Re: PESO - On the Canal

2014-11-29 Thread pnstenquist
Took a look at this on the big screen. Nice shot of a pretty scene. The 
lifesaver mounts are definitely tri-stars, they're not four-spoke peace signs. 
Could be Daimler logos. Wouldn't be surprised to see that in Berlin. On the 
other hand, they could be just three-point mounts for the lifesavers. But I'd 
guess their logos.

Paul

- Original Message -
 Thanks, Mark.
 
 They're peace symbols. The spokes of the Mercedes Benz trademark are pointed.
 
 Rick
 
 On Nov 29, 2014, at 5:55 PM, Mark C wrote:
 
  Pleasant scene - nice light on the foliage to the right of the frame. Is it
  my imagination or are the life savers in the boat displaying the Mercedes
  Benz logo?
  
  On 11/25/2014 8:45 PM, Rick Womer wrote:
  I crossed this twice a day, at least, walking between my hotel and the
  meeting venue in Berlin. The scenery was reliable; the boat was dumb
  luck.
  
  http://photo.net/photodb/photo?photo_id=17906462size=lg
  
  (K-5, DA 16-45)
  
  Comments?
  
  Rick
  
  
  
  
  
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 http://photo.net/photos/RickW
 
 
 
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Re: PESO - On the Canal

2014-11-29 Thread pnstenquist
Doh...I'd guess They're logos. I hate it when I do that. :-)


- Original Message -
 Took a look at this on the big screen. Nice shot of a pretty scene. The
 lifesaver mounts are definitely tri-stars, they're not four-spoke peace
 signs. Could be Daimler logos. Wouldn't be surprised to see that in Berlin.
 On the other hand, they could be just three-point mounts for the lifesavers.
 But I'd guess their logos.
 
 Paul
 
 - Original Message -
  Thanks, Mark.
  
  They're peace symbols. The spokes of the Mercedes Benz trademark are
  pointed.
  
  Rick
  
  On Nov 29, 2014, at 5:55 PM, Mark C wrote:
  
   Pleasant scene - nice light on the foliage to the right of the frame. Is
   it
   my imagination or are the life savers in the boat displaying the Mercedes
   Benz logo?
   
   On 11/25/2014 8:45 PM, Rick Womer wrote:
   I crossed this twice a day, at least, walking between my hotel and the
   meeting venue in Berlin. The scenery was reliable; the boat was dumb
   luck.
   
   http://photo.net/photodb/photo?photo_id=17906462size=lg
   
   (K-5, DA 16-45)
   
   Comments?
   
   Rick
   
   
   
   
   
   ---
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   protection is active.
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  http://photo.net/photos/RickW
  
  
  
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Re:�

2011-08-02 Thread pnstenquist
Salute! I'm quite happy with the results. And what about you? 
http://akashgroups.biz/beeth.php?sshowtopic=a9od7

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Re: OT Order

2011-01-04 Thread pnstenquist
Ill take the drink. - Cotty cotty...@mac.com wrote:
 On 4/1/11, David J Brooks, discombobulated, unleashed:
 
 I owe them a LOT of drinks when/if we ever meet up.
 
 I'll be happy to take the cash now ;)
 
 --
 
 
 Cheers,
 Cotty
 
 
 ___/\__
 || (O) | People, Places, Pastiche
 -- http://www.cottysnaps.com
 _
 
 
 
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Re: What's the advantage of DNG?

2010-11-25 Thread pnstenquist

- drd1...@gmail.com wrote:

 You can sing raw files to the tune of Rawhide.  ;-). 

I believe that's the most important point yet raised in this thread.
All together now!

Paul
 
  I'm currently trapped in a hotel in Lawrence, KS awaiting a wedding
 so it's getting kind of weird. 
 -Original Message-
 From: eckinator eckina...@gmail.com
 Sender: pdml-boun...@pdml.net
 Date: Thu, 25 Nov 2010 12:32:53 
 To: Pentax-Discuss Mail Listpdml@pdml.net
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: What's the advantage of DNG?
 
 2010/11/25 John Sessoms jsessoms...@nc.rr.com:
 
  And since Panasonic uses .RAW as their raw file extension, all .RAW
 files
  are raw files, but not all raw files are .RAW files.
 
 Which goes to show you all raw files are raw but some are more raw
 than others...
 
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Re: Geso: Flower Calendar Pix complete

2010-09-21 Thread pnstenquist
It's an excellent calendar, Ann. Well done!
Paul
- Ann Sanfedele ann...@nyc.rr.com wrote:

 Jack Davis wrote:
 
 All highly professional shots extremely well presented, Ann.
 2011 in Bloom
 
 
 Jack
 
 
   
 
 oooh, Thanks Jack !
 
 my frisky side thinks of   Just another bloomin' calendar
 
 ann
 
 --- On Tue, 9/21/10, Ann Sanfedele ann...@nyc.rr.com wrote:
 
   
 
 From: Ann Sanfedele ann...@nyc.rr.com
 Subject: Geso:  Flower Calendar Pix complete
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Tuesday, September 21, 2010, 9:04 AM
 http://annsan.smugmug.com/Works-in-Print/Works-In-Progress/Flora-for-Calendar/13821296_i9dWt#1012572838_sVBSa
 
 
 I am pretty sure I'm just going to use the Red lilies for
 the cover shot - instead of doing the  style with 
 all 12 I've done with others.
 any opinions on that are welcome... (insert the usual P.J.
 A. tag line)  
 Now to think of a name beyond just flowers
 
 
 ann
 
 
 
 
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Re: Semi-OT: Advice for a beginner?

2010-09-09 Thread pnstenquist

- John Sessoms jsessoms...@nc.rr.com wrote:

 From: Walter Gilbert
Hi all,
 
  So, here's my situation.  I ran into an old high school friend
 who's
  coaching several athletic teams.  He's seen some of my photography
 and
  asked if I'd be interested in doing some team photos for them --
 soccer
  and basketball.  I told him I'd be interested in doing it, but I've
  never done that sort of thing before.  He essentially said the main
  thing the kids' parents are concerned about is pricing, and feels
 pretty
  confident that I'm competent enough to handle the task based on
 what
  he's seen.
 
  Thing is, given my lack of experience, I'm not sure how much to
 charge
  these parents.  I can go through Walmart for the prints, which seem
 to
  be pretty reasonably priced -- the standard sports package being
  $15.00.  I don't know if any of you have any experience in this type
 of
  work at all, but any guidance would be much appreciated.  I've
 never
  done any sort of professional work at all, so I'm at a bit of a loss
 as
  to how much I can fairly charge these people for my work.  But, I'd
 like
  to be able to make a buck or two someday, if only to subsidize my
  photography addiction.
 
  Are there any rules of thumb or standard formulas that I could go
 by,
  aside from asking other local photographers what they're charging?
 
 
 According to my Portrait instructor at school, your prices should be 
 between 4 and 7 times your cost. Figure your time at whatever rate you
 
 want to pay yourself.
 
 Say there are 20 team members and you spend 2 hours shooting. At $50
 an 
 hour that's a hundred bucks. Split 20 ways, that's $5 per team
 member.
 
 Package from Walmart is $15, so your cost per package is $20.
 
 Your price should be between $80 and $140 per package.
 
 Go higher or lower based on what you think is fair market value.
 

Way too much for that kind of photography. The parents will hang you from the 
rafters in the gym if you ask $80. Figure you're going to sell at least a dozen 
packets. Price them at $20 over cost, and you'll make $240. Not bad for a 
couple hours of work.
Paul

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Re: OT PC thingies

2010-09-06 Thread pnstenquist
I have an iMac 24, a 2009 model. With the brightness turned all the way down 
and the monitor calibrated with my Spyder 2, the prints on both my R2400 and 
R2880 are a virtual perfect match for the monitor. And the publishers I shoot 
for find the levels of my files spot on -- as does the histogram. Perhaps I got 
lucky, but I have no brightness issue with the iMac.
Paul

- Joseph McAllister pentax...@mac.com wrote:

 On Sep 5, 2010, at 10:19 , David J Brooks wrote:
 
  One reason i am hesitant on the iMac over a new PC is, the
 calibration
  for photo work. I am comfortable using the PC and get great results
  with may antiquated set up as is.
  I'm just not sure about the Mac settings on my iBook for prints,
 they
  are off, and would be/will be, worried about the calibration on the
  iMac.
 
 One thing you will learn about the iMac screen is that it is too  
 bright under normal just turned on and booted conditions to make  
 screen matching prints. As an example I boot my iMac, turn the  
 brightness all the way down with the OS software, then adjust the  
 Graphics card's separate brightness to 60% of the iMac's native  
 dimmest brightness using a free piece of software devised just for  
 that purpose. Then I calibrate it using DataColor Colorvision Spyder 
 
 2, not the newest hardware they sell, but good enough for anything 
 
 other than Pro Print reproduction.
 
 In real world terms what that means is my images from my K-7 look a  
 stop to two stops too dark. Once I adjust them to look correct on my 
 
 monitor, they will print perfectly on my Epson 1800, and (to me  
 anyway) look fine on my Gallery.me.com/jomac. I do not adjust the K-7 
 
 exposure in the camera or when I shoot other than slight adjustments 
 
 in exposure depending on the subject. If I tried to, the whites in all
  
 images would be blown.
 
 I don't wish to get involved in the PC/Window discussion other than to
  
 say that many of the arguments proffered are in some ways minor and  
 major, incorrect.
 
 It's really the good old my car's better than your car bullsh*t that
  
 the boys throw around in the locker room. What's best in the long run 
 
 is what fits your lifestyle, makes you comfortable, and doesn't tax  
 your mind-space on a daily basis.
 
  Main thing is the price, PC 1/2 that of a Mac, and now that i don't
 do
  a lot of shows and prints, may not need the Mac.
 
 Maybe true. In both cases, determine what features you need in  
 hardware and software and get that priced out either online or by  
 visiting a few stores before you buy. The quoted price is usually  
 quite a bit lower than the out the door price. My $1800 iMac (the  
 prices have come down a lot and the upgrades less expensive) cost me 
 
 $2500 by the time I added twice the memory, twice the hard drive size,
  
 and the best Graphics card they offered at the time.
 
 Historically speaking, every Apple system I ever purchased directly  
 from Apple, from my Apple ][+ in 1979 through my Mac Plus in 1985, my 
 
 ||fx, my G3, G4, and this iMac, have all cost me $2500. And I've  
 always kept them long enough that they had no intrinsic value, so were
  
 thrown away (after stripping them). The iMac model I have can only be 
 
 upgraded by Apple, other than RAM. The newer versions can, I believe, 
 
 have the hard drive swapped out by the consumer. Prior to the iMac,  
 the desktop Macs were as configurable as any PC. Apple feels that  
 their current designs are trouble-free enough to be a sealed unit. And
  
 I cannot argue that they were wrong from my experience. Rather than  
 pay an Apple tech $100 to install a 1 or 2 TB hard drive in my iMac, I
  
 just keep adding external drives as needed. Current count is eight  
 drives, all USB, varying in size from 500 GB to 1 TB. Sometime this  
 week I'll receive a 2 TB drive via UPS to bring the count to nine  
 drives. Many of these drives are used for backing up the other
 drives.
 
 A trick I read about a year ago or so was how to install my OS X onto 
 
 a keychain type solid state USB dongle of from 4 to 8 GB in size. I've
  
 never had to use it, but if my iMac won't boot some day, I plug it in 
 
 and turn on the Mac. On a 8 GB version, there is plenty of room for a 
 
 bevy of troubleshooting apps.
 
 One last point in favor of Apple. When I have a software problem, they
  
 answer the phone, and a very qualified employee helps me get  
 unconfused. 95% of the time, it's the user, ME, who is being stupid. 
 
 Because, David, they make and support a capable but limited line of  
 high end machines, and they write reasonable software to run on it.  
 Which steps over the gazillion variations of components and software 
 
 that the PC user must master themselves, 'cause no one else knows  
 what's in there.
 
 Aren't you glad I didn't delve into the PC/Windows debate? :-)
 
 Joseph McAllister
 pentax...@mac.com
 
 http://gallery.me.com/jomac
 
 
 
 
 
 
 
 
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Re: OT : Bran Everseeking

2010-08-23 Thread pnstenquist
Darn. Hope you're back on your feet soon, Bran.
Best,
Paul


- Tim Øsleby maritim...@gmail.com wrote:

 I will.
 Get well soon Bran.
 
 --
 MaritimTim
 
 http://maritimtim.blogspot.com/
 
 
 
 2010/8/23 Doug Brewer d...@alphoto.com:
  Seems our buddy Bran has had a heart attack and is hospitalized. He
 reports
  from his bed that he is OK. I know you'll join me in wishing him a
 quick
  recovery.
 
  Doug
 
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Re: On FF but without intent to start a flame

2010-02-24 Thread pnstenquist
I generally use the far outside points to avoid having to reframe excessively. 
Works well for me.
Paul
- William Robb war...@gmail.com wrote:

 - Original Message - 
 From: paul stenquist
 Subject: Re: On FF but without intent to start a flame
 
 
 
 
  Are you using selective autofocus? I use a single point for focus 
  exclusively. When shooting  model, it goes on the eye of course.  I
 
  haven't had any problem getting good focus with the DA* 60-250 or
 the FA 
  50/1.4.
 
 I'm generally using one of the off center cross points as the far
 outside 
 points are virtually useless.
 Put point on eye, push button, pray.
 If I'm stopped down than this works, but wider than f/2.8 it is really
 hit 
 or miss, more often miss, with the miss ratio going up as the aperture
 
 opens.
 And yes, I have my AF tuned to the lens.
 
