Hi Cotty,
since i am still a bit confused about all the trains, tubes and such, I'll
give you a call on thursday and we work out how to meet. Then i'll have a
better understanding about the possibilities to come to London.
Bourogh Market is ok with me.
I am still debating about the tripot. I
Scott Loveless wrote:
Howdy, gang! I finally aquired the necessary tools to process my own
film. I also bought a Canon 8400F scanner - mostly, because it comes
with carriers for 35mm slide and print film, and for 120 film.
Basically, I've the means to process, proof and print my own
John Francis wrote:
On Sun, May 01, 2005 at 10:49:22PM -0400, Scott Loveless wrote:
On 4/30/05, Paul Stenquist [EMAIL PROTECTED] wrote:
It's not bogus. Its a comparison of what is accessible to most
photographers working with a normal budget.
I'm going to slightly agree with Paul here.
As am I.
Hi all,
This is a couple of days later than I'd hoped, but here it is. I
still think the scan could use a little improvement but I haven't had
much of a chance to really come to grips with my scanner yet.
It may look a little dark but I liked the way the light zig-zags down
the hill. I
On Sat, 30 Apr 2005, Cotty wrote:
All the open gallery shots are fab as well. Gotta give it
to Dag tho for this month - that's a beauty.
My thoughts too. Alin's shot also caught my eye, but on my monitor the
corner is a bit too dark and the detail is not visible to me.
Well done folks.
I have my first New York Times photo this morning. It's a shot I took
at Detroit's Dream Cruise in 2003. It appears on page D9 in the
National Edition. It might be on a different page in the New York
tri-county edition. And it's from film! I shot it with the LX and the
135/2.5 on Portra 400. I
Interesting pose and composition. I like it. However the shadow detail
is all blocked up, and the image is a bit dark overall. It may have
been overdeveloped, but it's hard to say without seeing the neg.
However, if there's detail in the neg, you can bring it back with an
appropriate scan and
This one is a winner. I love the light modeling. The faces of the two
subjects are beautifully described by the tonal ranges you've captured
therein. I also like the unique framing. It's as though the pic ramps
up to the main subjects. Good work. Very good.
Paul
On May 2, 2005, at 1:08 AM,
Windows XP is supposed to enable Large LBA support automatically. that's
what that little program does. did you install Service Pack 2 version of XP
or older.
Herb
- Original Message -
From: jtainter [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Sunday, May 01, 2005 11:54 PM
On Mon, 2 May 2005, Paul Stenquist wrote:
I have my first New York Times photo this morning.
Well done Paul! Is it available from somewhere?
I hope they pay well, but the kudos noone can take away from you.
Kostas
Damn Paul,
That's Da Bizom!
Fricken Cool...
Cory
- Original Message -
From: Paul Stenquist [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Monday, May 02, 2005 5:58 AM
Subject: My Pic in New York Times
I have my first New York Times photo this morning. It's a shot I took
at
Boris Liberman wrote:
Hi!
[...]
Keith, I did not think of this in terms of population percentage left
after the disaster. I was thinking more in terms of how little people
came to give life to all this multitude of races, skin colors,
characters, appearances, and so on...
This is what amazes
Hi Godfrey
I seem to notice a pattern with most of your photos you show as PAW or PESO:
mostly, I like the idea and the moments you take and I really like b/w
photography.
But, I often disagree strongly with the framing and/or cropping of the
pictures and sometimes,
*for me* important parts have
Hi Mike
My Canon 9900F has a strong magenta cast when not warmed up on the first
scans.
Simply warming up the lamps once does not cure that, after a few preview
scans,
the results are getting better and are quite color neutral.
Sometimes I use the scanner calibration in Scan gear too if the casts
Hi David
I can't see enough details of the landscape here to judge it.
