Thanks Markus
But I don't know what you mean by Start -- run -- cmd
ren
IS thas MS DOS commands?
Jens Bladt
mailto:[EMAIL PROTECTED]
http://hjem.get2net.dk/bladt
-Oprindelig meddelelse-
Fra: Markus Maurer [mailto:[EMAIL PROTECTED]
Sendt: 5. juni 2005 05:51
Til: pentax-discuss@pdml.net
http://home.earthlink.net/~scbelinkoff/05.html
Work in Progress - not quite finished - Comments? Crits?
Shel
Hi Shel
This remionds my ofwhat was called Extreeme realism.
Quite nice. But too closly croped in my opinion. Id like to see where the
person is sitting.
Regards
Jens Bladt
mailto:[EMAIL PROTECTED]
http://hjem.get2net.dk/bladt
-Oprindelig meddelelse-
Fra: Shel Belinkoff [mailto:[EMAIL
Hi Jens,
Why? What will showing where she's sitting add to the photograph? Of what
importance is that? Does her position provide a clue? What is Extreme
Realism? Never heard that term..
Shel
[Original Message]
From: Jens Bladt
This remionds my ofwhat was called Extreeme realism.
This one time, at band camp, P. J. Alling [EMAIL PROTECTED] wrote:
No but you can read about them here.
http://www.lensbabies.com/
mike wilson wrote:
I think at the price of $150.00 the money would be better put
towards a shift lens.
Just my $0.02
Kevin
--
Democracy is two wolves and
On 2005-06-04, at 17:53, mike wilson wrote:
I don't find it too much of a problem. If you have the whole rig on a
tripod, you effectively have one hand free. Right hand holding the
boddy and working the shutter release, left hand can work the aperture
ring. Or am I missing something?
If
On 2005-06-04, at 19:12, Cotty wrote:
My point is that it is uncomfortable for me to alter aperture and focus
at the same time with an aperture ring on the lens.
And often zoom too - it seems that operating such a lens would require
very fast left hand ;-)
But that's just me ;-)
Not only,
DS Did I do good? Have those of you who own(ed) the V found it
DS accurate and reliable?
Absolutely. Most accurate and most reliable. (if it is the last
version with only one button for whole range, as the older ones
weren't so good I heard). I now have the digital version because the
damn V was
Just as well the cards could be bad. It's supposed to be a CF
standard, but that's totally untrue. All sorts of incompatibility
problems happen with cameras and cards. Even with big brand names like
Sandisk and Lexar...
Try the cards in other camera too.
Good light!
fra
LM But something else strikes me as rather interesting: is the difference in
LM RAW file size between *istD and D70 really that big? Why would that be so,
LM considering both cameras store basically the same amount of image
LM information? Or don't they?
If I remember correctly:
First, Ist D
Take a look at theese, please:
http://www.flickr.com/photos/bladt/sets/414565/
Regards
Jens Bladt
mailto:[EMAIL PROTECTED]
http://hjem.get2net.dk/bladt
Thanks Markus. Speed Graphics can still be had for a song. They're a
lot of fun.
Paul
On Jun 4, 2005, at 11:07 PM, Markus Maurer wrote:
Hi Paul
just when I started to wonder how all the good photos I see in books
from
the years 1930 - 1970 where possibly made
your email came in :-)
lovely
On Sun, 5 Jun 2005, Jens Bladt wrote:
Thanks Markus
But I don't know what you mean by Start -- run -- cmd
ren
MS Windows. You may need to translate from Danish. Start is what we
see in English versions of the sw as the first thing of the toolbar.
If you click, it has a Run... option; select
Pins inside are OK AFAICS.
Have no other camera.
Both cards are Toshibas.
I'll buy another one of 256MB and see.
But again both Toshibas did work in the D. Weird.
2005/6/5, Frantisek [EMAIL PROTECTED]:
Just as well the cards could be bad. It's supposed to be a CF
standard, but that's totally
Sunday, June 5, 2005, 11:35:52 AM, Thibouille wrote:
T Pins inside are OK AFAICS.
T Have no other camera.
T Both cards are Toshibas.
T I'll buy another one of 256MB and see.
Try it at the shop you bought it from. You don't need to have another
camera... Try it before you buy a new one. Or ask
Sunday, June 5, 2005, 11:24:15 AM, Paul wrote:
PS Thanks Markus. Speed Graphics can still be had for a song. They're a
PS lot of fun.