 William Robb
 
 
 
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Re: k-7 Owners

2009-07-13 Thread pnstenquist
I'd say the K7 autofocus is a wee bit better than the K20D in terms of rapid 
lock in, but not a major difference. And while I haven't tested fully, it seems 
more accurate in terms of no front focus or back focus right out of the box. In 
terms of mechanics, I would say the metering is much better, much more 
accurate. The build quality is also a major step up IMO. In other words, it's 
not a game changer, but it's a definite improvement.
Paul
- Rob Studdert distudio.p...@gmail.com wrote:

 On 14/07/2009, William Robb war...@gmail.com wrote:
 
  I was thinking the same thing until I got my K-7. Unlike it's
 predecessors,
  it's like a real camera only smaller.
 
 Encouraging, I have a love hate relationship with the K20D and I had
 a
 pure hate relationship with my poor AF, 1 degree skewed K10D which
 was
 in the service joint more than it was in my hand.
 
 -- 
 Rob Studdert
 HURSTVILLE AUSTRALIA
 Tel +61-2-9554-4110 UTC +10
 
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Re: Off-List: got the K7 in my hot little hands

2009-06-02 Thread pnstenquist
Of course the synch speed isn't a deal breaker, and I'm looking forward to the 
new camera. But I couldn't control my inner curmudgeon, and felt obligated to 
add a contrarian note to the symphony of praise:-).
Paul

- Doug Brewer d...@alphoto.com wrote:

 paul stenquist wrote:
 
 
  On Mon, Jun 1, 2009 at 6:25 PM, Doug Brewer d...@alphoto.com
 wrote:
  For a few hours on Saturday I did my best to find something to 
  dislike about
  the K7, but I was unsuccessful.
 
  Let me help: The 1/180th synch speed.
  Paul
 
 OK, you got me. I suppose that could be an issue if I ever used that 
 feature.
 
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Re: 2000 mm reflex lens

2009-06-02 Thread pnstenquist
BH started showing the 2000 reflex a couple of months ago I believe. The last 
version of this lens was an M, and it was in production from 1982 to 2004. An 
earlier K version was produced from 1979 to 1982, and I think it was identical. 
Perhaps Pentax told BH that they had enough parts to assemble a couple of 
them. At one time BH promoted the FA 600/4 in the same manner. They're 
probably considered a good clearing house for limited-production specialty 
items. Or maybe BH found some NOS glass in the back room. It's anybody's guess.
Paul
Paul
- Steve Desjardins desjard...@wlu.edu wrote:

 I was poking around the BH website and noticed that they had the
 Pentax 2000mm f13.5 reflex lens.  First I thought it was used but it's
 just special order.  When did that appear?
 
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Re: PESO - Smoking at Queen and Ossington Part I

2009-06-02 Thread pnstenquist
Interesting shot. The cigarette kind of ruins the imagery that the fur 
suggests, doesn't it? But you can tell she's really enjoying that cigarette. 
Good one.
Paul
- frank theriault knarftheria...@gmail.com wrote:

 I was going to post this tomorrow, but since it looks like I might
 not
 be on a computer for a while, I'll do it now:
 
 http://knarfinthecity.blogspot.com/2009/06/smoking-at-queen-and-ossington-part-i.html
 
 Shot from the hip, no cropping (I was pleasantly surprised at the
 framing, all things considered...).
 
 If I have a chance I'll post part II (there's not part three yet)
 later...
 
 Comments always welcome.
 
 cheers,
 frank
 
 -- 
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: PESO: Feet

2009-06-02 Thread pnstenquist
Thanks Luiz. And thanks to all who had a look.
Paul
- Luiz Felipe luiz.fel...@techmit.com.br wrote:

 Good moment, Paul. Very interesting...
 
 LF
 
 Paul Stenquist escreveu:
  DA* 60-250, f6.7 @ 1/1500, ISO 400, 60mm. Continuous autofocus on
 K20D.
  http://photo.net/photodb/photo?photo_id=9278935size=lg
  
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 -- 
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 luiz.felipe at techmit.com.br
 http://techmit.com.br/luizfelipe/
 
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Re: Pentax K7

2009-05-20 Thread pnstenquist
I like it. I just want to be sure that it's the best we'll get for a while 
before I buy one. 
Paul
- John Francis jo...@panix.com wrote:

 On Wed, May 20, 2009 at 01:26:53PM -0500, Nick Wright wrote:
  Good Lord! After months of torturing us with rumors and speculation
  about the camera they've JUST ANNOUNCED TODAY, you all are ALREADY
  yabbering about the NEXT camera! Does it ever end!?!!?!
  
  *winkwink*
 
 Never.  Where would we be without something to complain about?
 
 So far I've seen people who think the camera is underwhelming,
 and others who think the price is out of consideration.  (Perhaps
 this means Pentax are doing it right - it's better this way than
 if all the complaints are in agreement as to just what is wrong).
 
 But, mostly, people (especially here) seem to like what we see.
 Sure, there are a handful of minor upgrades that could be handy
 (1/250 flash sync, 8fps, 1080p video, 2nd SD card slot, ...),
 but in general it looks close to the camera people seem to want.
 
 I look forward to hearing the reports from the folks at GFM, but
 I'm already pretty certain that I'll be ordering a K-7 + D-BG4
 as soon as BH start taking orders. They've got a page for the
 camera, but at present there's no button to place an order).
 
 
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OT: New Jersey Drivers (Was nutty Norwegians)

2009-05-06 Thread pnstenquist
I've had the rare pleasure of commuting to work in LA, Chicago, Detroit and New 
Jersey/NYC, so I feel obliged to correct Scott's disparaging remarks regarding 
New Jersey drivers. While I'm on the subject, I might as well rank the drivers 
that populate the expressways of these fair and not-so-fair metropolitan areas.

My Jersey to New York commute took me down 40 miles of the New Jersey Turnpike 
and Garden State Parkway. Of the four above-named commutes, New Jersey was by 
far the best. For one, New Jersey drivers know what the left lane is for, a bit 
of knowledge that is completely foreign to drivers in many other cities.. The 
left lane on the turnpike moves at a steady 80 mph, and those who don't want to 
go that fast have sense enough to get out of the way. What's more, they know 
where they're going. You don't see a lot of four-lane crossovers in a last 
desperate attempt to get to an exit ramp.

Detroit is second best. Primarily good drivers here, and not too many 
slowpokes. But there's the occasional wreck being driven by a brain-dead 
wretch, so Jersey is better. What's more, the roads here are the worst in the 
nation, so drivers sometimes have to swerve to avoid being swallowed up by a 
canyon-sized pothole. That kind of maneuver can spoil a nice driving style.

LA is pretty bad. A lot of people drive well there and use common sense, but 
you can run into lane monitors on the LA freeways. They drive Volvos and camp 
out in the left lane at 55 mph, sneering all the while. They feel it's there 
civic duty to impose some kind of bizarre go-slow moral code on those of us who 
hustle along. Combined with just way too much traffic on the 10 and 405 in 
particular, the strange behavior of Angelenos makes driving there a nightmare. 

But nothing is as bad as Chicago. Chicago drivers don't have a clue regarding 
the purpose of the left lane. And they change lanes constantly. Plus, there are 
so many wrecks on the road in Chi-Town, the expressways look like junkyards 
come to life. No one knows where they're going, and no one cares. If there's an 
expressway in hell, it probably includes the Edens/Kennedy junction.

And that's all I have to say about that.

Paul

- Scott Loveless sdlovel...@gmail.com wrote:

 On Wed, May 6, 2009 at 9:38 AM, Bob Sullivan rf.sulli...@gmail.com
 wrote:
  And we all give them a wide berth and expect strange things...   Bob
 S.
 
 I have a few I'd like to see implemented here in the States.
 
 Anyone who owns a mini-van should be required to display a V
 sticker
 on all their other vehicles.
 
 Vehicles licensed in New Jersey should be required to display a
 taxi-like marquis on the roof with a flashing NJ that must be
 illuminated whenever the vehicle leaves New Jersey.  Just so the rest
 of us get fair warning.  (License plates are too hard to see 1/4 mile
 away.)
 
 Those people who commute to work alone in a Hummer, bitch about gas
 prices and then refuse to get a minivan to haul their 6 kids around
 should have DH permanently tattooed on their foreheads.  And they
 should have to get the flashing NJ sign even if they're not from NJ.
 
 -- 
 Scott Loveless
 Cigarette-free since December 14th, 2008
 http://www.twosixteen.com/fivetoedsloth/
 
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Re: OT: New Jersey Drivers (Was nutty Norwegians)

2009-05-06 Thread pnstenquist

- Scott Loveless sdlovel...@gmail.com wrote:

 On Wed, May 6, 2009 at 1:42 PM,  pnstenqu...@comcast.net wrote:
  I've had the rare pleasure of commuting to work in LA, Chicago,
 Detroit and New Jersey/NYC, so I feel obliged to correct Scott's
 disparaging remarks regarding New Jersey drivers. While I'm on the
 subject, I might as well rank the drivers that populate the
 expressways of these fair and not-so-fair metropolitan areas.
 
  My Jersey to New York commute took me down 40 miles of the New
 Jersey Turnpike and Garden State Parkway. Of the four above-named
 commutes, New Jersey was by far the best. For one, New Jersey drivers
 know what the left lane is for, a bit of knowledge that is completely
 foreign to drivers in many other cities.. The left lane on the
 turnpike moves at a steady 80 mph, and those who don't want to go that
 fast have sense enough to get out of the way. What's more, they know
 where they're going. You don't see a lot of four-lane crossovers in a
 last desperate attempt to get to an exit ramp.
 
 For the record, I have never been to New Jersey.  My experience with
 the Jersey Jackass is when they're out of their natural habitat.
 

Ah, they're probably frustrated by the slow-moving traffic. Give them a 
turnpike with six lanes in each direction, and they'll b fine.
Paul
 
 -- 
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 Cigarette-free since December 14th, 2008
 http://www.twosixteen.com/fivetoedsloth/
 
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Re: PESO - River of Boats

2009-05-06 Thread pnstenquist
What Cotty said. I like this one a lot.
Paul
- Cotty cotty...@mac.com wrote:

 On 6/5/09, Rick Womer, discombobulated, unleashed:
 
 
 Punts awaiting punters below the Magdalen Bridge in Oxford a couple
 of
 weeks ago:
 
 http://photo.net/photodb/photo?photo_id=9121567
 
 (K10D, DA 50-200)
 
 Perhaps a bit of a cliche...
 
 Very nice Rick.
 
 --
 
 
 Cheers,
   Cotty
 
 
 ___/\__
 ||   (O)  | People, Places, Pastiche
 ||=|http://www.cottysnaps.com
 _
 
 
 
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Re: GESO: fashion photography startout

2009-05-05 Thread pnstenquist
Some imaginative poses. Nice framing for the most part. I'm not wild about the 
hard light on the girl in jeans, but I know some pros are using similar 
techniques. Well done overall.
Paul
- Luka Knezevic-Strika lukastr...@gmail.com wrote:

 Hi all, this is a collection of recent shots, some digital, some on
 film (yashicamat and spotmatic), that I took hoping to emulate the
 style(s) of fashion photography. Any cc will be highly appreciated.
 http://www.flickr.com/photos/tamoneki/sets/72157617701802994/
 Cheers,
 Luka
 
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Re: PESO; Key West lady

2009-04-24 Thread pnstenquist
Thanks Ken. I would have gone with a tad less brightness if I had been able to 
light her eyes with a reflector. As it is, I dodged them a bit and compromised 
some on the overall look.
Paul
- Ken Waller kwal...@peoplepc.com wrote:

 Maybe a tad too bright but still a wonderful capture !
 
 Kenneth Waller
 http://www.tinyurl.com/272u2f
 
 - Original Message - 
 From: pnstenqu...@comcast.net
 Subject: PESO; Key West lady
 
 
 I returned from my Key West, Florida video production job yesterday.
 I was 
 booked on this gig as the writer and director, not as a shooter. But
 I 
 brought my K20D and DA* 16-50 and shot some stills of the production.
 I 
 also had some walkaround time, so I shot a bit of the island. Of
 course, we 
 were shooting the video during the hours of good light, so I
 generally shot 
 either at night or mid day. I'll post some pics when I have time. I
 also 
 shot a few pics of our single actor: a young lady from Orlando who 
 conducted this video tour of a nice Key West resort. She's a real
 runway 
 type: 5'11, size 4. She was also capable of delivering several
 sentences of 
 copy at a time without error. That's important on a low-buck, fast
 and 
 dirty shoot. We had a bathing suit scene in the piece, and I snapped
 a pic 
 of her. Needs a reflector or flash fill, but I like the pose, and
 she's a 
 pretty girl:
 
  http://photo.net/photodb/photo?photo_id=9033392
 
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Re: PESO; Key West lady

2009-04-24 Thread pnstenquist
Thanks Derby.
Paul
- Derby Chang der...@iinet.net.au wrote:

 pnstenqu...@comcast.net wrote:
  I returned from my Key West, Florida video production job yesterday.
 I was booked on this gig as the writer and director, not as a shooter.
 But I brought my K20D and DA* 16-50 and shot some stills of the
 production. I also had some walkaround time, so I shot a bit of the
 island. Of course, we were shooting the video during the hours of good
 light, so I generally shot either at night or mid day. I'll post some
 pics when I have time. I also shot a few pics of our single actor: a
 young lady from Orlando who conducted this video tour of a nice Key
 West resort. She's a real runway type: 5'11, size 4. She was also
 capable of delivering several sentences of copy at a time without
 error. That's important on a low-buck, fast and dirty shoot. We had a
 bathing suit scene in the piece, and I snapped a pic of her. Needs a
 reflector or flash fill, but I like the pose, and she's a pretty
 girl:
 
  http://photo.net/photodb/photo?photo_id=9033392
 

 
 
 Can't stop looking at her. Lovely.
 