That may be related to the unnecessary small size of the photo, I would
*much* prefer to see more of it than a lot of frames ;-)
Would you like to present it a bit brighter and bigger?
greetings
Markus
Oh and for once this
Got back from Kingston last night, and the show's up. Had to give it
a title (they wanted one of those silly Artist's Statements to go up
on the wall. I didn't want to argue with them that I'm not an
artist...), so I settled on A Second of Spontaneity. Thirty photos
at maybe 1/30th of a second
- Original Message -
From: John Francis
Subject: Re: Apples and Oranges (was Re: Why and How I switched to Canon
(for those who care) long)
What is bogus is to lay the blame for the lowering of photographic
standards at the feet of digital. Even before digital cameras
showed up, it
Popped up some pics. Didn't like the green/red lights, so I converted
most of the pics to quadtones.
http://members.iinet.net.au/~derbyc/BVH2/01.htm
Still puzzles me. Why would the AF on the 85mm be slower than the 77mm?
I'll have to continue the experiment.
D
Derby Chang wrote:
Hi all,
Has
That's great Frank. You deserve some enjoyment of the moment.
Regards, Bob S.
On 5/2/05, frank theriault [EMAIL PROTECTED] wrote:
Got back from Kingston last night, and the show's up. Had to give it
a title (they wanted one of those silly Artist's Statements to go up
on the wall. I didn't
On 5/1/05, Keith Whaley [EMAIL PROTECTED] wrote:
It may be cliche, but it's not a 'tired' one!
I like it a lot.
Very good balance in contrast, by the way. Even the deeper shadows have
some detail and the bokeh is excellent (meaning not noticeable...)
And if it has been processed as you
On Mon, 2 May 2005, frank theriault wrote:
I don't know how many I'll sell; I don't really have high
expectations, but I must say it's really a charge to see stuff up in a
public space, and see total strangers who seem to get something out of
just looking.
Fantastique. Well done Frank.
Thanks Kostas. I have a color version of it on my photo.net page. It's here:
http://www.photo.net/photodb/photo?photo_id=2556636
The Times photo editor asked for a 500k jpeg and did his own BW conversion. I
was surprised that they didn't want a larger file. I went with medium
compression,
I've been a computer professional for 20+ years, so I relate to acronyms...as
long as I know what they stand for. So...what do the following acronyms
denote???
*ist, as in *ist D/DS?
PESO
PAW (Picture a week?)
WTB
GESO
FS
OT
...and any others of interest.
Thanks,
Mitch
BTW, if the
On Mon, 2 May 2005 [EMAIL PROTECTED] wrote:
Thanks Kostas. I have a color version of it on my photo.net page. It's here:
http://www.photo.net/photodb/photo?photo_id=2556636
Thanks. I may have seen it before, actually.
all their photo parameters. When you look through the paper, every
shot
My post for this month's PUG was submitted a bit prematurely. I hit the enter
key before I typed in the back up.
For those interested:
Cameras Lenses ( http://pug.komkon.org/05may/imgp0402.html ) taken of me
others by my wife (from inside our photo bus) with an Optio S in August on THE
*ist, as in *ist D/DS?
Pentax camera model.
PESO
Picture every so often.
PAW (Picture a week?)
Yes.
WTB
Want to buy.
GESO
Gallery every so often.
FS
For sale
OT
Off topic.
John
-- Original Message ---
From: Mitchell Conant [EMAIL PROTECTED]
To:
Way to go Paul.
How fortunate to have the bus marque displaying Dream Cruise.
Was this image for use in an article?
Kenneth Waller
-Original Message-
From: [EMAIL PROTECTED]
Sent: May 2, 2005 9:39 AM
To: pentax-discuss@pdml.net
Subject: Re: My Pic in New York Times
Thanks Kostas. I
Hello Mitchell,
Monday, May 2, 2005, 4:48:49 PM, you wrote:
MC I've been a computer professional for 20+ years, so I relate
MC to acronyms...as long as I know what they stand for. So...what do
MC the following acronyms denote???
