Hi Tan: just got back to read about your problem. If you haven't resolved
it by the time you need to go to the coast, and it helps, my AF330FTZ is
yours for as long as you want it.
Regards
John Coyle
Brisbane, Australia
- Original Message -
From: Tanya Mayer Photography [EMAIL
?
tan.
-Original Message-
From: John Coyle [mailto:[EMAIL PROTECTED]
Sent: Saturday, 10 April 2004 5:09 PM
To: [EMAIL PROTECTED]
Subject: Re: omg - i have my foot in the door (but now I am scared)...
Hi Tan: just got back to read about your problem. If you haven't resolved
it by the time
Sure ... nothing wrong with that, either.
mapson wrote:
just my half thimble-full ...
shel
I feel what Tanya is going through. I would hate to leave the *istD at home
knowing I have it.
BUT maybe it is possible to have 2 bodies. One for digital and a film one.
Digital for those
Just my $0.02 (whats that in Aus?, about $0.03?)
todays exchange US -- OZ
USD United States Dollars 1.32776 0.753147
so US 2c = OZ 2.65c
;-)
(*)o(*)
Robert
[EMAIL PROTECTED]
:[EMAIL PROTECTED]
Sent: Tuesday, 23 March 2004 10:57 PM
To: [EMAIL PROTECTED]
Subject: RE: omg - i have my foot in the door (but now I am scared)...
-Original Message-
From: Tanya Mayer Photography [mailto:[EMAIL PROTECTED]
One question though - I am going to have to work with my lens
From: Rob Brigham [EMAIL PROTECTED]
From: Tanya Mayer Photography [mailto:[EMAIL PROTECTED]
One question though - I am going to have to work with my lens
stopped down due to the excess light. Probably in the realm
of f16. This totally sucks for portraiture as it increases
depth
Hello Tanya,
#7 - I'm not sure if you are totally understanding the high speed synch
issue. P-TTL or TTL for that matter don't rely on camera modes
(AV, TV, P, M), they rely on the amount of light coming into the
camera. So you can set the camera manually if you choose and let the
flash fire
Tanya,
forgot to mention that along with the flash itself, the camera's flash setting needs
to be set to W
HS - wireless and high speed. This is done by repeatedly pressing the
flash button until the two symbols show up.
--
Best regards,
Bruce
Tuesday, March 23, 2004, 7:39:21 AM, you wrote:
From: Rob Brigham [EMAIL PROTECTED]
From: Tanya Mayer Photography [mailto:[EMAIL PROTECTED]
One question though - I am going to have to work with my lens
stopped down due to the excess light. Probably in the realm
of f16. This totally sucks for portraiture as it increases
Hi Tan
Sounds like picking up a ND2 and/or an ND4 filter would be a good idea. If
necessary just get the filter in the largest filter size you use and get
step up rings for the other filter sizes. Also, if you already have it a
polarizer filter is good for 2-3 stops, so your F-16 turns into F-5.6
for something this important, i think best to have a friend as a temporary
assistant to take care of this chore.
Herb
- Original Message -
From: Tanya Mayer Photography [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, March 23, 2004 7:36 AM
Subject: RE: omg - i have my foot
To: [EMAIL PROTECTED]
Subject: omg - i have my foot in the door (but now I am scared)...
Ok, guys, now this is serious stuff. I have just been booked for my
very first fashion shoot for the weekend of 16/17 April. This is not
just any old fashion label though, it is actually for an agency
On Mon, 22 Mar 2004 15:43:17 +1000, you wrote:
Post this question, perhaps shortened to just the basics, to
rec.photo.technique.people, or join z-prophoto group at
http://groups.yahoo.com/group/z-ProPhoto .
Both places have experts in people photography who seem very good at
providing usable
I can't present my client with images of 40 children with underexposed faces
and nicely exposed backgrounds, and likewise, I can't present them with
images of blown out background but perfectly exposed faces...
If anything I would go for underexposed and correctly exposed (background
and
Well, you've got your hands full. Here's a few thoughts to kick around. You have to do
something to control the light to keep the tonal range within the dynamic range of
your recoring media (digital or film). If you don't there will be no such thing as
proper exposure. Two things to use to do
Tan,
After 6 pages of the thumbnails being unusually large (in file size) they
settled down to around 2kb, so I've been able to breeze through the whole
collection of thumbs looking for the rotten exposures. But nothing was as
bad as you suggested, instead I simply found some of the images showed
Hi everyone,
Thanks so much for advice and suggestions...