 D
 
 -- 
 
 der...@iinet.net.au
 http://members.iinet.net.au/~derbyc
 
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Re: PESO; Key West lady

2009-04-24 Thread pnstenquist
Thanks Bill. 
I did send it to her. Seems she just had a request from her agent for a bathing 
suit shot, so she was pleased.
Paul
- William Robb war...@gmail.com wrote:

 - Original Message - 
 From: pnstenqu...@comcast.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Thursday, April 23, 2009 7:40 PM
 Subject: PESO; Key West lady
 
 
 
 
  http://photo.net/photodb/photo?photo_id=9033392
 
 
 Thats beautiful. Send her a copy. She'll be hard pressed to get a
 better 
 picture of herself.
 
 William Robb 
 
 
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Re: Film is not dead

2009-04-23 Thread pnstenquist

- Paul Sorenson allarou...@earthlink.net wrote:

 According to the web site of one local wedding shooter.  He says...
 
 *Film or Digital?  Don't be fooled - newer isn't always better.  
 Digital is wonderful in the studio - under controlled lighting and
 from 
 short distances - but definitely is not suitable for weddings. 
 Digital 
 is finicky and requires precision exposure that is difficult to attain
 
 under the wide variety of conditions and involved in wedding coverage.
  
 Basically, digital wedding photographers are always adjusting their 
 cameras and reviewing their work when they should be taking pictures. 
 
 At this point, digital simply is too risky.  Many studios have
 switched 
 to digital for one reason - to save money - whereas we don't mind
 paying 
 a little extra for the quality and consistency of film.  We can
 provide 
 you with all of the special effects and retouches being touted by 
 digital wedding photographers.*
 
 He does admit that MF is dead 'cause all his shooters use 35mm.
 
 Food for thought...
 

Bologna



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Re: formatting cards between every use

2009-04-23 Thread pnstenquist
How can you format the car without deleting the last file written??

I reformat as soon as I've transfered the files to a hard drive. (Or to two 
hard drives if they're important shots.) Haven't had any card problems recently 
other than a born-dead Transcend. The only other problems I've ever had were 
due to physical damage to SD cards, usually the lock.
Paul
- Larry Colen l...@red4est.com wrote:

 Per the advice from this list, I picked up the lightroom book by
 Resnick and Spritzer (not to be confused with Resnick and
 Halliday). They make a big deal that you should format the card in
 your camera after every use, and that you shouldn't delete the last
 file written to the card.
 
 I've never had any sort of problems just treating my SD cards like
 hard drives, and only occasionally reformatting. The only card I've
 had problems with is a Patriot 16GB I recently picked up that worked
 a
 charm in the K100, but is spastic in the K20.
 
 Is their advice valid? Valid, even though problems are rare, valid on
 CF, used to be valid, but no longer a problem?
 
 
 -- 
 The fastest way to get your question answered on the net is to post
 the wrong answer.
 Larry Colen l...@red4est.com   
 http://www.red4est.com/lrc
 
 
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Re: I like the light, but don't know what I did

2009-04-23 Thread pnstenquist
Here's what you did: You shot at 7pm. That's probably less than an hour before 
sundown at this time of year, so it's magic hour. The sun is coming from the 
horizon, and it's filtered by a lot of atmosphere. So the color is golden. You 
caught a bit of light spill from open sky in the shade. That's like shooting 
with the ball down in an open area. That's the best light you'll ever find. The 
quantity and quality are partly dependent on atmospheric conditions and the 
presence or absence of clouds, but it's the kind of light that the best 
location shooters look for.
Paul
- Larry Colen l...@red4est.com wrote:

 On Thu, Apr 23, 2009 at 07:23:02PM -0400, David J Brooks wrote:
 
  It may be me, but nothing looks in focus other than the back
 ground.
 
 Yeah, that's why I didn't post it as a show off shot.
 
 There's just something about the light/color that I really
 like. Unfortunately, I can't quite place what it is. Apparantly
 nobody
 else sees it, to tell me what I did. 
 
 I've heard it said that the only thing worse than making a mistake,
 is
 getting something right and not knowing why.
 
  
  So I quit horse show photography and whats the first paw/peso i
 see.:-)
 
   :)
 
 
 -- 
 The fastest way to get your question answered on the net is to post
 the wrong answer.
 Larry Colen l...@red4est.com   
 http://www.red4est.com/lrc
 
 
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Re: Toughts... Pentax and Professional Photography

2009-04-23 Thread pnstenquist

- John Sessoms jsessoms...@nc.rr.com wrote:

 From: William Robb
  - Original Message - 
  From: Timbah!
  Subject: Toughts... Pentax and Professional Photography
  
  
   One of the main problems is I've Pentax. Not kidding. An agency
 will never 
   talk with someone who has Pentax. The minimum is Full Frame,
 which Pentax 
   not planning to release. With a Nikon D700 or Canon EOS 5D (MK1)
 I could 
   start with luck  :) 
  
  
  I take it that agencies no longer care about the quality of the
 photographs 
  so much as some of the less than important aspects of the technology
 of 
  taking them?
  
  William Robb 
 
 Most of 'em never did.
 
 I've been told they don't care what kind of camera I use, as long as I
 
 provide the images in either Nikon or Canon RAW format.
 
 The biggest advantage of shooting Cakon is third party support. Plus,
 if 
 you don't have exactly the lens you need, you can rent it just about 
 anywhere.

The availability of rental equipment is an obvious plus for Canon and Nikon 
shooters. But in regard to providing RAW files in those formats, that's a 
non-issue. I work for a lot of different pubs, agencies, stock houses and other 
clients, and no one has ever requested RAW files. If they did, I'd tell them 
no. Controlling the transition from RAW to tiff is part of the photographer's 
job, his signature if you will. I would never turn over the coarse data that is 
a RAW file. And I know of no working pro who would.
Paul 
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PESO; Key West lady

2009-04-23 Thread pnstenquist
I returned from my Key West, Florida video production job yesterday. I was 
booked on this gig as the writer and director, not as a shooter. But I brought 
my K20D and DA* 16-50 and shot some stills of the production. I also had some 
walkaround time, so I shot a bit of the island. Of course, we were shooting the 
video during the hours of good light, so I generally shot either at night or 
mid day. I'll post some pics when I have time. I also shot a few pics of our 
single actor: a young lady from Orlando who conducted this video tour of a nice 
Key West resort. She's a real runway type: 5'11, size 4. She was also capable 
of delivering several sentences of copy at a time without error. That's 
important on a low-buck, fast and dirty shoot. We had a bathing suit scene in 
the piece, and I snapped a pic of her. Needs a reflector or flash fill, but I 
like the pose, and she's a pretty girl:

http://photo.net/photodb/photo?photo_id=9033392

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Re: Toughts... Pentax and Professional Photography

2009-04-23 Thread pnstenquist

- John Sessoms jsessoms...@nc.rr.com wrote:

 From: pnstenquist
  If you find the jobs, you can do some professional work, regardless
  of equipment brand. But there are far more good photographers than
  there are paid shoots, so you have to dig. There are some imbeciles
  out there who specify brand, but who wants to work for imbeciles? 
  Paul
 
 Well . FWIW, imbeciles often pay well.

I haven't found that to be the case.

 
 It's that ol' A fool and his money ... thingy I guess.
 
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Re: geso - flora and fauna

2009-04-23 Thread pnstenquist
Nice gallery. I LOVE prisoners of Tompkins Square Park.
Paul
- ann sanfedele ann...@nyc.rr.com wrote:

 http://annsan.smugmug.com/gallery/7966405_39Ccx
 
 
 
 
 
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Re: the war on photography

2009-04-22 Thread pnstenquist

- William Robb war...@gmail.com wrote:

 - Original Message - 
 From: mike wilson
 Subject: Re: the war on photography
 
 
 
   Larry Colen l...@red4est.com wrote:
  Bruce Schneier has a link to an amusing story:
  http://www.schneier.com/blog/archives/2009/04/funny_war_on_ph.html
 
  Fitness standards have obviously gone up in the Met.
 
  Someone called in to report people taking photos in a
 suspicious 
  manner about twenty minutes ago. ... We wonder if it was those
 guys we 
  chatted to earlier. We are miles away. 
 
  Not even on bicycles, never mind in a black and white.  Impressive.
 
 I figured that since Britain is like a scale model of a country, the
 mile 
 would be equally scaled down.
 
 William Robb 
 
I've been living out of a suitcase and rarely have time to follow most threads 
here, but sometimes I'm tempted to dive in late and read one of Robb's replies. 
I'm rarely disappointed:-))
Paul


 
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Re: A Show!

2009-04-21 Thread pnstenquist
Congratulations Frank. That's quite an honor, and I know you'll put on a good 
show. 
Paul
- frank theriault knarftheria...@gmail.com wrote:

 Looks like I'll have about 20 photos up in Toronto's City Hall from
 May 13 to 21.  Something to do with Bike Week here in the city.
 They'll be contributing an amount toward printing and will provide
 mounting (no dirty jokes, please).  I'm told that I can put prices on
 them.
 
 I'm kind of stoked.
 
 cheers,
 frank
 
 -- 
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Re: PESO - Spring in the Park

2009-04-21 Thread pnstenquist
The couple makes it more than a bike pic. Good one.
Paul
- frank theriault knarftheria...@gmail.com wrote:

 Being so excited (as I am) about my Bike Week show, I can't help but
 show you this one, which I will very likely be exhibiting:
 
 http://mondociclismo.blogspot.com/2009/04/trinity-bellwoods-park.html
 
 Scroll down and click on image to see full-screen version.
 
 Comments always welcome.
 
 cheers,
 frank
 
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Re: DA*60-250/4 shipping to a couple resellers.

2009-04-21 Thread pnstenquist
Still 749.95 at BH. They haven't listed the DA* 60-250.
Paul
- Adam Maas a...@mawz.ca wrote:

 On Tue, Apr 21, 2009 at 3:40 PM, Bruce Walker bruce.wal...@gmail.com
 wrote:
  Adam Maas wrote:
 
  On Tue, Apr 21, 2009 at 11:38 AM, David J Brooks
 pentko...@gmail.com
  wrote:
 
 
  I waited for so long for this lens for the horse shows, now its
 not
  really needed, and kept putting off the 50-135, which is now more
  useful but more expensive.
 
  I am my father.:-0
 
  Dave
 
 
  Dave,
 
  Herny's outlet has one 50-135 open box going for the old price
 ($899).
 
 
  And McBain's still lists it for $999 brand new -- $1059 after GST
 and
  shipping.
 
  -bmw
 
 
 They must have leftover stock. Pretty much everywhere else has it
 going for $1799CDN now.
 
 
 -- 
 M. Adam Maas
 http://www.mawz.ca
 Explorations of the City Around Us.
 
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Re: Private: Bluebell

2009-04-20 Thread pnstenquist
Sorry to hear about your mishap. Hope you feel better soon.
Paul
- John Whittingham jo...@carmel.ac.uk wrote:

 Hope you both recover fully and quickly.
 
 Best regards,
 
 John
 
 From: pdml-boun...@pdml.net [pdml-boun...@pdml.net] On Behalf Of Bob
 Sullivan [rf.sulli...@gmail.com]
 Sent: 20 April 2009 19:35
 To: Pentax-Discuss Mail List
 Subject: Re: Private: Bluebell
 
 Dave,
 I left turned in front of a Honda on the way to Easter dinner at my
 sisters.
 Never saw the Honda. It's totaled.  My van is in for $8,000 in
 repairs.
 Lynn and I both banged our right knees, but the seatbelt (and maybe
 airbag) got me.
 I look like a crossing guard with a bright 'purple' (not orange) belt
 on.
 The purple is starting to fade into yellows, but the chest still
 hurts
 - sternum in particular.
 Funny, nothing but the knee hurt on the scene, not to the touch or
 anything.
 Now, I've got a string of lumps under my breast and a sore
 breastbone.
 Not a good week here in Chicago...
 Regards, Bob S.
 
 On Mon, Apr 20, 2009 at 12:59 PM, David J Brooks pentko...@gmail.com
 wrote:
  On Mon, Apr 20, 2009 at 1:29 PM, Bob Sullivan
 rf.sulli...@gmail.com wrote:
  Sorry, the question was for Ken.  I didn't mean to clutter the
 list.
  (Feeling a little cranky today as I still hurt from the auto crash
 on Easter.)
  Regards,  Bob S.
 
  Everything ok Bob.
 
  Dave
  --
  Equine Photography
  www.caughtinmotion.com
  http://brooksinthecountry.blogspot.com/
  Ontario Canada
 
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Re: GESO = Jackie Perkins

2009-04-19 Thread pnstenquist
Nice pics. I think 11 is my favorite.
Paul
- Dario Bonazza dario.bona...@virgilio.it wrote:

 Oh, and here are some songs, to get an idea:
 http://www.myspace.com/perkinsjackie
 Dario
 
 Together with Exotique Band, she performed in a small theater in
 Meldola, 
 not far from here.
 Few spectators, and it was a true pity as the show was very nice.
 http://www.dariobonazza.com/jpe.htm
 Comments always welcome.
 Dario
 
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Re: GESO: Meet Dovile :)

2009-04-19 Thread pnstenquist
Nice work. I like the mix of earthtone wardrobe and background with flat light. 
Good stuff.
Paul
- Timbah! tim...@clancode.hu wrote:

 Hi list,
 
 I had a quite terrible friday but it turned to be good in the end. I
 had 
 my first girl-photo-shoot :)
 
 A lituanian girl asked me to do some photos of her and this friday in
 
 heavy rain we went out (thanks for Pentax Weather Sealing) and took
 some 
 pictures.
 
 Well... long story short: We had a good time and in the end I think we
 
 had a few good shots.
 
 http://www.flickr.com/photos/timbah/3452600674
 
 More on my stream.
 
