Mon, 15 Jan 2007 14:46:52 +0100
Patco [EMAIL PROTECTED] wrote:
Hello, anyone
Sounds good Kyle.
If you listen to old skool house DJs they often use the tone
control to start with only the hi-hats/top of the mix (because that
is where you get the best time acuity) then as the mix fades to the
second part they drop in the bass.
For the mostpart only a few parameters will
!
let us loiter together and know one another
pp
-Original Message-
From: padawan12 [mailto:[EMAIL PROTECTED]
Sent: Fri 1/12/2007 6:40 AM
To: Patrick Pagano
Cc:
Subject:Re: [PD] Shoutcast~ for OS X?
Hi Patrick,
Are you the chap who
I read the .pdf , it looks fun.
It's a multi-temporal sequencer thingy (many timelines, warpable etc)
Outputs OSC packets
That's about it.
On Tue, 9 Jan 2007 19:16:45 -0500
carmen [EMAIL PROTECTED] wrote:
On Tue Jan 09, 2007 at 06:44:11PM -0500, Pall Thayer wrote:
Obviously, it's a niX
/weiss-09.rephlex.mp3
enjoy
gruss
m.weiss
padawan12 schrieb:
I'd love to hear that, but have you got a direct link
to the media, either .mp3 or .ogg - I cannot do Javascript
or Flash sites
cheers
Andy
On Sun, 07 Jan 2007 18:14:50 +0100
m.weiss [EMAIL PROTECTED] wrote
Karlheinz Essl wrote a [last] which will do that.
You could do it with [list split] too if you have a way
to reverse the list.
On Sat, 06 Jan 2007 19:52:35 +0100
carlos katastrofsky [EMAIL PROTECTED] wrote:
dears,
i'm having a list with variable size and would like to read out the last
I could never get that behaviour to work with [list split -1] Pat,
But you just made me realise, Karlheinz [last] is an abstraction...
[inlet]
|
[t a a]
| |
|[list-len]
| |
| [- 1]
| |
[ list split]
. | .
[outlet]
[list-len] is itself an abstraction
Brilliant!
Looks like 2007 is going to be the year of Pd music for real.
Guitar sounds okay to me.
Raises a question - Pd isn't so good with memory soundfiles
(arrays) over 2 mins on a 32 bit word, so did you go
[adc~]
||
[sfwrite~]
Look forward to hear the finished track.
Maybe there's a
Hooray! More Pd music!
I find this kind of ambient/glitch techno is perfect music for programming
to. Some really original minimalistic sounds in there, it's very sparse
unlike my music, I find that refreshing - each sound comes as a surprise
, I like the way rythmns build up and dissolve again.
Any Ideas for how to halt or enable passage of info through sig and
control
patch cords? not a necessary question but would be helpful k
spigot?
Well, [spigot~] maybe. But here's a deeper question... because I would
choose a simple [*~] with a zero or one to gate on and off the audio
bit late for xmas, so happy newyear and best for 2007 all!
here's a Gnomadic tune in the making to round off 2006 for me
(enjoy if you like trance - 4 synths + drums all Pd)
http://obiwannabe.co.uk/sounds/midnight.ogg
andy
hi all,
merry christmas, chanukah (altough late), kwanzaa or whatever
I studied the solution to what you were trying to achieve and I
understand it now. I also missed the context of your earlier post
explaining that you
wanted a single fader to shift between several sources, sorry.
Kyle, here's the patch again, or for anyone else who wants a play.
cheers,
Andy
On Wed, 20 Dec 2006 00:33:39 +0900
hard off [EMAIL PROTECTED] wrote:
it never finds my errors anyway :(
Maybe that means you never have any ;)
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I think Audio Mulch responds to simple note-ons doesn't it?
Try using
[1(
|
[metro 500]
|
[42(
|
[makenote 127 499]
| |
[noteout]
That sends on all midi channels afaik
If you need to change channel - last inlet of noteout
On Thu, 14 Dec 2006 16:42:54 +0100
Daniele F. [EMAIL
Sorry, no coffee yet. I didn't see the noob bit, welcome to the puredat list
- that diagram is probably very confusing.
What it means is a way of showing a Pd patch -
The first object is a message box containing 1,
that gets sent to the metronome which switches it on (0 switches it off),
Nice one Roman, I downloaded a few recently and was
amazed at the variety of noises and rythmns, some brilliant
moments, but as you say - often long periods of dullness.
Maybe a distillation down to the best of when somebody
has time to make edits - Now That's What I call Puredata
and the Greatest
Without looking at your code, one way to deal with reversing is to simply
invert the sign of your timeline, use a [*~ -1] following the [vline~]
and add that to the size of your sample - it will then play from end to
start.
On Wed, 13 Dec 2006 18:48:47 +0100
robbert van hulzen [EMAIL
as for now I think I can count up to 16 777 216.
correct? ok, I can live with that for the moment.
m.
marius schebella wrote:
that's the problem with floats...
another question I have is, how high is it possible to count without
problems?
Indexing tables with very big sizes is one place I've
On Fri, 08 Dec 2006 19:28:22 +0100
derek holzer [EMAIL PROTECTED] wrote:
Hi Frank and the list,
I was searching for some help with nqpoly4 and found this from last July...