MC *ist, as in *ist D/DS?
yes
MC PESO
Picture Every So Often (for
One of the largest natural occurances of 600mm lenses occurs in this park!
Har!
Fred
BTW, if the maintainers of this list are looking in; has the digest option
always been there? When I first signed up I was receiving individual messages.
Maybe I missed something when I signed up the first time; if this is something
new, thanks.
Yep, we've always had the digest option. It's
- Original Message -
From: Derby Chang
Subject: GESO: BVH redux (Re: FA*85 and 77mm LTD autofocus)
Still puzzles me. Why would the AF on the 85mm be slower than the 77mm?
I'll have to continue the experiment.
How much more mass does the camera have to shift with the 85?
William Robb
- Original Message -
From: Mitchell Conant
Subject: Acronyms, Acronyms Everywhere!
I've been a computer professional for 20+ years, so I relate to
acronyms...as long as I know what they stand for. So...what do the
following acronyms denote???
*ist, as in *ist D/DS?
Incredibly Stupid
Congratulations, Paul!
John
On Mon, 02 May 2005 10:58:50 +0100, Paul Stenquist
[EMAIL PROTECTED] wrote:
I have my first New York Times photo this morning. It's a shot I took at
Detroit's Dream Cruise in 2003. It appears on page D9 in the National
Edition. It might be on a different page in
Congrats!
Godfrey
On May 2, 2005, at 2:58 AM, Paul Stenquist wrote:
I have my first New York Times photo this morning. It's a shot I took
at Detroit's Dream Cruise in 2003. It appears on page D9 in the
National Edition. It might be on a different page in the New York
tri-county edition. And
Hi;
Didn't see this reach the list, but if it has, I appologize for the
duplication.
Three shots of birds I made this weekend at the Delaware shore. It was a
crummy, windy, misty, overcast day so the colors are extremely muted. I
tried to punch it up a bit and I'm not sure the outcome worked.
Markus Maurer wrote:
Hi Mike
My Canon 9900F has a strong magenta cast when not warmed up on the first
scans.
Simply warming up the lamps once does not cure that, after a few preview
scans,
the results are getting better and are quite color neutral.
Sometimes I use the scanner calibration in Scan
Christian,
I really like the composition simplicity of the two willets reflections on
the beach. Well seen captured.
Best of the three.
Kenneth Waller
-Original Message-
From: Christian [EMAIL PROTECTED]
Sent: May 2, 2005 10:32 AM
To: pentax-discuss@pdml.net
Subject: PESO - birds
frank theriault wrote:
Got back from Kingston last night, and the show's up. Had to give it
a title (they wanted one of those silly Artist's Statements to go up
on the wall. I didn't want to argue with them that I'm not an
artist...), so I settled on A Second of Spontaneity. Thirty photos
at
I like these a lot, particularly the two shots of the wading birds. I think the
subtle contrast coupled with the warm tonality works very well. Excellent.
Paul
Hi;
Didn't see this reach the list, but if it has, I appologize for the
duplication.
Three shots of birds I made this weekend
- Original Message -
From: Kenneth Waller [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Monday, May 02, 2005 10:43 AM
Subject: Re: PESO - birds from this weekend - resend
Christian,
I really like the composition simplicity of the two willets
reflections on the beach. Well
When Skill meets opertunity.
Terrific!
Jack
--- Kenneth Waller [EMAIL PROTECTED] wrote:
Way to go Paul.
How fortunate to have the bus marque displaying
Dream Cruise.
Was this image for use in an article?
Kenneth Waller
-Original Message-
From: [EMAIL PROTECTED]
Sent: May 2,
On 2/5/05, Paul Stenquist, discombobulated, unleashed:
I have my first New York Times photo this morning. It's a shot I took
at Detroit's Dream Cruise in 2003. It appears on page D9 in the
National Edition. It might be on a different page in the New York
tri-county edition. And it's from film!
On Mon, 02 May 2005 15:08:47 +0100, William Robb [EMAIL PROTECTED]
wrote:
*ist, as in *ist D/DS?