 Regards,
 .timber
 
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Re: Toughts... Pentax and Professional Photography

2009-04-19 Thread pnstenquist
If you find the jobs, you can do some professional work, regardless of 
equipment brand. But there are far more good photographers than there are paid 
shoots, so you have to dig. There are some imbeciles out there who specify 
brand, but who wants to work for imbeciles?
Paul
- Timbah! tim...@clancode.hu wrote:

 One of the main problems is I've Pentax. Not kidding. An agency will 
 never talk with someone who has Pentax. The minimum is Full Frame,
 which 
 Pentax not planning to release. With a Nikon D700 or Canon EOS 5D
 (MK1) 
 I could start with luck :)
 
 Also my equipment really lacks many things to become a professional.
 All 
 the shots with Dovile was made with the FA 50 f1.4 and I had some bad
 
 experience with the focusing speed and accuracy of the K20D.
 
 It also made me think about Pentax and Professional Photography.
 
 Pentax is the very best amateur level camera and so far I know they 
 always were in the 35mm market. The Pentax K20D is a fantastic camera,
 
 but it has some serious downs. The AF is really a pain in the rear 
 sometimes, not to mention the focus feedback with MF lenses. For
 Nature 
 it's very good since you have time, but for sport and fashion it's
 kinda 
 weak. I did 'journalist' photographies with a 40 years old Carl Zeiss
 
 lens (f4/300) and it was way better than the other guy with a Canon
 EOS 
 40D + 70-200 f4 L (said the editor :P), but I often feel the need of 
 something quicker. I did live performance photography yesterday (a
 dutch 
 band called Kraak  Smaak played at Trafalgar Square) and many of my 
 shots seems to be just a little OOF.
 
 The main problem is (I believe) that in this 'running' world you need
 to 
 keep the tempo or you will fail (Minolta is one of the best examples).
 
 Also Samsung seem to be getting independent from Pentax as the EVIL 
 system was developed alone and they don't want to share it with
 Pentax. 
 Without Samsung I wonder how well Pentax will suceed, but I am afraid
 it 
 might have difficulties.
 
 So all in all I wonder what Pentax will do... but they need something
 BIG :)
 
 .t
 
 Ps I can't do professional photography work because I lack the two 
 E-factor: Experience and Equipment :D
 
 Christine Aguila wrote:
  Wow!  Stunning!  You've picked some gorgeous women to photograph.  
  Your style is so distinct, Timber--really great!  Sorry to hear
 about 
  Friday--what was it about last week?
 
  Anyway--I'd follow Cotty's suggestion and get your work out there
 and 
  to the London agencies!
  Cheers, Christine
 
 
 
  - Original Message - From: Timbah! tim...@clancode.hu
  To: Pentax-Discuss Mail List pdml@pdml.net
  Sent: Sunday, April 19, 2009 10:18 AM
  Subject: GESO: Meet Dovile :)
 
 
  Hi list,
 
  I had a quite terrible friday but it turned to be good in the end.
 I 
  had my first girl-photo-shoot :)
 
  A lituanian girl asked me to do some photos of her and this friday
 in 
  heavy rain we went out (thanks for Pentax Weather Sealing) and took
 
  some pictures.
 
  Well... long story short: We had a good time and in the end I think
 
  we had a few good shots.
 
  http://www.flickr.com/photos/timbah/3452600674
 
  More on my stream.
 
  Regards,
  .timber
 
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Re: Channeling Christine Aguilare --or some such

2009-04-19 Thread pnstenquist
Yep. Some fun pics there. 
- William Robb war...@gmail.com wrote:

 - Original Message - 
 From: Bob W p...@web-options.com
 To: 'Pentax-Discuss Mail List' pdml@pdml.net
 Sent: Sunday, April 19, 2009 11:29 AM
 Subject: RE: 
 
 
  
  My friend Lyndsaye wanted to do a themed shoot. She wanted 
  to emulate an 
  entertainer named Christine Aguilare or some such.
 
 Gads, did I really forget to include a subject line?
 
 William Robb
 
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Re: regards PESO 2009 - 052 ...

2009-04-15 Thread pnstenquist
The negative reaction to Shel's critiques erupted after he said a photo was so 
bad that the poster should be ashamed for presenting it here. Most here have no 
problem with negative criticism, and debating the points of a critique 
shouldn't be seen as a bad reaction to the same. 

- Bob W p...@web-options.com wrote:

  I actually miss Shel's  critiques. I learned something. Yes, 
  even though I 
  got hopping mad at him (at  least once, maybe more than once.)
  
  I throw out more negative criticism  than lots do, but I am 
  feeling more 
  and more funny about it, because it seems we  have just 
  gotten down to good 
  shot. Over and over and over. Saying more seems  more and 
  more unwelcome.
  
 
 Good post.
 
 
 
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Re: How to test a 16-50

2009-04-14 Thread pnstenquist
The serious 16-50 fault was an uneven focal plane. Shoot a textured wall at 
f2.8 and f4. Try to keep the camera parallel to the wall. Do several exposures 
to lessen the chance of operator error. Check the results to see if the focus 
is even across the frame. If one side of the frame is in focus and the other 
side is soft, it's probably a bad copy.
Paul
- Toine to...@repiuk.nl wrote:

 Since prices are going up I'm warming up for a 16-50. Would it be
 possible to do some quick tests in the shop to check if it's ok? What
 do I look for? Would a quick test of a wall at f/2.8 and maybe 2-3
 meters distance reveal a lemon?
 
 Toine
 
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Re: PESO: Mad as Hell.....

2009-04-14 Thread pnstenquist
Excellent. Sharp, great color.
Paul
- Ken Waller kwal...@peoplepc.com wrote:

 Check out http://mypeoplepc.com/members/kwaller/offwallphoto/id2.html
 
 A different view of a familiar bird. He posture says it all.
 
 Taken with a K20D, 600mm f4.0 SMC FA, Gitzo 3520 tripod, Kirk King
 Cobra 
 head.
 
 1/400, f8.0 400 ISO
 
 All comments appreciated - good ;-), bad ;-(, or indifferent ;-|
 
 Kenneth Waller
 http://www.tinyurl.com/272u2f 
 
 
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Re: Trading resolution for depth of field

2009-04-07 Thread pnstenquist
That is fun. How did it end up in this awful thred! :-)
Paul
- Christine Aguila cagu...@earthlink.net wrote:

 - Original Message - 
 From: David Savage ozsav...@gmail.com
 
 Me  the camera were set up on the roof, the on camera flash was in
 wireless master mode and the flashes that the models were holding
 were
 in wireless slave mode (ie the on camera flash triggered the flashes
 below) Because we were using a mix of Nikon, Canon  Minolta flashes,
 Nkon CLS  optical triggers, we couldn't get the to all go off at the
 same time. The final shot was still fun:
 
 http://farm4.static.flickr.com/3650/3406984942_4162539cb9_b.jpg
 
 I'm the one in red on the left with the radio shutter release in hand
 :-)
 
 
 This is one cool shot!  What fun!  I want to got to Australia!  :-) 
 Cheers, 
 Christine
 
 
 
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Re: PESO: License

2009-04-07 Thread pnstenquist
I like it. Interesting subject, well rendered.
Paul
- Nick Wright nickwright1...@gmail.com wrote:

 Here's one I took this afternoon. I'm really really liking the colors
 that K100D Super makes.
 
 http://www.nickdavidwright.com/2009/04/license.html
 
 -- 
 ~Nick David Wright
 http://www.nickdavidwright.com/
 
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Re: so that I don't have to reinvent the wheel

2009-04-07 Thread pnstenquist
You could print a negative digital image on clear acetate with an inkjet 
printer and then make a contact print on photographic paper. Of course you 
could make a better print with the inkjet printer.

What's your objective here? You might achieve an interesting result, but I 
doubt that it would be a high quality image.
Paul
- John Sessoms jsessoms...@nc.rr.com wrote:

 Does anyone know of a product that will allow you to project
 [negative] 
 digital images onto paper for traditional BW development?
 
 I'm thinking of something like an enlarger with digital taking the
 place 
 of the condenser and negative holder.
 
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Re: PESO - Blossoms and Bridge

2009-04-07 Thread pnstenquist
The first shot works for me. The softness of the rear blossoms gives way to the 
out of focus arches. I like the look. The second is good as well, but the first 
is a unique perspective.
Paul
- Christine Aguila cagu...@earthlink.net wrote:

 Hi Rick:  For me, the 2nd is just fine as shot.  That's very nice. 
 cheers, 
 Christine
 
 
 - Original Message - 
 From: Rick Womer rwomer1...@yahoo.com
 To: pdml@pdml.net
 Sent: Tuesday, April 07, 2009 3:43 PM
 Subject: PESO - Blossoms and Bridge
 
 
 
  Two more from Wallingford.
 
  http://photo.net/photodb/photo?photo_id=8922537size=lg
 
  and
 
  http://photo.net/photodb/photo?photo_id=8922538
 
  It bugs me a little that the central blossoms in the first pic are
 behind 
  the plane of focus, but it was either them or the closer
 blossoms...
 
  Rick
 
 
 
 
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Re: PESO - Proud Parents

2009-04-07 Thread pnstenquist
I like the framing of this. Well done.
Paul
- Christine Aguila cagu...@earthlink.net wrote:

 Nice one, Frank.  Rendering and composition is great.  Cheers,
 Christine
 
 
 - Original Message - 
 From: frank theriault knarftheria...@gmail.com
 To: Pentax-Discuss Mail List PDML@pdml.net
 Sent: Tuesday, April 07, 2009 8:13 AM
 Subject: PESO - Proud Parents
 
 
  Sunday was a beautiful spring day (unlike today when we awoke to
  freaking snow on the ground!).  I wondered if this was baby's first
  spring day out to the Market?
 
  http://knarfinthecity.blogspot.com/2009/04/proud-parents.html
 
  Comments always welcome.
 
  cheers,
  frank
 
  ps:  note the circle of confusion and dof which is from the camera
 only...
 
  ;-)
 
  -- 
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: PESO boy chases girl

2009-04-07 Thread pnstenquist
Well seen. A fun shot.
Paul
- Christine Aguila cagu...@earthlink.net wrote:

 Hi Everyone:  Just a little constructions site whimsy ;-).
 
 http://faculty.ccc.edu/caguila/boygirl/content/caisson_drilling_5_large.html
 
 comments welcome, cheers Christine 
 
 
 
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Re: PESO: And the mouse said to the elephant...

2009-04-06 Thread pnstenquist
Fun stuff. Well seen.
Paul
- 27...@comcast.net wrote:

 Ralf, that photo planted a smile on my face, Thanks Joe
 www.photo.net/photos/pjjdxn
 
 
 - Original Message -
 From: Ralf R. Radermacher fotor...@gmx.de
 To: Pentax Mailingliste pdml@pdml.net
 Sent: Monday, April 6, 2009 4:30:20 PM GMT -05:00 US/Canada Eastern
 Subject: PESO: And the mouse said to the elephant...
 
 http://www.fotocommunity.de/pc/pc/mypics/770012/display/16612744
 
 Enjoy,
 Ralf
 
 --
 Ralf R. Radermacher  -  DL9KCG  -  Köln/Cologne, Germany
 
 NEW! Blog: http://the-real-fotoralf.blogspot.com  NEW!
 Homepage:  http://www.fotoralf.de
 
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Re: PESO: Tarke Homestead

2009-04-06 Thread pnstenquist
I like this persective. A fascinating scene, well recorded.
Paul
- Jack Davis jdavi...@yahoo.com wrote:

 Thanks for commenting, Bruce. I just like contemplating the history of
 such remnants. How many families under what circumstances for how many
 years and could the answer be somehow recorded within? No, I don't
 believe in the super natural and am not going to spend the night there
 in case the ghosts are friendly. shudder
 
 Jack
 
 
 --- On Mon, 4/6/09, Bruce Dayton bkday...@daytonphoto.com wrote:
 
  From: Bruce Dayton bkday...@daytonphoto.com
  Subject: Re: PESO: Tarke Homestead
  To: Pentax-Discuss Mail List pdml@pdml.net
  Date: Monday, April 6, 2009, 3:26 PM
  Looks like lots of possibilities here.  The light seems to
  be a bit
  strong - this looks like it could be a little more spooky
  with all
  the overgrown weeds and old fence.  Certainly something
  worth
  exploring more with different light and more perspectives. 
  A good
  start, for me.
  
  -- 
  Best regards,
  Bruce
  
  
  Monday, April 6, 2009, 3:07:23 PM, you wrote:
  
  
  JD Beautiful calm 78F afternoon. Had to get out and
  around for awhile.
  JD Am including a link to a long since abandoned
  homestead on Tarke Rd. 
  JD So completely overgrown and impenetrable from the
  front that I
  JD had no option but this side view.
  JD Seems I can't resist such remnants of the past.
  
  JD Jack
  
  JD K10, DA60~45
  
  JD
  http://photolightimages.com/aspupload/detail.asp?ID=403
  
  
  
  JD   
  
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Re: PESO: Triangulation Four

2009-04-04 Thread pnstenquist
Thanks for looking. I don't know that I'd call it abstract. Undefined perhaps. 
I'm trying to utilize a variety of aproaches in this series.

Interesting that my original post hasn't apeared in my mailbox. Others hve 
aparently gotten it.
- Bob Sullivan rf.sulli...@gmail.com wrote:

 Paul,
 That's certainly abstract.
 Regards,  Bob S.
 