PS Paul
I would definitely love one! I saw on web some photojournalist
work done with a 'graphic on the 2004 US elections! Quite good
photographs (because good
Hey, Shel. Overall, I like the composition and the exposure. My only
concern is her face - her nose and arm blend together making it hard
to see where her nose stops and her arm starts. It's a bit
distracting. Otherwise, I really like this photo.
On 6/5/05, Shel Belinkoff [EMAIL PROTECTED]
Hi Jens
thanks for your answer raising another question ;-)
what is a Nodal point adapter ?
What about the creation of the thumbnails, manually or some kind of
automatism?
greetings
Markus
-Original Message-
From: Jens Bladt [mailto:[EMAIL PROTECTED]
Sent: Sunday, June 05, 2005 1:59 PM
the software i like to use doesn't compensate for rotation of the images, so
it's harder to match things up on scanned images unless i use unmounted
slides or negatives. since a 5 megapixel camera delivers about all of the
image resolution needed even for large prints, for publication work, a 3
with the *istD, a 300 is enough, but you may find that an f4 to be a little
on the slow side. even for fun, you'll probably find manual focus
frustrating.
Herb
- Original Message -
From: Collin R Brendemuehl [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Sunday, June 05,
only if he has a second body. read the Pop Photo article on pro American
football photographer recently. many have a pair of bodies on a 400/2.8 and
300/2.8 lenses. that's not including something like a 24-70/2.8 zoom. soccer
fields are slightly larger.
Herb
- Original Message -
Markus Maurer wrote:
Hi Jens
thanks for your answer raising another question ;-)
what is a Nodal point adapter ?
The light rays through the lens run something like this:
subject film plane
The image formed at the film plane (or sensor) is therefore upside down.
You need to pivot the whole
I'm not Bruce but I've had the experience of using my *ist-D in
temperatures about 20° below 0°F the camera
worked fine until the cold temperatures caused the batteries output to
drop below the power needed by the camera.
Batteries are the limiting factor.
Markus Maurer wrote:
Hi Bruce
do
Hi Markus
I have a small article about nodla point adapter om my web site:
http://hjem.get2net.dk/bladt/DreamHC/Side25.html
The thumbnails at Flickr are automatically generated.
Regards
Jens
Jens Bladt
mailto:[EMAIL PROTECTED]
http://hjem.get2net.dk/bladt
-Oprindelig meddelelse-
Fra:
For panoramas made with a tlephoto lens, this doesn't really matter much.
For wide angle lenses, the foreground will be a mess - for instance if
theres a tiled square or paving in the forground - this is impossible to get
right without a nodal point adapter. I normally just use af Metz flash
Hi Frantisek,
I've been playing around with portraits using a hand held Speed
Graphic and flash bulbs. As Paul Stenquist said , a Graphic is a lot of fun.
I'd also add that it gets a lot of positive attention too.
What are the major faults to look for in the older models?
There doesn't
Hello Markus ...
Doesn't her body language convey her mood? Can some things in a photograph
be left vague rather than specifically explained, perhaps allowing the
viewer to put his or her own interpretation or feelings into a photograph?
With that thought in mind, does this photo work any
Hmmm there is a pretty sharp delineation between nose and arm on my
monitor, although, since others have mentioned it, I wonder if that could
be in part because I know it's there. I'll look more into that. Thanks
for your comments.
Shel
[Original Message]
From: Scott Loveless
Hey,
Thanks Pancho I'll see about her nose.
Shel
[Original Message]
From: pancho hasselbach
I like it, tonality, framing and the tire. Another one of the old wheels
series :-) ?
What I don't like is the lack of nose, it doesn't separate enough from
the arm.
Shel Belinkoff wrote:
Hi Shel,
On Sun, 5 Jun 2005 07:41:28 -0700, Shel Belinkoff wrote:
Hmmm there is a pretty sharp delineation between nose and arm on my
monitor, although, since others have mentioned it, I wonder if that could
be in part because I know it's there. I'll look more into that.
On 4 Jun 2005 at 8:34, Cotty wrote:
On 3 Jun 2005 at 20:08, Dario Bonazza wrote:
What about an aperture ring around the lens throat of the camera?
Just a thought.
Now this is an innovative, interesting and practical solution, well done
Dario.
But unfortunately the wrong solution ;-)
First, Ist D stores it as 16-bit uncompressed file, even though there
are only 12 bits from the sensor.