Incredibly Stupid Title.
The * is put there to confuse people.
Even more so, it confuses computers. Searching for *ist is a recipe for
apoplexy.
John
--
Using Opera's revolutionary e-mail
On 2/5/05, Christian, discombobulated, unleashed:
Three shots of birds I made this weekend at the Delaware shore. It was a
crummy, windy, misty, overcast day so the colors are extremely muted. I
tried to punch it up a bit and I'm not sure the outcome worked. I also
thought about a BW
Bill,
If I hear you correctly, you are saying that consumers wanted a much
larger quantity of inferior photos rather than a smaller quantity of
superior photos. And that is just what they got.
--
Best regards,
Bruce
Monday, May 2, 2005, 5:46:44 AM, you wrote:
WR - Original Message
On Mon, 2 May 2005 [EMAIL PROTECTED] wrote:
I once saw the car and owner that is prominent in this pic behind me
at a stoplight on Woodward. I got out of my car and walked back to
him. I asked him if he had ever seen his car in the magazine. I told
him I'd give him a print if he wanted one,
On Mon, 2 May 2005, Bob W wrote:
It's easy when you know how...
snip
http://www.playdamage.org/market%2Do%2Dmatic/
Excellent, and only 1.30/10 on the Wonderful W4nk0meter
For anybody who's interested, and can get British TV Channel 4, there is a
programme on tonight at 9pm about Homo Floresiensis, the so-called Hobbit
they found on Flores Island last year.
http://www.channel4.com/science/microsites/S/science/body/hobbit.html
Not everyone is convinced that it's a
Sometimes called Luck - when preparation meets opportunity.
Kenneth Waller
-Original Message-
From: Jack Davis [EMAIL PROTECTED]
Sent: May 2, 2005 10:53 AM
To: pentax-discuss@pdml.net
Subject: Re: My Pic in New York Times
When Skill meets opertunity.
Terrific!
Jack
--- Kenneth Waller
That's always what consumers as an aggregate group want and get.
Consumer car stereos produce thumping bass, and lousy overall sound.
Computers have measurably blazingly fast processors, and immesurably
sluggish operating systems. 8MP digital cameras exist for their high
pixel counts, but the
Thanks for the additional info. I was very curious about seeing that
load of big lenses in bad weather. The extra clarification makes
viewing the picture even more enjoyable.
--
Best regards,
Bruce
Monday, May 2, 2005, 6:51:33 AM, you wrote:
KW My post for this month's PUG was submitted a
Congrats on the show, Frank!
Did you manage to take any pics of the prints in situ?
Sounds like it's been well received already. Hope it
nets you lots of sales.
Wendy
--- frank theriault [EMAIL PROTECTED] wrote:
Got back from Kingston last night, and the show's
up. Had to give it
a title
That's great, Frank - it's nice to be able to savor the moment. Your title
and the underlying concept are excellent!
- MCC
- - - - - - - - - - - - - - - - - - - -
Mark Cassino Photography
Kalamazoo, MI
www.markcassino.com
- - - - - - - - - - - - - - - - - - - -
On 5/2/05, frank theriault [EMAIL
Awesome, Paul! Congrats!
- MCC
- - - - - - - - - - - - - - - - - - - -
Mark Cassino Photography
Kalamazoo, MI
www.markcassino.com
- - - - - - - - - - - - - - - - - - - -
- Original Message -
From: Paul Stenquist [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Monday, May 02, 2005
Nice composition - not a subject one sees everyday either.
- MCC
- - - - - - - - - - - - - - - - - - - -
Mark Cassino Photography
Kalamazoo, MI
www.markcassino.com
- - - - - - - - - - - - - - - - - - - -
Jostein wrote:
All comments appreciated.
http://oksne.net/paw/IMGP6258-sporehus.html
Thanks
How very nice for you, Paul. I think it's great that the NY Times would
publish one of your photos. Next stop, the cover of the National Review
;-))
Hi Scott ...