 On Sat, Apr 4, 2009 at 3:15 PM, Paul Stenquist
 pnstenqu...@comcast.net wrote:
  Had some time to get back to this today.
 
  http://photo.net/photodb/photo?photo_id=8896639
 
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Re: Triangulation Four

2009-04-04 Thread pnstenquist
Thanks Christine. I agree. And I reserve the right to delete some of them down 
the road:-). It's an experiment.
Paul
- Christine Aguila cagu...@earthlink.net wrote:

 Hi Paul:  of the 4 so far, I think I like this one best. Cheers,
 Christine
 
 
 - Original Message - 
 From: Paul Stenquist pnstenqu...@comcast.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Saturday, April 04, 2009 3:15 PM
 Subject: PESO: Triangulation Four
 
 
  Had some time to get back to this today.
 
  http://photo.net/photodb/photo?photo_id=8896639
 
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Re: The Haircut

2009-04-04 Thread pnstenquist
Thanks much. A fortuitous shot: the barber saw me on the sidewalk and invited 
me in.
Paul
- Christine Aguila cagu...@earthlink.net wrote:

 I love it, Paul!  That's great!  Composition is just perfect!  Cheers,
 
 Christine
 
 
 - Original Message - 
 From: Paul Stenquist pnstenqu...@comcast.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Saturday, April 04, 2009 3:54 PM
 Subject: PESO: The Haircut
 
 
  http://photo.net/photodb/photo?photo_id=8896834
 
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Re: PESO: Triangulation Four

2009-04-04 Thread pnstenquist
Hmmm. It's there Dave.

- David J Brooks pentko...@gmail.com wrote:

 No can see.
 
 Dave
 
 On Sat, Apr 4, 2009 at 4:15 PM, Paul Stenquist
 pnstenqu...@comcast.net wrote:
  Had some time to get back to this today.
 
  http://photo.net/photodb/photo?photo_id=8896639
 
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 -- 
 Equine Photography
 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 Ontario Canada
 
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Re: PESO: The Haircut

2009-04-04 Thread pnstenquist
Thanks Marnie. It was hard to tell if he was conscious:-).
Paul
- eactiv...@aol.com wrote:

 In a message dated 4/4/2009 1:58:15 P.M. Pacific  Daylight Time, 
 pnstenqu...@comcast.net  writes:
 http://photo.net/photodb/photo?photo_id=8896834
 
 ===
 Very  nice! The kid certainly looking like he is anxious about the 
 haircut.
 
 Marnie aka Doe  :-)
 
 -
 Warning: I am now  filtering my email, so you may be censored.  
 
 **Worried about job security? Check out the 5 safest jobs
 in a 
 recession. 
 (http://jobs.aol.com/gallery/growing-job-industries?ncid=emlcntuscare0003)
 
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Re: PESO: Triangulation Four

2009-04-04 Thread pnstenquist
I like that!

- Fernando fer.p...@gmail.com wrote:

 I had a how-the-heck-is-that-triangle-suspended-in-the-sky moment
 
 On Sat, Apr 4, 2009 at 4:15 PM, Paul Stenquist
 pnstenqu...@comcast.net wrote:
  Had some time to get back to this today.
 
  http://photo.net/photodb/photo?photo_id=8896639
 
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 http://www.flickr.com/photos/ferand/
 
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Re: PESO: The Haircut

2009-04-04 Thread pnstenquist
Thanks Fernando.
- Fernando fer.p...@gmail.com wrote:

 I like it Paul, a nice candid, great composition, crisp and timeless.
 
 On Sat, Apr 4, 2009 at 4:54 PM, Paul Stenquist
 pnstenqu...@comcast.net wrote:
  http://photo.net/photodb/photo?photo_id=8896834
 
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Re: PESO: Triangulation Four

2009-04-04 Thread pnstenquist
Thanks for looking. I'll settle for interesting:-)
Pau
- eactiv...@aol.com wrote:

 In a message dated 4/4/2009 1:16:25 P.M. Pacific  Daylight Time, 
 pnstenqu...@comcast.net writes:
 Had some time to get back to  this  today.
 
 http://photo.net/photodb/photo?photo_id=8896639
 
 =
 Interesting  shot, but doesn't do a lot for me.
 
 Marnie aka Doe  :-)
 
 -
 Warning: I am now  filtering my email, so you may be censored.  
 
 **Worried about job security? Check out the 5 safest jobs
 in a 
 recession. 
 (http://jobs.aol.com/gallery/growing-job-industries?ncid=emlcntuscare0003)
 
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Re: PP question, sharp and unsh

2009-04-03 Thread pnstenquist
Sometimes. Although they shouldn't.

Most digital images require a certain amount of sharpening. Unsharp Mask is a 
good tool. It provides some edge contrast to give the apearance of more 
sharpness. You should apply it to images while viewing at 100%. If you see too 
much edginess and sparkle in highlights, you may have gone too far. If you see 
halos, you definitely went too far. 

Later versions of PhotoShop also offer Smart Sharpen. This tool allows you to 
correct sharpness in different ways. It recognizes that lens blur, our of 
focus, and motion blur are different situations, and sharpening is applied in 
different ways. Experimentation is your friend here. 
Paul 
- Nick Wright nickwright1...@gmail.com wrote:

 Do all threads eventually go down the toilet like this one? ;;)
 
 On Fri, Apr 3, 2009 at 6:49 PM, John Celio n...@neovenator.com
 wrote:
  One thing that I haven't been able to find yet is a good
 description
  of the mechanism of sharpening, unsharp mask and what all the
 various
  knobs, dials and variables do.
 
  in general, your PP shouldn't be sharp.
 
  If it is, urine trouble.
 
  John
 
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Re: PESO: Bird of Paradise

2009-04-03 Thread pnstenquist
Nice, colorful flower pic. Well composed.
Paul
- Dan Matyola danmaty...@verizon.net wrote:

 From the National Botanical Garden:
 
 http://photo.net/photodb/photo?photo_id=8779007
 
 
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Re: point and shoot

2009-03-31 Thread pnstenquist
How strange. Did I really need a smiley?
Paul
- William Robb war...@gmail.com wrote:

 - Original Message - 
 From: Paul Stenquist 
 Subject: Re: point and shoot
 
 
  Yes, relying on technology sucks completely. The true purist would 
 
  disable all the features of his camera with a sledgehammer. He could
  
  then draw his pictures, unburdened by any assistance from mechanical
  
  or electronic devices. What could be more pure?
 
 Mr no gray areas in my world Stenquist.
 
 
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Re: GESO - Dame Helen

2009-03-29 Thread pnstenquist
Nice work. A good set that should represent her well.
Paul
- Cotty cotty...@mac.com wrote:

 Bit late but hey, busy weekend.
 
 A friend and colleague is leaving to set up her own production
 company
 and I did her a set of publicity stills from her commercial TV days.
 Good brownie points as she will hopefully be giving me some work, so
 did
 it for expenses. Pleased with the results - here's a gallery of 23
 pics
 - I shot about a hundred. All with Pentax *ist Ds and 18-55 lens. You
 can guess which were shot with the A*85/1.4 !
 
 http://gallery.me.com/cottycam#100027
 
 
 
 --
 
 
 Cheers,
   Cotty
 
 
 ___/\__
 ||   (O)  | People, Places, Pastiche
 ||=|http://www.cottysnaps.com
 _
 
 
 
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Re: PESO: The Portrait

2009-03-28 Thread pnstenquist
Thanks for looking. Yes, it's all about the photographer, not the kid. I made 
sure the kid was slightly out of focus.
Paul
- Larry Colen l...@red4est.com wrote:

 On Sat, Mar 28, 2009 at 05:10:18PM -0400, Paul Stenquist wrote:
  http://photo.net/photodb/photo?photo_id=8850893
 
 I love the composition of that shot. I might have tried focusing on
 the kid rather than her booty, but I certainly understand the choice.
 
 
  
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 http://www.red4est.com/lrc
 
 
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Re: PESO - Product shot

2009-03-28 Thread pnstenquist
Nicely composed. I might prefer a bit more DOF, but it works well as shot.
Paul
- Christian christ...@skofteland.net wrote:

 Thanks, Christine.
 
 Christian
 
 Christine Aguila wrote:
  Neat, Christian.  Love the colors.  Cheers, Christine
  
  
  - Original Message - From: Christian
 christ...@skofteland.net
  To: Pentax-Discuss Mail List pdml@pdml.net
  Sent: Saturday, March 28, 2009 2:16 PM
  Subject: PESO - Product shot
  
  
  Just playing around with a 55/1.8 SMC Takumar on the 20D.  I was
 going 
  for a commercial or product kind of shot.
 
  http://404mohawknotfound.blogspot.com/2009/03/classic-cosmo.html
 
  Light was from a window as well as a bit of flash bounced off the 
  ceiling.
 
  Enjoy.
 
  Comments always appreciated.
 
  Christian
  http://404mohawknotfound.blogspot.com
  httP://birdofthemoment.blogspot.com
 
 
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Re: Bit the bullet

2009-03-27 Thread pnstenquist
This advice flies in the face of what i've experienced with other Pentax 
digital cameras. Correct exposure at the chosen ISO has always proved less 
noisy than an underexposed RAW at a lower ISO tht was pumped up in conversion. 
ISO 1600 was decent quality on the *istD, so I suspect it will be useful on the 
100D as well. The K20D is about a stop or so better.
Paul
- Nick Wright nickwright1...@gmail.com wrote:

 Would someone care to explain a little further about the 800 iso
 thing?
 
 On Fri, Mar 27, 2009 at 3:27 PM, Larry Colen l...@red4est.com wrote:
  On Fri, Mar 27, 2009 at 01:36:41PM -0500, Nick Wright wrote:
  What have I done? What have I done!
 
  You made a great decision.
 
 
  I just placed an order for a k100d super from keh.
 
  Of the pentax DSLRs I've handled my two favorites are the 100Ds and
  the 20D.  There are a lot of things I like about the 2000, but the
 100
  feels a lot more comfortable in my hand.
 
  I bought mine about 16 months ago and have shot a bit over 42,000
  frames.  The one quirk that I learned about them is that the analog
  circuitry only goes up to ISO 800, so rather than shooting 1600 or
  3200, you're better off leaving it in 800 and underexposing your
 raw
  files.
 
 
  Oh no!
 
  Oh noes! I can haz dijitel.
 
 
  --
  The fastest way to get your question answered on the net is to post
  the wrong answer.
  Larry Colen             l...@red4est.com          
  http://www.red4est.com/lrc
 
 
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Re: Bit the bullet

2009-03-27 Thread pnstenquist
You'll find that 3200 is noisy, but the noise is no more obtrusive than the 
grain of 35mm Kodak TMZ or Delta 3200 at ISO 3200. Probably better overall. 
Paul
- Nick Wright nickwright1...@gmail.com wrote:

 That makes me feel better. Was kinda getting a little worried that
 I'd
 chosen the wrong camera. I will use both 1600 and 3200 iso probably
 fairly regularly.
 
 On Fri, Mar 27, 2009 at 6:05 PM,  pnstenqu...@comcast.net wrote:
  This advice flies in the face of what i've experienced with other
 Pentax digital cameras. Correct exposure at the chosen ISO has always
 proved less noisy than an underexposed RAW at a lower ISO tht was
 pumped up in conversion. ISO 1600 was decent quality on the *istD, so
 I suspect it will be useful on the 100D as well. The K20D is about a
 stop or so better.
  Paul
  - Nick Wright nickwright1...@gmail.com wrote:
 
  Would someone care to explain a little further about the 800 iso
  thing?
 
  On Fri, Mar 27, 2009 at 3:27 PM, Larry Colen l...@red4est.com
 wrote:
   On Fri, Mar 27, 2009 at 01:36:41PM -0500, Nick Wright wrote:
   What have I done? What have I done!
  
   You made a great decision.
  
  
   I just placed an order for a k100d super from keh.
  
   Of the pentax DSLRs I've handled my two favorites are the 100Ds
 and
   the 20D.  There are a lot of things I like about the 2000, but
 the
  100
   feels a lot more comfortable in my hand.
  
   I bought mine about 16 months ago and have shot a bit over
 42,000
   frames.  The one quirk that I learned about them is that the
 analog
   circuitry only goes up to ISO 800, so rather than shooting 1600
 or
   3200, you're better off leaving it in 800 and underexposing your
  raw
   files.
  
  
   Oh no!
  
   Oh noes! I can haz dijitel.
  
  
   --
   The fastest way to get your question answered on the net is to
 post
   the wrong answer.
   Larry Colen             l...@red4est.com
   http://www.red4est.com/lrc
  
  
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Re: Bit the bullet

2009-03-27 Thread pnstenquist
As I said, I get far more noise pushing a shot two stops that was exposed at 
800 than I do when shooting at 3200. In my experience, almost everything on 
dreview should be taken with a grain of salt.
Pau
- Larry Colen l...@red4est.com wrote:

 On Fri, Mar 27, 2009 at 05:58:13PM -0500, Nick Wright wrote:
  Would someone care to explain a little further about the 800 iso
 thing?
 
 If you do some research on the dpreview pentax slr forum, Marc
 Sabatelle pointed out that someone had written a raw converter (I
 foreget his name, it's in my archives someplace) and he had
 discovered
 that above ISO 800 the circuitry doesn't change, the raw values are
 just multipled by 2 or 4.
 
 
 ISO   real binary   hexdec raw file values
  200  00010110  0x016   22 00010110  0x016   22
  400  00101100  0x02C   44 00101100  0x02C   44
  800  01011001  0x059   89 01011001  0x059   89
 1600  10110011  0x0B3  179 10110010  0x0B2  178 
 3200  000101100111  0x167  359 000101100100  0x164  354
 
 You'll see that at ISO 1600 and 3200 that data in the last bit, or
 two
 bits is just lost. Mind you, there's a lot of noise in the analog
 signal anyways, so the actual information you're losing at the bottom
 end isn't that much.
 
 The problem is if you have a pixel that is close to full scale at
 800:
  800  1000  0x800
 at 1600 and 3200 it just goes to
    and clips
 
 So when you increase the ISO above 800, not only do you not get any
 more information from the lowest bits on the darkest pixels, but you
 clip the information on the brightest pixels.
 
