Johannes Kreidler wrote:
hi list,
congrats
At the moment, Amazon says that it's not available, which is strange
because it's definitely released, but at least it can be purchased at
the Publishing House itself.
On Wed, 18 Mar 2009, Matt Barber wrote:
If you're doing mod 12 operations, there is one more pitch operator --
multiplication by 5 or 7 -- which maps the chromatic scale to the circle
of fifths and vice-versa.
The vice-versa part is quite cool. Actually, apart from 1,5,7,11, all
On Thu, Mar 19, 2009 at 12:02 PM, Mathieu Bouchard ma...@artengine.ca wrote:
On Wed, 18 Mar 2009, Matt Barber wrote:
If you're doing mod 12 operations, there is one more pitch operator --
multiplication by 5 or 7 -- which maps the chromatic scale to the circle of
fifths and vice-versa.
The
On Thu, 19 Mar 2009, Matt Barber wrote:
Right, in mod-12, the other multiplications are not strictly operations
(there is no inverse).
They are called operations anyway. I don't know your definition of
operation.
They're usually called non-invertible operations, but in a Group
(of Group
mm. When I was studying music theory we used to reserve operation
for a function that was 1 to 1 and onto; I think that usage has been
pretty standard in music theory since 1987, through the work of David
Lewin. Music theorists often screw up standard math terms though, so
I never know what to
On Thu, 19 Mar 2009, Matt Barber wrote:
mm. When I was studying music theory we used to reserve operation
for a function that was 1 to 1 and onto; I think that usage has been
pretty standard in music theory since 1987, through the work of David
Lewin. Music theorists often screw up standard
Hallo,
Kyle Klipowicz hat gesagt: // Kyle Klipowicz wrote:
Frank, I'm curious about how you use list objects in composition. I'd love
to see a little etude from you about that whenever you find the time. You
always make such clear, concise, and fun instructional patches.
That's flattering so
Hallo,
Frank Barknecht hat gesagt: // Frank Barknecht wrote:
- inversion: That's a bit more complicated. Quoting Wikipedia:
Inverted melodies
When applied to melodies, the inversion of a given melody is the
melody turned upside-down. For instance, if the original melody has a
I just wanted to say that this tutorial is really really great,
I hope that much more interested guys will enter pd by working with this
tutorial. thanks johannes!
--
Aufgepasst: Sind Ihre Daten beim Online-Banking auch optimal geschützt?
Jetzt absichern:
A french translation may be a good idea. As I intend to read the book,
I may work on this too. If other french speaker want to contribute we
can join efforts to do this.
Loïc
On Mar 16, 2009, at 9:10 PM, Mathieu Bouchard wrote:
On Mon, 16 Mar 2009, Johannes Kreidler wrote:
I am pleased
Cool! I'll have fun playing with these examples. Thanks for the toot.
~Kyle
On Wed, Mar 18, 2009 at 3:38 AM, Frank Barknecht f...@footils.org wrote:
Hallo,
Frank Barknecht hat gesagt: // Frank Barknecht wrote:
- inversion: That's a bit more complicated. Quoting Wikipedia:
Inverted
Ah, sorry: The patch is correct, but my explanation is wrong. Here's an
update:
In inversion.pd this is realised by walking through the list with list-map.
The
interval to use next is calculated by taking the difference between the
current
element and the previous element. This
A wonderful book.
I have emailed the link to many.
Thankyou for providing a wonderful resource
Geoff
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Hallo Matt,
Matt Barber hat gesagt: // Matt Barber wrote:
Attached is an inversion.pd which is a bit simpler -- usually when
inverting in pitch (rather than pitch-class) it's
easier/simpler/better to invert with respect to an axis of symmetry
rather than with respect to the first pitch in the
jkreid...@gmx.de
Subject: [PD] www.pd-tutorial.com
To: pd-list@iem.at
Message-ID: 49bea495.8060...@gmx.de
Content-Type: text/plain; charset=us-ascii; format=flowed
hi list,
I am pleased to announce that the big pd tutorial I wrote in the last
years with the help of a grant by the Music University
Hallo,
Andy Farnell hat gesagt: // Andy Farnell wrote:
Congrats on finishing it Johannes.
This looks very nice. Some people ask if my book
focuses on sound design, and Millers book focuses on
DSP theory, why is there not a book dedicated to
composition in Pd? Well now there is.