Well, you asked, so here goes:
First, it's great to see someone else moving into the darkroom and
exploring the possibilities of BW photography. Good for you.
The lack of detail in your wife's hair, the blouse, and the shadow under
her wrist, probably the result of an under
I'm much impressed with the ideas set forth in the Guardian article.
Given that I read it first, when I went back and read the 'channel 4'
description, I was less inclined to believe what they set forth..
I will be following the story, as time goes on.
Thanks, keith
Bob W wrote:
For anybody
Next stop, the cover of the National Review
;-))
or the Enquirer VBG
Kenneth Waller
-Original Message-
From: Shel Belinkoff [EMAIL PROTECTED]
Sent: May 2, 2005 12:04 PM
To: pentax-discuss@pdml.net
Subject: Re: My Pic in New York Times
How very nice for you, Paul. I think it's great
On Mon, May 02, 2005 at 06:46:44AM -0600, William Robb wrote:
- Original Message -
From: John Francis
What is bogus is to lay the blame for the lowering of photographic
standards at the feet of digital. Even before digital cameras
showed up, it was getting increasingly difficult
LOL ... you sometimes have a way with words, John.
Shel
[Original Message]
From: John Francis
the well-established march to mediocrity.
I've just spent a few days in Prague, an absolutely wonderful city, during
which Frantisek (despite being a little tired from a party the night
before) very kindly showed me where to find a bar without tourists. No
easy task. He then took me to a restaurant near Prague Castle where we
Windows XP is supposed to enable Large LBA support automatically. that's what
that little program does. did you install Service Pack 2 version of XP or
older.
Yes, Herb, SP2. I am finding that XP does not do a lot of things it is supposed
to. As long as it is working I am not going to wonder
Something from last summer.
http://www.oksne.net/paw/lynx.html
All comments appreciated, and thanks for looking.
Jostein
Thanks Mark,
It's certainly one of those subjects that are easy to overlook. :-)
Cheers,
Jostein
- Original Message -
From: Mark Cassino [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Monday, May 02, 2005 5:59 PM
Subject: Re: PESO: Spore capsule
Nice composition - not a subject one
It has been mentioned here before that there is an internal counter
that would indicate the actual number of shutter cycles/images taken
with the *istD. Seeing how I have two bodies and both have cycled
past the 10K mark, I am quite curious to know the exact count on each.
I found shortly after
Good capture. Looks like you grabbed this one at just the right moment.
Wonderful color and detail. I like it.
Paul
Something from last summer.
http://www.oksne.net/paw/lynx.html
All comments appreciated, and thanks for looking.
Jostein
Well done!
Shel
[Original Message]
From: Jostein
http://www.oksne.net/paw/lynx.html
All comments appreciated, and thanks for looking.
Jostein
Well seen captured. Wouldn't change a thing.
What really makes this is the mom's look.
Kenneth Waller
-Original Message-
From: Jostein [EMAIL PROTECTED]
Sent: May 2, 2005 1:53 PM
To: pentax-discuss@pdml.net
Subject: PESO: Lynx mother
Something from last summer.
- Original Message -
From: Jostein [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Monday, May 02, 2005 1:53 PM
Subject: PESO: Lynx mother
Something from last summer.
http://www.oksne.net/paw/lynx.html
Awesome! Very well captured. Did you have to shoot through glass?
On 2/5/05, John Forbes, discombobulated, unleashed:
Love the tiger.
You've seen the light!
10.4 ;-)
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
||=|http://www.cottysnaps.com
_
On 2/5/05, Jostein, discombobulated, unleashed:
Something from last summer.
http://www.oksne.net/paw/lynx.html
All comments appreciated, and thanks for looking.
Jostein
Stunning work mate. Those eyes are unbelievable.