 But, don't take my word as gospel, try shooting in some very low
 light
 situations, with the camera in manual exposure mode. Assume that at
 3200, the correct exposure is 1/10 second f/4.0.  Shoot at f/4.0 at 
 ISO  800   1/2.5 1/5 1/10
 ISO 1600 1/5 1/10
 ISO 3200 1/10
 
 And compare the quality of the shots.  I've found that I get as good
 of a shot at 1/10 f/4 in ISO 800 as I do ISO 1600 and ISO 3200.
 
 Given the choice, it's better to expose properly, but if you're
 shooting dancers or musicians, people who are moving, you may get
 better results trading noise for shutter speed.
 
 -- 
 The fastest way to get your question answered on the net is to post
 the wrong answer.
 Larry Colen l...@red4est.com   
 http://www.red4est.com/lrc
 
 
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Re: Bit the bullet

2009-03-27 Thread pnstenquist
I haven't used a k100, but I had two *istDs, which are the same sensor. I also 
have a K10D and a K20D. All displayed less noise when shots were exposed 
correctly for the indicated ISO
Pu
- Larry Colen l...@red4est.com wrote:

 On Fri, Mar 27, 2009 at 11:39:36PM +, pnstenqu...@comcast.net
 wrote:
 
  As I said, I get far more noise pushing a shot two stops that was
 exposed at 800 than I do when shooting at 3200. In my experience,
 almost everything on dreview should be taken with a grain of salt.
  Pau
 
 Interesting. Do you shoot with a K100? I found that pushing 800
 worked
 for me on the K100. Of course the K20 was different.
 
 As I said, the best thing is to try it for yourself and see what
 works.
 
 -- 
 The fastest way to get your question answered on the net is to post
 the wrong answer.
 Larry Colen l...@red4est.com   
 http://www.red4est.com/lrc
 
 
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Re: PESO - Three boys, WAS: Film is dead

2009-03-20 Thread pnstenquist
Well done. Beautifully rendered, great looks.
Paul
- Bruce Walker bruce.wal...@gmail.com wrote:

 DagT wrote:
  And why do companies like Ilford still sell lots of film?
 
  Some of us still use it:
  J: 
 
 http://foto.no/linkeddata/bildekritikk/images/443000-443999/443614_1280x1024.jpg
 
 
  T: 
 
 http://foto.no/linkeddata/bildekritikk/images/445000-445999/445718_1280x1024.jpg
 
 
  L: 
 
 http://foto.no/linkeddata/bildekritikk/images/444000-444999/444154_1280x1024.jpg
 
 
 
  Bronica SQ-A, PS 180mm 1:4.5, Ilford HP5+ 120, Epson V700
 
  .-)
 
 
 *Really* nice portraits, Dag!  J is my fave.
 
 -bmw
 
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Re: ouch

2009-03-20 Thread pnstenquist
The release levers on all my Manfrotto QRs are very tight and won't release 
without lifting the safety catch. I have no problem with them. However, I 
always make sure that the camera is actually looked into the head before 
releasing it. I frequently hang the strap around my neck while installing he 
camera in the QR bracket.
Paul
- Christine Aguila cagu...@earthlink.net wrote:

 From: Godfrey DiGiorgi godd...@mac.com
 
  Yuck. That's an expensive pain. :-(
 
  This is why I stopped using Manfrotto QR clamps. I had two near
 misses  at 
  doing the same thing by accidentally hitting the release lever, and 
 I 
  found they didn't hold the gear rigidly enough for precision in 
  positioning it.
 
 Hear, Hear!  I'm a bit disappointed with my release lever on the
 Manfrotto 
 head, but I probably should have looked at it closer when I was in the
 
 camera shop.
 
 Larry:  Sorry to hear about your Ouch. Probably best to get the gear
 in the 
 shop as soon as possible. 
 
 
 
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Re: Wedding photography, starting price?

2009-03-20 Thread pnstenquist
I agree. I don't mind doing high volume jobs as long as the dollar per hour 
figure works for me. Similarly, a single shot that requires extensive setup may 
bring in the same amount of revenue as 500 shots that are the result of mass 
production shooting. Without film and processing costs to consider, it all 
comes down to getting paid for your time.
Paul
- Bruce Dayton bkday...@daytonphoto.com wrote:

 These days, I am seeing the value of the 'image' really going down.
 I tend to charge for my time up front whenever possible rather than
 trying to charge for the image, as most people now just aren't
 willing to pay anything for it.  They seem somewhat ok with paying
 for a service provided, however.
 
 -- 
 Best regards,
 Bruce
 
 
 Friday, March 20, 2009, 9:49:49 AM, you wrote:
 
 WR I just ask them what they do for a living and immediately start
 pumping them
 WR for information.
 WR It usually gets the point across.
 WR But it doesn't generate sales.
 
 WR William Robb 
 
 
 WR - Original Message - 
 WR From: ann sanfedele
 WR Subject: Re: Wedding photography, starting price?
 
 
 
  The panel moderator asked if he could have the wonderful photo I
 took of 
  him for his website...  I said if he
  wanted the photo on his site he could buy a jpg file from me on a
 pay 
  what you will' basis , but he could also
  just include a link on his web site to the photo on my web site for
 no 
  fee.
 
 
 
 
 
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Re: Epson premium ICC profiles

2009-03-14 Thread pnstenquist
The premium ICC profiles are great. I've been using them for years, but it 
doesn't hurt to remind folks.
Paul
- Toine to...@repiuk.nl wrote:

 Last year I installed a new PC. I don't print very often and today I
 did print and didn't like the result. A little too dark in the
 midtones, highlights and skintones. Searching the epson site I
 (re)discovered epson has premium ICC profiles for the R2400. The ICC
 profiles included with the printer driver are generic for one
 papertype. The premium profiles includes papertypes and different
 driversettings (best photo, photo RPM etc)
 
 http://www.epson.com/cgi-bin/Store/support/supAdvice.jsp?BV_UseBVCookie=yesnoteoid=100129type=highlights
 
 Most likely old news. It solved my problem.
 
 Toine
 
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Re: One more scanner question

2009-03-12 Thread pnstenquist
This is a good example of why megapixels alone aren't an accurate gauge of 
photo quality or even detail resolution. Based on a lot of experience, I can 
tell you tht a flatbed scanner of that type can resolve enough detail for a 
nice 8x10. If your film is perfectly flat and the scanner focuses very 
accurately, you might get a nice 11x14. It is a good flatbed scanner, but it 
can't work miracles.
Paul
- Nick Wright nickwright1...@gmail.com wrote:

 Really? Wow. I had no idea. I found some web site saying that would
 just be enough for an 8x10, and I thought that's definitely more
 resolution than just and 8x10. Didn't realize it was that much
 more.
 
 Thanks.
 
 On Thu, Mar 12, 2009 at 6:47 PM, John Francis jo...@panix.com
 wrote:
  On Thu, Mar 12, 2009 at 06:31:38PM -0500, Nick Wright wrote:
  Okay, one more scanner question.
 
  The Epson v300 says that it scans 35mm film at 4800 dpi. What does
  that equate to in terms of megapixels?
 
  Well, a frame of 35mm film is 36 x 24 mm.  At 25.4mm per inch,
 that's
 
   (36/25.4)*4800 * (24/25.4)*4800 = near enough 30 megapixels.
 
  That's 90MB at 24 bits/pixel, or a whopping 180MB at 48 bits per
 pixel.
 
 
 
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Re: **

2009-03-12 Thread pnstenquist
Sorry to hear that Jim. I hope you feel better real soon. 
Paul
- Jim Apilado japil...@pacifier.com wrote:

 I HAD A STROKE.
 Jim A.
 
 On Mar 12, 2009, at 2:47 PM, Jaume Lahuerta wrote:
 
 
  - Mensaje original 
 
  De: ann sanfedele ann...@nyc.rr.com
 
  Jaume Lahuerta wrote:
 
  Well, now I 'have' to do it...at least to correspond somehow your 
 
  effort ! ;-)
 
  Thanks for your time on it...actually, in my case it has been  
  somehow
  reassuring. I feared that my 'bricks' picture was too small to let 
 
  appreciate
  colors and textures, but you proved me wrong.
  (For some reason I always think that, regarding prints, bigger is 
 
  always
  better...maybe I should start questioning it)
 
 
  I think you should,  I felt your stunning photo really outshone
 the
  opposite page... :-)
 
 
  Nah, but yours is bigger than mine...
 
  ;-)
 
  (just applying for the out-of-context-mark!-(speck!)-of-the-month)
 
  Regards,
  Jaume, proud to be your book neighbor
 
 
 
 
 
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Re: One more scanner question

2009-03-12 Thread pnstenquist
I've found that with flatbed scanners, I get the best results by scanning at 
the highest resolution possible, then downsizing to the dpi at which I want to 
print, genereally 300 or 360.
- John Francis jo...@panix.com wrote:

 It all depends on the dpi at which you want to print.
 
 A 35mm frame is pretty close to 1 x 1.5.
 
 So if you scan at 4800dpi you're going to be able to print
 an 8x12 print at 600dpi, a 16x24 at 300dpi, or a 24x36 at 200dpi.
 
 
 On Thu, Mar 12, 2009 at 06:50:35PM -0500, Nick Wright wrote:
  Really? Wow. I had no idea. I found some web site saying that would
  just be enough for an 8x10, and I thought that's definitely more
  resolution than just and 8x10. Didn't realize it was that much
 more.
  
  Thanks.
  
  On Thu, Mar 12, 2009 at 6:47 PM, John Francis jo...@panix.com
 wrote:
   On Thu, Mar 12, 2009 at 06:31:38PM -0500, Nick Wright wrote:
   Okay, one more scanner question.
  
   The Epson v300 says that it scans 35mm film at 4800 dpi. What
 does
   that equate to in terms of megapixels?
  
   Well, a frame of 35mm film is 36 x 24 mm. ?At 25.4mm per inch,
 that's
  
   ?(36/25.4)*4800 * (24/25.4)*4800 = near enough 30 megapixels.
  
   That's 90MB at 24 bits/pixel, or a whopping 180MB at 48 bits per
 pixel.
  
  
  
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Re: Ethics of Manipulation (was: Re: Perspective control, (was:PESO:Church tower))

2009-03-12 Thread pnstenquist

- John Francis jo...@panix.com wrote:

 On Thu, Mar 12, 2009 at 07:12:48PM -0400, John Sessoms wrote:
 
  There's a continuum of purpose for photographic images. That purpose
  
  matters in so far as the ethics of manipulation. Context is
 important.
 
  At the PJ end, manipulation of the image is UN-ETHICAL, although
 most  
  images will be tweaked to some degree - levels, contrast, curves -
 to  
  make up for the deficiencies of the camera or the photographer's
 nerve.  
  It makes the image more viewable.
 
  I'm cool with that as long as nothing is removed or added that
 wasn't in  
  the original scene.
 
  Photojournalism should be reportage, not editorial comment. The
 image  
  should be as true as possible to the scene the photojournalist was
  
  attempting to capture.
 
 That's too dogmatic for me (even though I'm at the PJ end of the
 scale).
 I'll edit an image to remove distracting elements as long as they are
 only peripheral to the story being told - telegraph wires, a garish
 item
 in the background, an extraneous hand visible at the edge of the frame
 ..
 In other words I might edit to achive the image I was *attempting* to
 capture, even if I didn't actually achieve that image in-camera.
 
 

I had to shoot three men for a magazine article the other day. It was just one 
of numerous shots I had to take, and I was in a hurry, so I exposed only two 
frames. One guy had his eyes closed in the first. In the second, another guy 
looked at a different photographer. So I replaced his head after copying it 
from the other image. I can't think of any valid reason why I wouldn't do that. 
It was undetectable, BTW:-)

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Re: Feeding the LBA

2009-03-12 Thread pnstenquist
We long go decided that great ebaby deals should go to those willing to work 
for them. That policy is the result of many extended debates. It's not worth 
revisiting.
Paul
- Larry Colen l...@red4est.com wrote:

 On Thu, Mar 12, 2009 at 11:24:11PM -, Bob W wrote:
   There's also an FA31 on ebay,
  
  The long-established convention here is that you don't mention
 Pentax goods
  on auction sites unless you are the seller. The aim of this is not
 to spoil
  the price for people who've taken the trouble to search out and find
 the
  auction and bid on it for themselves. 
 
 My apologies. 
 
 I would have expected that the convention when someone found
 something
 that seemed like a good deal would be to mention it, but if someone
 was bidding on it for them to pipe up and say something.
 
 
 -- 
 The fastest way to get your question answered on the net is to post
 the wrong answer.
 Larry Colen l...@red4est.com   
 http://www.red4est.com/lrc
 
 
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Re: The Watcher

2009-03-12 Thread pnstenquist
What Ken said. And I like the composition as well. The figure at left of frame 
looking toward the empty part of the frame makes it a story.
Paul
- Ken Waller kwal...@peoplepc.com wrote:

 Nice capture. I really like the lighting  the posture of the
 subject.
 
 Kenneth Waller
 http://www.tinyurl.com/272u2f
 
 - Original Message - 
 From: tim...@clancode.hu
 To: pdml@pdml.net
 Sent: Thursday, March 12, 2009 8:34 PM
 Subject: PESO: The Watcher
 
 
  http://www.flickr.com/photos/timbah/3348802155/
  
  I was brave enough to take out the cam today :D
  
  Cheers,
  .t
 
 
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Re: GESO - Boston walkaround

2009-03-12 Thread pnstenquist
Nice collection. Church 2 is my favorite.
Paul
- Mark Roberts msrobert...@ysu.edu wrote:

 A few snaps from my Boston trip last week. Some odd stuff because I
 was 
 in an odd mood. I was drawn to shiny, reflective objects for some 
 reason. Fortunately, there were quite a few to be found.
 
 http://www.robertstech.com/blog/photos/gallery11/
 
 
 
 
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Re: Ethics of Manipulation (was: Re: Perspective control (was: PESO: Church tower))

2009-03-10 Thread pnstenquist
Your photo is honest in that from the place the photo was taken and with the 
lens that was used, that's the way it is recorded. But it doesn't matter a 
lick. I assume you weren't photograhing the church to document its appearance 
for a buyer or even record it as historical record. If, as I believe, you were 
simply trying to create an attractive phooto, you are ethically free to alter 
it in any way you please. In the pursuit of an artful image, there should not 
be any rules. Rendering an image in pixels or film shouldn't be any more bound 
by arcan rules than is rendering an image in oil paints. Artists, and those who 
aspire to art, should be free to experiment. If not, photography becomes a mere 
recording device rather than a true art form.
Paul
- Nick Wright nickwright1...@gmail.com wrote:

 Yes, it is. But somewhere along the line I came to view one as
 honest and the other as dishonest.
 