Correct... 4 out of 16 bits are taking up space storing NO
information (zeros) on the -D. That's one pixels' worth in 2 bytes. On
the -DS they pack the bits so that they get two pixels in
Hi Shel
her body language *could* say leave me alone, I am not feeling well to me
but also other things...
That's only an interpretation from a viewer of your photograph.
I think, y o u as the photographer are/should be the storyteller Shel, not
me ;-)
I can only speculate about the tire, could
OK, you've convinced me LOL Laurie has been scheduled for a rhinoplasty
later today. She's consulting with the doc right now to determine the best
technique for the desired results.
Shel
[Original Message]
From: Doug Franklin
On Sun, 5 Jun 2005 07:41:28 -0700, Shel Belinkoff wrote:
...Pentax fans, of course :-)
Jens Bladt
mailto:[EMAIL PROTECTED]
http://hjem.get2net.dk/bladt
-Oprindelig meddelelse-
Fra: P. J. Alling [mailto:[EMAIL PROTECTED]
Sendt: 5. juni 2005 15:15
Til: pentax-discuss@pdml.net
Emne: Re: Why choose *ist DL over Nikon or Canon competitors?
I'm
Hello Collin,
Having only shot youth soccer from the sidelines, I can tell you that
400 wouldn't feel too long. The tricky thing is, that the action
really moves around the field - likely much quicker than you can. So
as the action moves towards you, something as short as 50mm to 85mm
might be
Hi
Do we have a focusing screen expert on the list?
Does anyone recognise these screens, I'm looking for alternatives for my KXen.
30802 Microprism focusing screen (curved surface)
30803 Matt focusing screen (curved surface)
30804 Matt focusing screen (curved surface)
30805 Matt + Cross Hair
Since acquiring some non-Pentax gear well over 2 years ago, I can now see
the advantages of not having to lose my comfortable grip on a lens to
alter aperture, particular while attempting manual focus as well. For me,
it's much more ergonomic to alter aperture with a wheel using the right
Now I don't know much about these cameras (tongue in cheek). But some of the
little bit I do know is on my Press Camera website here:
http://presscameras.graywolfphoto.com/index.html
What you have to look out for mostly is that the cameras look easy to work on, but
if you do not know what you
On Sun, 5 Jun 2005, John Whittingham wrote:
Does anyone recognise these screens, I'm looking for alternatives for my KXen.
Does Boz help at all?
http://kmp.bdimitrov.de/focusing/screens/index.html
Kostas (*really* happy with the panorama lines in the Z-1p, sans voir
the results yet)
Sorry if this has already been answered, but I'm getting in on this
discussion in the middle. Have you tried re-formatting the card in a
card reader? If so, was it formatted to the default FAT32 or FAT
(FAT16)? Cards used for photo applications typically need to be
formatted to FAT not
Cotty wrote:
Since acquiring some non-Pentax gear well over 2 years ago, I can now see
the advantages of not having to lose my comfortable grip on a lens to
alter aperture, particular while attempting manual focus as well. For me,
it's much more ergonomic to alter aperture with a wheel using
I have often thought that a compact incident meter would be
useful for times when the TTL meter gets fooled by snow,
etc. Recently I learned of two compact units by Gossen:
http://www.bhphotovideo.com/bnh/controller/home?O=productlistA=detailsQ=sku=278209is=REG
Hi Paul
I have no idea. I normally just delete the files when they are stored.
The cards work great. No problems. It's the files retrieved from the card -
in my portable harddrive, which I can't seem to open or read. Twice within
one month a got a card full of files, that I can't access.
Jens
I finally got around to trying something with this lens modification
(defeating the auto diaphragm mechanism on old style 42mm screw mount
lenses). I tried it out on a Kaligar Auto 2.8/135 42mm screw mount.
(I wonder if anybody knows anything about this lens. My research
didn't turn it up and
Collin,
I don't do any sports photography, but on a soccer field, there are
two white rectangles marked before the goal. The inner one extends 5
meters into the field from the goal, and the outer one extends 16
meters out. I'm not sure how far they go out on the sides. Whenever
there's a
The strategy that worked well for me was
1. Buy a camera, in ex+++ condition with a lens off ebay for $250..300
2. sell the lens back for $100..150
3. End up with a dirt cheap, great looking camera that works with any
modern lens from 58mm to 300mm.
best,
mishka
On 6/5/05, Graywolf [EMAIL
Hopeless sentence in that response.
The inner one extends 5 meters into the field from the goal, and the
outer one extends 16 meters out.