Firstly to Anthony - I am so sorry to have put you through that! lol. I
was about to post and say to you that the thumbnails are only 2k in size and
I went to my server to realise that I had uploaded the large images into the
thumbnail
Hi Tanya ...
I wasn't going to offer any suggestions as what I know about
the istd and flash wouldn't fill a thimble, but you made a
comment that I can comment upon. You said:
A few of you have suggsted that for this shoot at least, I should go back to
shooting the film as I know it and the
: 22 March 2004 13:23
To: [EMAIL PROTECTED]
Subject: RE: omg - i have my foot in the door (but now I am scared)...
Hi everyone,
Thanks so much for advice and suggestions...
Firstly to Anthony - I am so sorry to have put you through
that! lol. I was about to post and say to you
Hello John,
Why do you say that? She is using an AF360FGZ which does have flash
compensation on it. Instead of dialing it into the body, you dial it
into the flash (like Nikon and others). I used to do as you described
with my PZ-1p's and AF500FTZ and now do the same with the *istD and
16:11
To: John Francis
Subject: Re: omg - i have my foot in the door (but now I am scared)...
Hello John,
Why do you say that? She is using an AF360FGZ which does
have flash compensation on it. Instead of dialing it into
the body, you dial it into the flash (like Nikon and others
Hello Tanya,
Well, that certainly changes things. The AF360FGZ is about the only
flash right now that will allow high speed flash synch and adjustable
compensation for the flash output.
Your other flashes are going to make it slower to work with - you
really need a more versatile backup -
RB on the body? This was what people suggested for the MZ-S?
-Original Message-
From: Bruce Dayton [mailto:[EMAIL PROTECTED]
Sent: 22 March 2004 16:11
To: John Francis
Subject: Re: omg - i have my foot in the door (but now I am scared)...
Hello John,
Why do you say that? She
Actually, I believe the 360 is on the operating table at the moment.
Different John.
On Mon, 22 Mar 2004 08:11:04 -0800, Bruce Dayton [EMAIL PROTECTED]
wrote:
Hello John,
Why do you say that? She is using an AF360FGZ which does have flash
compensation on it. Instead of dialing it into the
I do not have a digital camera, so I can only speak in generalities. But digital
to my understanding is much like slide film. Blown highlights are unrecoverable.
You might try setting exposure compensation to underexpose 1/2 to 2 stops
depending on the brightness of those highlights. I might
If there is an issue with sensors and meters picking up
ambient light and affecting a shot (too dark or washed out)
then using a flash in manual mode may be the easiest option.
For candids where you're working with a consistent
distance from the subject this can work.
If you have a high-output
). as
for the flash problem, i think yours was underpowered for the lighting
conditions, but that is a guess.
Herb...
- Original Message -
From: Tanya Mayer Photography [EMAIL PROTECTED]
To: [EMAIL PROTECTED] [EMAIL PROTECTED]
Sent: Monday, March 22, 2004 12:43 AM
Subject: omg - i have my foot
Hi Tan
repeat this mantra histograms, histograms
Seriously use your histograms often to make sure you're not clipping =
highlights try to stay away or modify very contrasty lighting and =
bracket -1 and -2 ev. Shoot raw for the 16 bit color as it will help =
with smoother tonal transitions.
just my half thimble-full ...
shel
I feel what Tanya is going through. I would hate to leave the *istD at home
knowing I have it.
BUT maybe it is possible to have 2 bodies. One for digital and a film one.
Digital for those that want it. And Film to back you up and have this
security blanket
Ok, guys, now this is serious stuff. I have just been booked for my very
first fashion shoot for the weekend of 16/17 April. This is not just any
old fashion label though, it is actually for an agency. It is a kids
agency, and they want me to shoot 40 kids over two days for their z-cards,
- Original Message -
From: Tanya Mayer Photography
Subject: omg - i have my foot in the door (but now I am scared)...
Ok, guys, now this is serious stuff.
lots of serious stuff here
Come guys, dig into your deepest, darkest pits of knowledge and
someone
please offer me an answer
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