Frank Barknecht wrote:
Attached is a reworked version of nqpoly4, which should be compatible
but I only tested it
On 12/8/06, padawan12 [EMAIL PROTECTED] wrote:
Personally I'd drop the freeverb. Lot's of people seem to put a reverb
on their synths then get to see it's really best without
it. Reverb is nearly always global effect in most cases, unless you're
Phil Collins and want your drumkit to sound like
That's wicked fun. It's got loads of sweet spots, I've just been
messing with for it for half an hour and had some hilarious
and some beautiful sounds from it. You've got a 4 op FM algorithm
with fully connected feedback so the range is huge, and I love the
extra filtermaina where you're using
And thre's 7.stuff-synth-1.poly.synth.pd, a good example of polyphony
allocation along with voice parameters.
On Tue, 5 Dec 2006 22:23:14 -0500
Hans-Christoph Steiner [EMAIL PROTECTED] wrote:
There is some FM stuff included in Help-Browser-3.audio.examples
.hc
On Dec 5, 2006, at 8:33
On Mon, 04 Dec 2006 03:58:48 +0100
[EMAIL PROTECTED] wrote:
It's a year since I wrote my first Puredata music, so ..
Wow, thanks for all the very kind words peeps.
An important goal has been proven for me. They were designed to share. I keep
seeing Pd as vital part of what MPEG4-SA was always
On Tue, 5 Dec 2006 13:01:05 -0500
Hans-Christoph Steiner [EMAIL PROTECTED] wrote:
I'd like to propose that we include a default font in the Pd-extended
packages and that anything that uses fonts use the included font.
Second that. Sure, leave the loading of other fonts open, but a
On Mon, 4 Dec 2006 11:03:39 -0500 (EST)
Mathieu Bouchard [EMAIL PROTECTED] wrote:
When I was born, manual was all about punching holes in cardboard and
feeding it to the card-reader. However, when I actually started
programming, manual was about having to press Play at the same time and
Frank and I are slowly working on a teachin document called
six simple synthesisers. It's a bit immature at the moment,
but you can find it on my site.
Also studying some of the very good net-pd examples is
a cool way to see exemplars of separating things out
Good softsynths tend to be built
It's a year since I wrote my first Puredata music, so I remixed pokesdown into
a nicer version (imho). I thought it's a good idea to have a composition page
on obiwannabe, just for things which are sort of complete pieces of music as
puredata files.
bad arse aliased square raves!
Chris.
Yeah baby! In your face freakin foldover !
:)
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A question has come up on the forum which has me scratching my
head. Once again, the differences between abstractions and
subpatches...
In a nutshell, is Pd reenterant? In using an abstraction, is
the code loaded only once and used in all instances? Or,
in other words, is it more space
The solution Marius offered is probably the most
reliable. I've used Jamies [snapshot~] based solution
in many cases it works fine, but sometimes misses a beat.
It's because the blocksize (nominally 64) on which [snapshot~]
operates may not contain the zero you're looking for.
The thing you want
There's a subtle error in your diagnostic procedure. Because disconnecting
[cos~] or [phasor~] causes the click to vanish it doesn't imply strongly
that [cos~] or [phasor~] are the sorce of the problem. :)
Try it with a [sig~ 1] and tell me what you get.
On Wed, 29 Nov 2006 00:01:50 +0900
hard
On Mon, 27 Nov 2006 12:43:08 -0600
Kyle Klipowicz [EMAIL PROTECTED] wrote:
playing trumpet with a hanky
over your hand.
Where does that come from Kyle? Is it something a (in)famous musician actually
used to do? I have a feeling I've heard it before.
Chun gave an entertaining and informative talk on DD saturday
at the FAVE2006 gathering. Watching the multi-stage history/undo
stack and object insert features was really exciting.
Also worth mentioning but slightly OT was Steve Harris overview of
the new LV2 plugin framework. Seems like
On Wed, 15 Nov 2006 13:00:55 +0100
[EMAIL PROTECTED] wrote:
Martin,
We can imagine applications of multidimensional noise.
Yes, the concept is clear enough, for example static on a black
and white television screen is 3D noise (x, y, brightness) and for
a colour picture we can add two or
Going from scratch for a single purpose USB boot I would go the DSL
route because it's so easy, thre's a make USB install script
that adds a filesystem, isolinux and installs the rootfs and all that stuff
for you. Another script allows you to work on the custom image using apt so it's
You couldn't reasonably tag every object with
a cost because that might change for many reasons,
but you can know the load of an object
or patch on your current CPU using the [cputime]
object which shows a percentage scale. You can usually
use it to work out the heavy offenders by muting DSP
with
Yes, convert your control signals to audio rate with [sig~] (maybe interpolate
them too using [line~]) and then use [vcf~] which has an audio rate Cf
I'm not sure about a-rate control od Q though.
On Tue, 31 Oct 2006 17:22:47 +
Þurstan Skallagrimsson [EMAIL PROTECTED] wrote:
In a project
On Tue, 31 Oct 2006 23:33:23 +0100
Roman Haefeli [EMAIL PROTECTED] wrote:
On Tue, 2006-10-31 at 18:55 +0100, derek holzer wrote:
That said, I've found that filters are not exactly PD's strong point.
They tend to blow up much more easily that in other DSP programs I've
used or seen
Nice, point and vector graphics, good interface gui, objective C extensions,
OSC + MIDI ... but MacOSX only and no src, and Lisp code only, no
dataflow visual metaphor :(
Looks like a VJs dream for somebody though.
On Fri, 27 Oct 2006 11:24:18 +0100 (BST)
adam armfield [EMAIL PROTECTED] wrote:
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