Would be better said
The inner one extends 5 meters onto the field from the goal. The
outer one extends 16 meters onto the field.
Hope that's less
No idea if it will come to fruition, but
there's a major league soccer all-star type of game here in
July.
Is that the one with all the England teams, and David Beckham? They had that
tour on the news when I was in London.
Amita
Joe,
I use flash metering quite often. The times it is useful is when
using studio strobes. In that situation you are wanting to measure
the overall lighting (all manual shooting) and sometimes individual
lights as you work out ratios. For simple on camera flash, the flash
meter would be of
However, if I was Pentax, I wouldn't add such a coaxial ring to the camera,
which is just a possible way for overcoming a mistake.
If I was Pentax,
1) I'd re-engineer the few serious ringless lenses for restoring an
aperture ring back in its proper place.
2) I'd restore the diaphragm
Hi Shel,
I just read that you're wondering why we all can't see her nose while
you can. I wanted to let you know that one of my latest enablements ist
a monitor calibrating device (which I of course have used already), so I
think my display is somewhat trustworthy.
The only part of her face
Yah, but you apparently wanted a cheap view camera, not a press camera. Also you apparently want the type of images new lenses give, not the neat old time look (see Shells recent posts). You would have been better off buying a half-way decent view camera for that that type of use.
1. $250-300
Dario -
The shutter speed wheel is the closer of the two to the shutter button.
On 6/5/05, Dario Bonazza [EMAIL PROTECTED] wrote:
3) I'd standardize the two aperture/shutter speed wheels in any mid- to
top-range camera. And , please, please, the aperture wheel must be on the
front
Kevin Waterson wrote:
This one time, at band camp, P. J. Alling [EMAIL PROTECTED] wrote:
No but you can read about them here.
http://www.lensbabies.com/
mike wilson wrote:
I think at the price of $150.00 the money would be better put
towards a shift lens.
It looked to me as if the
The Zone VI mods add some baffling and additional flare resistance,
although, to be honest, I've not observed any flare with non modified
meters.
From what I understand, Pentax is no longer manufacturing these meters.
The last time I looked I saw a digi Zone VI sell for almost $800.00 on eBay.
On Sun, 5 Jun 2005, Dario Bonazza wrote:
1) I'd re-engineer the few serious ringless lenses for restoring an
aperture ring back in its proper place.
2) I'd restore the diaphragm simulator in any mid- to top-range camera.
3) I'd standardize the two aperture/shutter speed wheels in any mid-
Thanks George.
Yes, someone also pointed me out that some time ago, but I keep finding it
an odd layout (not to speak of the turning direction, which I always have to
try and see what happens to the setting I happened to change ;-).
But I know it's just me, while most (all?) of you have no
On 2005-06-05, at 20:51, Dario Bonazza wrote:
2) I'd restore the diaphragm simulator in any mid- to top-range camera.
It's just neccessary. Some people thought that it could be because they
wanted to introduce some USM/IS lenses which was of course not true.
Aperture simulator was very
I'm no expert on the graflex cameras, but I know the Speed Graphic has
both a focal plane shutter and a leaf shutter. I've never used the
focal plane shutter, but it allows higher shutter speeds. I know the
Speed Graphic has a rangefinder, which is essential for handheld of
course. I had mine
On my monitor there is a rather slight separation between the nose and the
back of the arm. Normally it should be enough (but would really need to see
the print to be sure). Unfortunately there is also a shadow line that runs
in the middle of the arm which exactly meets and extends the nose line.
An designer's decision, not a photographer's one, I'm afraid.
And, for me, a reason for not getting quickly accustomed to such two-wheels
interface after years and years of lens aperture ring operation.
For such a reason (among others) ten years ago I sold my Z1 (purchased one
month before)
I'd bring the 300, the 400, and an 80-200 zoom. That's what I used to
shoot with for American football. I think the fields are of similar
dimensions.
Paul
On Jun 5, 2005, at 8:00 AM, Collin R Brendemuehl wrote:
No idea if it will come to fruition, but
there's a major league soccer
The main advantage of the the speed graphic's focal plane
shutter isnt the faster speed (1/1000) vs. 500 to 200
for typical leaf shuttered lenses, the main advantage of
the focal plane shutter is you can use NON-SHUTTERED barrel
lenses which typically cost only a very small fraction of
the cost of
Yes, I thought that, but then the LCD panel could be a problem, because the
wheel icons (located toward the 2 wheels) also read Av/Tv.