 Not that it's that simple though. Because I think that a straight
 photo can be dishonest as well.
 
 Which is something that I've also been thinking about in regards to
 my
 original photo. I like my shot quite a bit, but I cycled past that
 church again the other day and I realized that it is not an honest
 photo.
 
 The reason I believe that is because in the photo the tower appears
 to
 be much taller than the rest of the building, when in reality the
 roof
 line to the right of the tower in the photo is higher.
 
 I didn't think about it when I shot it, and then I didn't think about
 it when I got the negs back.
 
 So what do you all think about that?
 
 On Tue, Mar 10, 2009 at 3:52 PM, Bruce Dayton
 bkday...@daytonphoto.com wrote:
  Isn't just changing the lens or the angle that you take the shot,
  changing the perspective?  It would seem that if altering the photo
  after the shot bothers you, then altering the photo before the shot
  should to.  Just different methods of accomplishing the same basic
  thing.
 
  --
  Best regards,
  Bruce
 
 
  Tuesday, March 10, 2009, 5:06:20 AM, you wrote:
 
  NW Thanks to all the folks who took time to comment on this last
 PESO of
  NW mine. I do appreciate the critiques.
 
  NW One item I'd like to touch on is the concept of software
 perspective
  NW control. I'd been thinking about this recently before I'd posted
 my
  NW PESO and then Brian brought it up in his critique of my image.
 
  NW I'm just amazed at how fast technology changes. The last time I
 was an
  NW active member of this list (granted that was 8 years ago) the
 only way
  NW to achieve perspective control was with a view camera or shift
 lens.
  NW Now you can get something of the same effect using photoshop.
 
  NW I don't currently have any software with the ability to
 correct
  NW perspective, but an older laptop of mine had Elements 2 which
 did. I
  NW played around with it a bit but never could really get my heart
 into
  NW it.
 
  NW I think it mainly has to do with all those years at the
 newspaper. Any
  NW alteration of a photograph like that just makes me cringe.
 
  NW I'm curious to hear more of you all's opinions on the process?
 
  NW On Sun, Mar 8, 2009 at 10:30 PM, Brian Walters
 supera1...@fastmail.fm wrote:
  Nice composition but the tower gets a  bit lost in the background
 sky.
 
  Also, I'd try a bit of perspective correction to make the
 verticals
  vertical and the horizontals, er...horizontal.  It may not be an
  improvement but worth investigating.
 
 
  Cheers
 
  Brian
 
  ++
  Brian Walters
  Western Sydney Australia
  http://members.westnet.com.au/brianwal/SL/
 
 
 
  On Sun, 08 Mar 2009 07:52 -0500, Nick Wright
  nickwright1...@gmail.com wrote:
  Here's another PESO:
  http://pedalingprose.wordpress.com/2009/03/08/church-tower-2/
 
  Comment welcome and appreciated.
 
  --
  ~Nick David Wright
  http://pedalingprose.wordpress.com/
 
  --
 
 
  --
  http://www.fastmail.fm - The way an email service should be
 
 
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Re: I can't afford it, but...

2009-03-07 Thread pnstenquist
This one may fall into the unusual and probably no one wants it ebay gaff 
exclusion category.
Paul
- Doug Brewer d...@alphoto.com wrote:

 Joseph McAllister wrote:
  for sale on eBay is a lens that someone's tax refund may allow them
 to.  
  Or I would consider going in on a group purchase with anyone in the
 
  Pacific Northwest...
  
 
 http://cgi.ebay.com/smc-PENTAX-A-600mm-f-5-6-ED-IF-Exc-K20D-K10D-K100D_W0QQitemZ400033452823QQihZ027QQcategoryZ3323QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
 
  
  
  Copy and paste the entire url or just go to eBay and search for a
 Pentax 
  A* 600mm.  (The hideous Green one.)
 
 uh oh
 
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Re: Damage Waiver for Lens Rental?

2009-03-05 Thread pnstenquist
I have never rented a lens, so I can't answer your question, but why would you 
want a fisheye to shoot a wedding? Perhaps it might be okay for a few effects 
photos, like a church exterior or something on that order. But you definitely 
don't want to use it as your main wide. Can you rent a 16-50 or if you already 
have a medium wide to normal, maybe a 12-24? I bring my 12-24 when shooting a 
wedding but rarely use anything wider than the 16=50
Paul
- Allison Trueman allisontrue...@mac.com wrote:


 Hello Everyone,
 
 So I am shooting a wedding on March 21, and I am going to need to rent
  
 two lenses: the 10-17 fisheye and the 50-135. I am going to rent from 
 
 cameralensrentals.com, but I am not sure on the damage waiver. Has  
 anyone used them before? And if so, did you get the damage waiver?
 
 Thanks!
 
 Allison
 
 PS - for everyone who gave advice on if I should buy the fishy or the 
 
 50 1.4, I got the 50 1.4...and I think it is the best lens I own. It 
 
 doesn't ever leave the camera for very long! Thanks!! 
 
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Re: K20D batteries

2009-03-03 Thread pnstenquist
I have two Pentax batteries and four aftermarket ones (the kind BH sells)for 
my K20D and K10D. They all seem to perform about the same, although I never 
rarely them all the way down. 
au
- John Francis jo...@panix.com wrote:

 It might have been money well spent.
 
 I've got one of each (original and third party), and keep one in
 the BG-2 grip, and one in the main camera.  I found out last week
 that the cheap battery now only holds enough charge for a couple
 of hundred shots before it shows up as empty on the camera display.
 I'm wondering whether to go for another cheap battery, or to spend
 the extra on one with the Pentax name.
 
 Admitedly the cheap battery gets the most use - it's the one in
 the grip, and I have the camera set up to use that one first, and
 only to switch to the one in the camera when the first battery is
 exhausted.
 
 On Tue, Mar 03, 2009 at 07:04:19PM -0500, Miserere wrote:
  Don't ask me, I'm one of those idiots who paid $45 for an original
  Pentax battery when I bought the K10D. Been smacking myself in the
  head ever since. I keep telling myself that I did my bit to help
  increase the K20D RD budget (you're welcome)...but I'm not sure I
  believe myself.
  
  Enjoy the Camera!
  
  
   --M.
  
  
  
  On Tue, Mar 3, 2009 at 6:09 PM, Godfrey DiGiorgi godd...@mac.com
 wrote:
   Enjoy your new camera!
  
   I've used no-name Li-Ion rechargeables from bestbatt.com for years
 now and
   never had any issues whatever with them. They last as long as the
 OEM
   batteries I've compared them to. I also use the travel chargers
 they sell.
  
   The one for the K20D is $14:
  
 http://www.bestbatt.com/Pentax_D_LI50_Li_Ion_Rechargeable_Battery_p/bbdli50.htm
  
   Godfrey
  
  
   On Mar 3, 2009, at 3:02 PM, Larry Colen wrote:
  
   I broke down and pulled the trigger on ?K20D over lunch.
  
   San Jose camera was willing to sell me the body for $730, vs $700
 with
   shipping on Amazon. I decided that I was willing to pay $30 to
 support
   the one shop in Northern California that stocks Pentax and $60
 to
   support the state.
  
   The battery is charging. The manual doesn't say anything about
   charging for 8 hours the first time, so my camera should be
 usable,
   right around sunset.
  
   What's the best deal on a second battery? I've seen one on line
 that's
   supposed to be 1700mAH rather than 1500, and it's quite a bit
 cheaper
   than stock.
  
  
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Re: Peso #006 (Dune on Earth)

2009-02-28 Thread pnstenquist
Unique and interesting shot.
Paul
- Original Message -
From: Christine Aguila cagu...@earthlink.net
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Saturday, February 28, 2009 6:52:36 PM GMT -05:00 US/Canada Eastern
Subject: Re: Peso #006 (Dune on Earth)

Wow, both are very Dune--but that 2nd one is wonderfully Dune--it's my fav. 
Cheers, Christine



- Original Message - 
From: Boris Liberman bori...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Saturday, February 28, 2009 11:09 AM
Subject: Peso #006 (Dune on Earth)


 Hi!

 About two weeks ago we had the strangest weather. Well, at this very 
 moment it rains heavily outside, but that day it was indeed very 
 reminiscent of Dune the movie.

 Have a look:

 http://pentax-ways.blogspot.com/2009/02/peso-2009-006.html

 Have your say as well, as usual, brutal and honest.

 Boris

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Re: GESO - Teagan's Braids

2009-02-28 Thread pnstenquist
Nice set. 07 and 95 are my favorites.
Paul
- Original Message -
From: Brendan MacRae brendanmacrae1...@yahoo.com
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Saturday, February 28, 2009 8:11:59 PM GMT -05:00 US/Canada Eastern
Subject: Re: GESO - Teagan's Braids


Thanks, Christine, and to all others for your comments.

13 is my fave, too. Got that one with the 85.

Cheers.

-Brendan

--- On Sat, 2/28/09, Christine Aguila cagu...@earthlink.net wrote:

 From: Christine Aguila cagu...@earthlink.net
 Subject: Re: GESO - Teagan's Braids
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Saturday, February 28, 2009, 3:56 PM
 Hi Brendan:  Cute! 
 Cute!  Cute!  and those last 2 (12  13) are
 even cuter :-).  Great work.  Cheers, Christine
 
 
 - Original Message - From: Brendan MacRae 
 brendanmacrae1...@yahoo.com
 To: pdml pdml@pdml.net
 Sent: Saturday, February 28, 2009 3:13 PM
 Subject: GESO - Teagan's Braids
 
 
  
  I haven't posted anything in a while so when my
 daughter got her hair braided this morning I took the
 opportunity to shoot a few. She got a little shy by the end
 of the process.
  
  I decided against using flash and just went with the
 natural light from the nearby windows.
  
  K20, 31 Ltd., A 85 f1.4.
  
  http://www.primelensphoto.com/teagans_braids/index.html
  
  - Brendan
  
  
  
  
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Re: on paper (was: Re: Our Book and other book pictures)

2009-02-28 Thread pnstenquist

- Original Message -
From: Bob W p...@web-options.com


The mistake you're making, Mark, is thinking that reading a novel, or even a
recipe book, is a utilitarian activity like getting from A to B. It isn't.
Reading a classic book is like looking at a Rembrandt painting. There is a
world of difference between looking at an original oil painting and looking
at a reproduction, and it encompasses not just the act of looking, but also
everything that goes around it, such as the gallery, the place, the people,
the other pictures in that place, and many other factors. Reading a printed
book is a similar experience and goes beyond the words themselves to
encompass the book itself, your surroundings and so on. It's a long way from
being utilitarian. If you (and more importantly the producers of e-readers)
don't understand that then these devices are doomed to fail.

Bob

Now there's a false analogy. The translation from painting to print alters the 
essence of the art. The paint, the texture, even the color, they're all changed 
and seriously degraded. But the personality of literture lies in the words, not 
the medium that presents them. Literary art isn't created at printing plants or 
binderies, it's born in the mind of the writer. How it's conveyed is somewhat 
irrelevant. There is, of course, some art involved in bookmaking, but its 
secondary to the written word. On the other hand, the artistry of the painting 
is a function of the medium. But you knew that, you just want to argue:-).
Paul
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Re: on paper (was: Re: Our Book and other book pictures)

2009-02-28 Thread pnstenquist
You snipped the meat of my message and responded to the sauce. The words are 
the art. The paper is only a tool for presenting it. Hell, until well into the 
renaissance almost all literature was oral. The paper and binding are just a 
tool. And an analogy that attempts to compare a book and reading device with a 
painting and a print is fallacious.
- Original Message -
From: eactiv...@aol.com
To: pdml@pdml.net
Sent: Saturday, February 28, 2009 8:41:08 PM GMT -05:00 US/Canada Eastern
Subject: Re: on paper (was: Re: Our Book and other book pictures)

In a message dated 2/28/2009 5:39:10 P.M.  Pacific Standard Time, 
pnstenqu...@comcast.net writes:
How it's conveyed is  somewhat irrelevant. 

But you knew that, you just want to  argue:-).


Paul
-
Not for me. And obviously not for  a lot of others too.

Of course, you don't.

Marnie   ;-)



-
Warning: I  am now filtering my email, so you may be censored.  

**You're invited to Hollywood's biggest party: Get Oscars 
updates, red carpet pics and more at Moviefone. 
(http://movies.aol.com/oscars-academy-awards?ncid=emlcntusmovi0001)

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Re: on paper (was: Re: Our Book and other book pictures)

2009-02-28 Thread pnstenquist

- Original Message -
From: eactiv...@aol.com
To: pdml@pdml.net
Sent: Saturday, February 28, 2009 9:14:48 PM GMT -05:00 US/Canada Eastern
Subject: Re: on paper (was: Re: Our Book and other book pictures)

In a message dated 2/28/2009 5:52:07 P.M.  Pacific Standard Time, 
pnstenqu...@comcast.net writes:
You snipped the meat  of my message and responded to the sauce. The words are 
the art. The paper is  only a tool for presenting it. Hell, until well into 
the renaissance almost all  literature was oral. The paper and binding are just 
a tool. And an analogy that  attempts to compare a book and reading device 
with a painting and a print is  fallacious.