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
On 2/5/05, John Forbes, discombobulated, unleashed:
, here is Fra looking slightly glazed in the restaurant. It was
late. Low light, SMCP-K 1:1.2 wide open at 1/4 sec. Who needs flash,
when they've got hands like Steady Stenquist? Or it could be rigor mortis.
Oww, OWWW! The NECK, okay?! Sheesh!
Love it! Great catch, sir!
Keith
Cotty wrote:
On 2/5/05, Jostein, discombobulated, unleashed:
Something from last summer.
http://www.oksne.net/paw/lynx.html
All comments appreciated, and thanks for looking.
Jostein
Stunning work mate. Those eyes are
Thanks, Paul. Frank and I were inspired by the same muse, but at least
mine had a pretty girl in it. :-)
John
PS: Thanks to the Pugging crew.
On Sat, 30 Apr 2005 21:12:26 +0100, Paul Stenquist
[EMAIL PROTECTED] wrote:
Some very nice pics here. I love John Forbes' entry. Fun shot, nicely
Thank you, Shel,
My incompetence with PS is at least in part attributable to the speed with
which simple adjustments can be made in Irfanview.
John
On Thu, 28 Apr 2005 10:02:48 +0100, Shel Belinkoff
[EMAIL PROTECTED] wrote:
For those who use the program, and for those who may want to try it,
The Wa Tutsi, the Wa Ndorobo, the Congo pygmy and the Hottentot are all
examples of homo sapiens, despite being very different from each other.
And they are all from one continent.
John
On Mon, 02 May 2005 16:29:25 +0100, Bob W [EMAIL PROTECTED] wrote:
For anybody who's interested, and can
My trip to Belgium last week was very enjoyable. Thanks to everyone for
their tips and advice!
Thanks sepecially to Thibouille, who met me at my hotel, showed me the
infamous Manneken Pis:
http://www.photo.net/photodb/photo?photo_id=3328096
showed me his favorite local pub:
Hi gang,
For an university excercise, I need a photo of a
mountain landscape (than can pass as a patagonian
landscape), with a road, or a fence or both. Somebody
has one I can use?
Thanks in advance
Albano Garcia
Photography Graphic Design
http://www.albanogarcia.com.ar
This is another great colour picture from the man who doesn't understand
colour. :-)
John
On Wed, 27 Apr 2005 03:05:54 +0100, Shel Belinkoff
[EMAIL PROTECTED] wrote:
I spent a few minutes with these kids, got quite a few shots, and liked
this one the best.
However, even though the color of
My understanding is that one of the PF functions maintains the number of
exposures until the lithium battery on the bottom needs replacing.
Bill
- Original Message -
From: Bruce Dayton [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Monday, May 02, 2005 1:59 PM
Subject: *istD Image
Echo
John
On Mon, 02 May 2005 14:04:46 +0100, frank theriault
[EMAIL PROTECTED] wrote:
On 5/1/05, Keith Whaley [EMAIL PROTECTED] wrote:
It may be cliche, but it's not a 'tired' one!
I like it a lot.
Very good balance in contrast, by the way. Even the deeper shadows have
some detail and the
Congrats, Paul!
The New York Times has a very bad reputation for trying to do copyright
grabs from freelancers. Did they try anything like this on you?
--
Mark Roberts
Photography and writing
www.robertstech.com
Interestingly, in Boris' first site reference, we see several branches
go out from the origin in East Central Africa and come to a stop.
While all the other branches were doing their thing, these particular
end points were just sitting there, cooking!
And making variations on a theme, as you
For the past several years I've been keeping photo-related records
in a crude database made of linked Excel spreadsheets. Despite
performance issues and the nagging feeling that I really, really
ought to replace so crufty a kludge with something that uses a
mSQL, MySQL, Postgress, or 4th
Hello Bill,
The only thing I have seen is a setting to reset the counter or
serialize. That one is not the internal counter - it starts over when
it hits 10,000 (I know from experience). I have mine set to Reset,
which starts the numbering over at 1 on an empty card.