A matrix LCD is probably necessary to change that...
Once again, for solving a problem which has no reason to exist, simply
caused by a wrong decision (IMHO).
A flash meter is handy for studio work with off-camera flash units or
even when using multiple flashes with manual exposures. However, the
preview and histogram on the *istD (S) are just about as efficient. It
rarely takes me more than one or two test exposures to nail it without
my meter.
Dario Bonazza wrote:
Thanks George.
Yes, someone also pointed me out that some time ago, but I keep finding
it an odd layout (not to speak of the turning direction, which I always
have to try and see what happens to the setting I happened to change ;-).
But I know it's just me, while most
May I suggest this as an alternative:
http://www.loreo.com/
Specifically, the 'lens in a cap' which I am told can do perspective
control as well. No, it's not a multi-thousand-dollar Tilt-n-Shift.
Just a fun toy. But costs a lot less than the Lensbaby. I am ordering
one, but have never
Not directly behind the goal, though. As far as I remember from watching on
TV, most of the press are about halfway from the goal mouth to the corner
flag.
--
Cheers,
Bob
-Original Message-
From: Jostein [mailto:[EMAIL PROTECTED]
Sent: 05 June 2005 19:16
To:
On 6/5/05, Graywolf [EMAIL PROTECTED] wrote:
Yah, but you apparently wanted a cheap view camera, not a press camera. Also
you
apparently want the type of images new lenses give, not the neat old time
look (see Shells
recent posts). You would have been better off buying a half-way decent
We call them the 6-yard box and the 18-yard box.
http://www.givemefootball.com/coaching/coach_attack5.html
--
Cheers,
Bob
Football is a simple game; 22 men chase a ball for 90 minutes and at the
end, the Germans win. - Gary Lineker
-Original Message-
From: Jostein [mailto:[EMAIL
Here we go, another self portrait in sunglasses ;-)
Technically not a great thing, sky burnt and so on, just a fun shot. I
_did_ ask the Mrs whether she allowed me to post this one, surprisingly
she said yes.
We were on a little bike stroll, so I took it with my Panasonic digital ps.
I generally prefer M42 lenses which have a manual/auto switch, but in a
pinch, I have found that if you push in the pin with a 'pin', and dribble
some crazy glue on it, it works fine (this may affect resale value...)
Jim
www.jcolwell.ca
Yes, when using flashes with no automatic metering devices. Especially in a
studio.
A seperate flash meter requires a test firering of the flash.
For normal shooting no test shots can be made, thus no need for a flash
meter.
If you ever want to use a studio - later on, the relativly small price
That isn't the point of the lensbaby. If it were I'd agree with you.
Kevin Waterson wrote:
This one time, at band camp, P. J. Alling [EMAIL PROTECTED] wrote:
No but you can read about them here.
http://www.lensbabies.com/
mike wilson wrote:
I think at the price of $150.00 the
A marketers decision is more likely, (Is the Nikon or Canon default the
same I wonder?)
Dario Bonazza wrote:
An designer's decision, not a photographer's one, I'm afraid.
And, for me, a reason for not getting quickly accustomed to such
two-wheels interface after years and years of lens
Hi Kostas
Boz is no help here, these are not the user interchangeable ones.
Panorama lines?
John
John Whittingham
Technician
-- Original Message ---
From: Kostas Kavoussanakis [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Sun, 5 Jun 2005 17:38:19 +0100 (BST)
Subject:
Hi gang,
http://www.flaneur.albanogarcia.com.ar/?p=61#comments
Comments welcome,
Regards
Albano Garcia
Photography Graphic Design
http://www.albanogarcia.com.ar
http://www.flaneur.albanogarcia.com.ar
__
Do You Yahoo!?
Tired of spam?
On 5 Jun 2005 at 21:34, mike wilson wrote:
Not true. This has been aired before; most people like the layout and
control system whilst admitting that they can never remember which way
to turn the wheel. Some people (ahem) cannot even remember which wheel
is which unless they try them.
That's why I went with wax, leaving aside the fact that I've
historically had very little luck with cyanoacrylates. On this lens,
at least, pulling the rear plate off was trivial, which made putting
in wax easy. I have a Pentax 4/50mm macro with the same setup. I'll
have to see what that's
On 5/6/05, P. J. Alling, discombobulated, unleashed:
A marketers decision is more likely, (Is the Nikon or Canon default the
same I wonder?)
Wheel on the front (actually the top by the shutter release) is aperture.