Hm, you
+0100
From: Johannes Kreidler jkreid...@gmx.de
Subject: [PD] www.pd-tutorial.com
To: pd-list@iem.at
Message-ID: 49bea495.8060...@gmx.de
Content-Type: text/plain; charset=us-ascii; format=flowed
hi list,
I am pleased to announce that the big pd tutorial I wrote in the last
years with the help
:
Message: 4
Date: Mon, 16 Mar 2009 20:12:21 +0100
From: Johannes Kreidler jkreid...@gmx.de
Subject: [PD] www.pd-tutorial.com
To: pd-list@iem.at
Message-ID: 49bea495.8060...@gmx.de
Content-Type: text/plain; charset=us-ascii; format=flowed
hi list,
I am pleased to announce that the big pd tutorial I
...@iem.at wrote:
Message: 4
Date: Mon, 16 Mar 2009 20:12:21 +0100
From: Johannes Kreidler jkreid...@gmx.de
Subject: [PD] www.pd-tutorial.com
To: pd-list@iem.at
Message-ID: 49bea495.8060...@gmx.de
Content-Type: text/plain; charset=us-ascii; format=flowed
hi list,
I am pleased to announce
I must say this is a nice text. However, I was hoping to see more in the
department of sequencing/composition. This has great sound design elements,
but I am looking for better ways to compose with Pd.
Frank, I'm curious about how you use list objects in composition. I'd love
to see a little etude
hi list,
I am pleased to announce that the big pd tutorial I wrote in the last
years with the help of a grant by the Music University of Freiburg /
Germany, is now online, in english and in german.
It is also available as a book (paperback) at Wolke Publishing House,
where the bang book was
...@gmx.de wrote:
From: Johannes Kreidler jkreid...@gmx.de
Subject: [PD] www.pd-tutorial.com
To: pd-list@iem.at
Date: Monday, March 16, 2009, 8:12 PM
hi list,
I am pleased to announce that the big pd tutorial I wrote
in the last years with the help of a grant by the Music
University
Hallo,
Jonathan Wilkes hat gesagt: // Jonathan Wilkes wrote:
This looks very nice! I especially like the illustrations like the
dac-speaker in 3.1.1.1.1.
What version of pd is this? I don't recognize some of the object names in
the list-of-all-objects jpg in chapter 2, like active and
On Mon, 16 Mar 2009 20:12:21 +0100
Johannes Kreidler jkreid...@gmx.de wrote:
hi list,
I am pleased to announce that the big pd tutorial I wrote in the last
years with the help of a grant by the Music University of Freiburg /
Germany, is now online, in english and in german.
Congrats on
On Mon, 16 Mar 2009, Johannes Kreidler wrote:
I am pleased to announce that the big pd tutorial I wrote in the last
years with the help of a grant by the Music University of Freiburg /
Germany, is now online, in english and in german.
Wow. But, are there plans for a French translation? If
Wow, that's incredibly readable and useful - bravo!
Miller
On Mon, Mar 16, 2009 at 08:12:21PM +0100, Johannes Kreidler wrote:
hi list,
I am pleased to announce that the big pd tutorial I wrote in the last
years with the help of a grant by the Music University of Freiburg /
Germany, is now
this is awesome!! wow. thanks for this huge effort!
marius.
Johannes Kreidler wrote:
hi list,
I am pleased to announce that the big pd tutorial I wrote in the last
years with the help of a grant by the Music University of Freiburg /
Germany, is now online, in english and in german.
It is
El 16/03/2009, a las 20.42, pd-list-requ...@iem.at escribió:
Message: 4
Date: Mon, 16 Mar 2009 20:12:21 +0100
From: Johannes Kreidler jkreid...@gmx.de
Subject: [PD] www.pd-tutorial.com
To: pd-list@iem.at
Message-ID: 49bea495.8060...@gmx.de
Content-Type: text/plain; charset=us-ascii; format
Just finished scanning all the material, it's a goldmine
of pd musical knowledge. Totally excellent!!!
a.
On Mon, 16 Mar 2009 20:12:21 +0100
Johannes Kreidler jkreid...@gmx.de wrote:
hi list,
I am pleased to announce that the big pd tutorial I wrote in the last
years with the help of a
this looks likely to be a brilliant reference, very balanced language, not too
patronising and not too convoluted. it presents a number of complex methods
in a straight forward manner, but with enough depth to really build upon.
many congratulations johannes and please pass on my praise to your
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