Do you know of something
Indeed.
They were adapting. The forests dwellers became small, the plains
dwellers became tall, and the desert dwellers developed buttocks that can
only be likened to the humps on a camel. They didn't need chairs.
John
On Mon, 02 May 2005 20:57:39 +0100, Keith Whaley [EMAIL PROTECTED]
Whenever I shoot animals in zoos, they look like
animals in zoos. This, on the other hand, is
beautiful.
Rick
--- Jostein [EMAIL PROTECTED] wrote:
Something from last summer.
http://www.oksne.net/paw/lynx.html
All comments appreciated, and thanks for looking.
Jostein
Thanks Mark.
No problem with copyright. The Times' standard freelance contract is for
non-exclusive use. They retain rights to reproduce the pic only for their own
publications, such as NY Times mag and the Herald Tribune. The copyright
remains mine. As far as I know, this is the only
Thanks to both of you. I´ve been planning to take this kind of photo
for a long time, but this theme made me do it.
As one of the responses mail directly to me stated there´s some
nostalgic mood in the picture from the worn equipment. I addition,
nobody wants to buy my A* 85 after seeing
Hi,
Not to give too much away but:
1. the film bears only a passing resemblance to the radio series, books
TV or record. It's actually a more coherent whole...
2. it's worth waiting through the credits, no matter how much of a saddo
that makes you appear. I only did it because I wanted to see
I came across several old Pentax lenses which have probably been in
storage for at least 20 years.
Nothing fancy. There's an 85 mm, a 35 mm, and a standard 50 mm.
They aren't beat up, but when I hold them up and look through them,
there appears to be fine bits of dust on inside surfaces, and
H. Floresiensis is very, very, very different though. The weight of informed
opinion evidence seems to suggest it is not a H. Sapiens. It will be an
interesting story to follow, whatever the outcome.
--
Cheers,
Bob
-Original Message-
From: John Forbes [mailto:[EMAIL PROTECTED]
Nothing fancy. There's an 85 mm, a 35 mm, and a standard 50 mm.
Any 85mm is quite fancy, pricewise at least...
Andre
Jostein wrote:
Something from last summer.
http://www.oksne.net/paw/lynx.html
All comments appreciated, and thanks for looking.
Well spotted [8-)] especially the background. Was this one of a series?
She seems to know you are there and I wondered if it was the shutter
noise that made her look
Nice shot Jostein. I typically distain zoo photos. but this one is very
nice and has much appeal.
Tom C.
From: Jostein [EMAIL PROTECTED]
Reply-To: pentax-discuss@pdml.net
To: pentax-discuss@pdml.net
Subject: PESO: Lynx mother
Date: Mon, 02 May 2005 19:53:35 +0200
Something from last summer.
The article is in their online version, but no picture, unfortunately.
Congratulations, add Stenquist to the Magnum rolls.
Bill Sawyer
Livonia, MI
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Monday, May 02, 2005 10:38 AM
To: pentax-discuss@pdml.net
Ian Lind wrote:
I came across several old Pentax lenses which have probably been in
storage for at least 20 years.
Nothing fancy. There's an 85 mm, a 35 mm, and a standard 50 mm.
They aren't beat up, but when I hold them up and look through them,
there appears to be fine bits of dust on inside
I like both Willet pictures. I like the echo of the foreground bird, in the
shot with the two birds. The outstretched wing in the other shot was
captured beautifuly.
Tom C.
From: Christian [EMAIL PROTECTED]
Reply-To: pentax-discuss@pdml.net
To: pentax-discuss@pdml.net
Subject: PESO - birds
On 5/1/05, William Robb [EMAIL PROTECTED] wrote:
Try this
http://users.accesscomm.ca/wrobb/stuff/3326184.jpg
Thanks, Bill. I appreciate the time you've put into this. I do like
the crop. But I also like having a little space to the right. It's a
matter of aesthetics and I haven't
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