There is no wheel on the back (as in Pentax) - it is a much larger wheel
near
On 5/6/05, Albano Garcia, discombobulated, unleashed:
Hi gang,
http://www.flaneur.albanogarcia.com.ar/?p=61#comments
Comments welcome,
Regards
Beautiful!
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
||=|http://www.cottysnaps.com
_
No idea if it will come to fruition, but
there's a major league soccer all-star type of game here in July.
I'm going to try to get a sideline press pass
Would 300mm be enough for soccer? 400mm?
Would a zoom be more suitable? What range?
Collin
If you're shooting digital, 300 will be
Thanks!
--- Cotty [EMAIL PROTECTED] wrote:
On 5/6/05, Albano Garcia, discombobulated,
unleashed:
Hi gang,
http://www.flaneur.albanogarcia.com.ar/?p=61#comments
Comments welcome,
Regards
Beautiful!
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
At 01.06.05 John Francis wrote:
That's wide enough for me, too.
12-50? I thought it was a 12-24).
At www.fovi.no (scandinavian distributor of Pentax) this baby is named:
DA zoom 12-24mm f:4,0 ED AL (IF). Coming...
Very nice! Where was this taken, and what were the
circumstances? There is something of an air of
mystery about it.
One might crop out the left quarter and bottom
quarter.
Rick
--- Albano Garcia [EMAIL PROTECTED] wrote:
Hi gang,
http://www.flaneur.albanogarcia.com.ar/?p=61#comments
Amita Guha
Sun, 05 Jun 2005 11:39:36 -0700
No idea if it will come to fruition, but
there's a major league soccer all-star type of game here in
July.
Is that the one with all the England teams, and David Beckham? They had that
tour on the news when I was in London.
Amita
This is the
Given my limited selection of lenses
I'll probably put my son's A200/4 on the DS
and my A100/2.8 on the Super Program.
But I'm keeping my eyes open for something longer and fast enough.
GFM has officially concluded for 2005.
A good time was had by all.
Some PDML'ers won awards in the photo contest.
Frank was seen taking digital photos.
(Were they sharp and in focus?)
One PDML'er was publicly pilloried for sleeping thru duties as 'gate boy'.
(Where is Tom van Veen when we need
Interspersed
[Original Message]
From: Leon Mlakar
The way you set the shot suggests you're not after the portrait but after
an
atmosphere/mood/feeling.
There was never any intention of making a portrait, certainly not in a
traditional sense.
There are very little visual clues to indicate
Good work with the light, Albano ... nicely done.
Was it a found scene or did you set it up somewhat?
Shel
[Original Message]
From: Albano Garcia
http://www.flaneur.albanogarcia.com.ar/?p=61#comments
I shot a car this morning for a magazine article. It's an extremely
rare '66 Plymouth Belvedere HP2. This was the car that Chrysler built
to convince NASCAR that the hemi was a production engine. It was a very
basic car with vinyl bench seats and very little trim. Only a couple
thousand were
I have a SMC 50/4 Macro-Takumar which has the auto/man switch. I use it on
my SuperProgam (sold the LX system tonight, sigh), and on EOS 20D/Elan7,
plus on M42 Bellows with all bodies. It's a fine lens.
Jim
www.jcolwell.ca
Kevin Waterson wrote:
This one time, at band camp, Wigwam Jones [EMAIL PROTECTED] wrote:
May I suggest this as an alternative:
http://www.loreo.com/
Specifically, the 'lens in a cap' which I am told can do perspective
control as well. No, it's not a multi-thousand-dollar Tilt-n-Shift.
I had to move some furniture to get at it, but I just dug mine out
and it's the same lens.
At 10:56 PM -0300 6/5/05, Jim Colwell wrote:
I have a SMC 50/4 Macro-Takumar which has the auto/man switch. I use it on
my SuperProgam (sold the LX system tonight, sigh), and on EOS 20D/Elan7,
plus on
Hello Shel,
On my calibrated monitor I have no problem seeing the nose. What I
see here is an image that helps me see into the feelings of Laurie a
bit. She seems frustrated or upset or some such. The image carries a
strong emotion from her and the surroundings give me a feeling of
disregard
It seems to me that Pentax digital SLR cameras have now reached a price
level compeditive to that of 35mm SLR's.
At the Danish Pentax importeres website (Fovitech) the *ist D is now at
10.000 Dkr. The MZ-S (discontinued) is priced at 13.000 Dkr.
When I bought my D in August 2004 the list price i
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