=
Sure, I was being flip. I often am. Trying to be  humorous and lighten the 
mood. :-)

No, I think print books are convenient  and a reader often wouldn't be. Also 
unless they can come up with a mat  background very paper-like I will not be 
comfortable reading a screen. One is  soft to the touch and one is hard and one 
is reflective and one is not (even  non-reflective screens are reflective), 
and one is tangible and the other is  more ethereal. Also, you know, I like 
flipping through books rapidly and looking  for stuff. In many cases, having to 
look things up by index would actually take  me longer, a lot longer. I also 
just enjoy flipping through books and looking at  things quickly. And I enjoy 
all the tactile things Godfrey and others mentioned.  

I also worry very much that all of us going to an electronic reader  would 
mean we would in the end lose information, because there would be no back  up 
copies.

And I worry that it will take information more and more out of  the hands of 
people that can't afford it, can't afford readers. Just as so much  
information on the Net now is out of the hands that can't afford computers. I  
see this 
last as a major concern. Education and information only for those who  can 
afford it.

While used books can be had for pennies.

If we do  see (I don't think I will in my lifetime) the demise of the book 
someday then I  think the world will be much sorrier for it.

Well, this discussion might  get unpleasant if carried on longer, probably 
already has gone on too long.  Overall, I've enjoyed it and I think it has been 
thought provoking. But I want  you to know if I don't reply more, it doesn't 
mean I agree with you and that I  thought you won -- we disagree. 

But I did win:-)

No one wins if books disappear. While  readers might have some advantages, 
they, like digital cameras, would have a lot  of disadvantages too. Nothing is 
ever ideal. But, for me, books have been pretty  ideal.

I admit I am an unabashed book lover.


And I'm a lover of literature. The medium is of less importance. I am fond of 
well made books, but I realize they're secondary to the art of the word.

Okay, you win:-)

Paul

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Re: hats

2009-02-28 Thread pnstenquist
Intriguing and well composed. I enjoyed this photo. Nicely done.
Paul
- Original Message -
From: Luka Knezevic-Strika lukastr...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Saturday, February 28, 2009 8:58:50 PM GMT -05:00 US/Canada Eastern
Subject: Re: hats

thx christine, glad you liked it
luka
On Sun, Mar 1, 2009 at 12:50 AM, Christine  Aguila
cagu...@earthlink.net wrote:
 Luka, I love it.  That's a great photo.  Cheers, Christine


 - Original Message - From: Luka Knezevic-Strika
 lukastr...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Saturday, February 28, 2009 4:20 PM
 Subject: PESO: hats


 hi everyone,
 i present you with a recent (just before last dawn) photo i seem to like:
 http://www.flickr.com/photos/tamoneki/3316939092/

 specifics: k10d, zeiss 35 2.4, iso 400, 1/8 i think (can't remember)

 hope some of you enjoy it as well :)

 luka

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Re: Geso Possible photos for our Chamber of Commerce Map.

2009-02-26 Thread pnstenquist
I'd suggest a price in keeping with royalty free stock, perhaps 500 U.S. 
dollars for the lot. 
Paul
- Original Message -
From: David J Brooks pentko...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Thursday, February 26, 2009 7:48:22 PM GMT -05:00 US/Canada Eastern
Subject: Re: Geso Possible photos for our Chamber of Commerce Map.

Got an email from them Tuesday.
They want four shots, the swan, the cabin, the straw tractor and the
shot of the people and animals walking back to the barn.

Now to price.

Dave

On Fri, Feb 20, 2009 at 12:43 PM, David J Brooks pentko...@gmail.com wrote:
 On Fri, Feb 20, 2009 at 12:40 PM, Bob Sullivan rf.sulli...@gmail.com wrote:
 So you gonna charge them US$600+ for using it on 10,000 brochures?  Bob S.

 I have not heard back from them yet as far as number of photos. Our
 phone operator takes lunch from 1-2.

 I'm one long-two short BTW.

 Dave

 Dave

 On Fri, Feb 20, 2009 at 11:30 AM, David J Brooks pentko...@gmail.com wrote:
 Thanks to every one who commented, and your kind words and encouragement.

 Much appreciated

 Dave



 --
 Equine Photography
 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 Ontario Canada




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Ontario Canada

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Re: PESO: Sip Local and Beloved

2009-02-26 Thread pnstenquist
Both are nice. I especially like the portrait. Were it mine, I'd lone out the 
dark band in the middle of the background, replacing it with some of the 
lighter colored background elements, but very nice as presented.
Paul
- Original Message -
From: Nick David Wright pedalingpr...@yahoo.com
To: pdml@pdml.net
Sent: Thursday, February 26, 2009 7:51:10 PM GMT -05:00 US/Canada Eastern
Subject: PESO: Sip Local and Beloved


Here are a couple of PESOs.

Sip Local:
http://pedalingprose.wordpress.com/2009/02/26/sip-local/

Beloved BW:
http://pedalingprose.wordpress.com/2009/02/26/beloved-bw/

Beloved was shot with the Pentax M 135/3.5 lens that I am purchasing from a 
list member. Very nice lens. I was so dead set against anything with a max 
aperture less than 2.8 that I never gave it a thought until you all started 
talking it up. When I had a chance to consider it, I figured that it would 
probably be perfectly fine for my needs and that I'd give it a try. I'm glad I 
did. I'm especially enamored with how tiny it is.

 ~Nick David Wright
http://pedalingprose.wordpress.com/



  


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Re: My Unapologetic Review Of The PDML Photo Annual 2008-2009

2009-02-26 Thread pnstenquist
Yes, well done sir.
Paul
- Original Message -
From: Christine Aguila cagu...@earthlink.net
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Thursday, February 26, 2009 8:46:18 PM GMT -05:00 US/Canada Eastern
Subject: Re: My Unapologetic Review Of The PDML Photo Annual 2008-2009

Nicely written review, Godfrey--love the quote at the end.  Cheers, 
Christine




- Original Message - 
From: Godfrey DiGiorgi godd...@mac.com
To: SeePhoto Talk seeph...@micapeak.com; PAW Picture-A-Week project 
p...@micapeak.com; PDML List pdml@pdml.net; DUG 
digitalusersgr...@yahoogroups.com
Sent: Thursday, February 26, 2009 4:56 PM
Subject: My Unapologetic Review Of The PDML Photo Annual 2008-2009


 Gawd dang, this is an excellent book!

 ---

 I have many excellent photo books on my bookshelf these days and I  spend 
 hours meandering through them. Henri Cartier-Bresson, Robert  Frank, 
 Ernesto Sellario, Fan Ho, Juan Buhler, Michael Kenna ... and  many others. 
 They are works that capture and recapture me, inspire me  to keep 
 thinking, keep experimenting, keep pushing in my photography.

 This year on the Pentax Discuss Mailing List  ... a large, diversely 
 dysfunctional but friendly family of Pentax camera junkies ... the  notion 
 came up of doing a Blurb.com photo book with proceeds to go to 
 CureSearch, the National Childhood Cancer Foundation 
 (http://www.curesearch.org ). The idea got traction, a plan developed. I 
 was late submitting a  photo but the editor allowed me in at the last 
 moment. I'm so glad!

 I've just received my copy. The book is a delight. There is a huge  pool 
 of talent shown, a diversity of photos that span the world. Hats  off to 
 the editors and to all the other photographers for a stunning  effort: I'm 
 proud to have my photograph represented with such good  work, and 
 delighted to promote the book for the sake of its cause. And  it fits 
 right in with the other great books on my bookshelf.

 As one of my best friends from college once said, If you can only  afford 
 to buy food, spend half of your money on art. Your mind needs  to eat more 
 than your body. So Really: order a copy. You'll be doing  the cause some 
 good and you'll get a great photo book to enjoy in  return.

 PDML Photo Annual
   http://www.robertstech.com/pdmlbook/
   Mark Roberts, Editor
   Foreward by Doug Brewer

 To order from Blurb.com:
   http://www.blurb.com/bookstore/detail/573542
 premium paper option
   http://www.blurb.com/bookstore/detail/575601

 ---
 Godfrey
   www.gdgphoto.com
   www.flickr.com/photos/gdgphoto/sets

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Re: PESO - They Love Pictures - GDG

2009-02-26 Thread pnstenquist
Fun stuff. It's interesting to see the way they're reactions evolved through 
the frames. I especially like the second from the left of the woman. Handsome 
lady.
Paul
- Original Message -
From: Christine Aguila cagu...@earthlink.net
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Thursday, February 26, 2009 8:35:23 PM GMT -05:00 US/Canada Eastern
Subject: Re: PESO - They Love Pictures - GDG

Godfrey these are really great--fun, playful, great series of pics for each 
subject.  Excellent work.  I wish I had had too much fun today.  Cheers, 
Christine


- Original Message - 
From: Godfrey DiGiorgi ramar...@mac.com
To: SeePhoto Talk seeph...@micapeak.com; PAW Picture-A-Week project 
p...@micapeak.com; DUG digitalusersgr...@yahoogroups.com; PDML List 
PDML@pdml.net; baphotoshoot...@yahoogroups.com
Sent: Thursday, February 26, 2009 2:15 PM
Subject: PESO - They Love Pictures - GDG


 Sometimes you can have too much fun. At breakfast with friends this 
 morning ...

 http://homepage.mac.com/godders/theylovepictures.jpg
 They Love Pictures - Mountain View 2009
 Panasonic G1 + Pentax-M 50mm f/1.4

 Comments always appreciated.

 enjoy ]'-)

 Godfrey

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Re: PESO - updated goldfinch and help with PS and the web

2009-02-24 Thread pnstenquist
Use save for web after resizing and setting color space to SRGB. When you see 
the save for web bos, make sure preserve color space is checked.If your PS 
version is recent, you can convert to SRGB at the same time you do the save for 
web.
Paul
- Original Message -
From: Christian christ...@skofteland.net
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Tuesday, February 24, 2009 6:00:10 PM GMT -05:00 US/Canada Eastern
Subject: PESO - updated goldfinch and help with PS and the web

I'm having issues with Photoshop and posting images to the web.  I 
convert to SRGB and everything looks fine in PS CS3.  Then I upload to 
the web and everything looks washed out with the wrong color balance.

So, to test, I did a fresh install of PS on my work laptop and edited 
the same raw file I did before with the same settings starting out as 16 
bit prophotoRGB.  Converted to 8 bit sRGB and uploaded.  Here is the new 
file:

http://birdofthemoment.blogspot.com/2009/02/american-goldfinch-carduelis-tristis.html

Here is the original:
http://404mohawknotfound.blogspot.com/2009/02/bird-feeder.html

What's wrong with the original?  What settings in my original install of 
PS do I need to check?

Thanks for any help.

-- 

Christian
http://404mohawknotfound.blogspot.com/

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Re: PESO - The Animated Discussion

2009-02-24 Thread pnstenquist
Good catch. You got the right moment.
Telling Her Like It Is
- Original Message -
From: Fernando fer.p...@gmail.com
To: Pentax-Discuss Mail List p...@pdm.net
Sent: Tuesday, February 24, 2009 5:19:27 PM GMT -05:00 US/Canada Eastern
Subject: Re: PESO - The Animated Discussion

Can't help with the title but the moment and the tones are great.

On Tue, Feb 24, 2009 at 9:19 AM, frank theriault
knarftheria...@gmail.com wrote:
 Okay, so I seriously need a better title for this one, but I'm just
 not coming up with it.  Any advice WRT the title would be most
 appreciated.

 http://knarfinthecity.blogspot.com/2009/02/animated-discussion.html

 Comments on the photo would be okay, too.

 Taken at the party after the Ice Race (you can see an Icycle '09
 announcement card tacked to the board behind Tif, on the right).

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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http://www.flickr.com/photos/ferand/

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Re: Old photograph, new PESO

2009-02-24 Thread pnstenquist
Nice shot. Great mood. 
Paull
- Original Message -
From: Mark Roberts msrobert...@ysu.edu
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Tuesday, February 24, 2009 5:25:55 PM GMT -05:00 US/Canada Eastern
Subject: Re: Old photograph, new PESO

Joseph McAllister wrote:
 On Feb 24, 2009, at 13:24 , Mark Roberts wrote:
 
 http://www.robertstech.com/pages/fotoblog/7d406406.htm

 A black  white medium format shot from GFM. I tried lightening it up 
 a bit, but decided I liked this dark look better. I wish I could 
 display it *really* big - the detail is really marvelous - but we have 
 to deal with bandwidth and monitor size limitations :)
 
 It's pitiful at that diminuitive size. What could be detail looks like 
 it's been over sharpened.

Nope. Almost no sharpening applied (and that, before resizing down).

 Buck up to the rail and give us a couple thousand pixels wide!

About 1400 x 1900 is what I have at the moment. My MF scanner is only 
1125 dpi. I'm a member of Pittsburgh Filmmakers, though, and have access 
to their 4000 dpi MF film scanner.


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Re: PESO: Close your eyes and hope for the best.

2009-02-23 Thread pnstenquist
I just checked. It'a there and accessible.
Paul
- Original Message -
From: Sasha Sobol sa...@asobol.com
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Monday, February 23, 2009 6:59:04 PM GMT -05:00 US/Canada Eastern
Subject: Re: PESO: Close your eyes and hope for the best.

All I get is:
403 Forbidden
Request forbidden by administrative rules.

--Sasha

On 2/23/09, Paul Stenquist pnstenqu...@comcast.net wrote:
 Skins vs. shirts on the courts at Venice Beach, 2004:
  http://photo.net/photodb/photo?photo_id=8622884

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 follow the directions.


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Re: turning my 50mm macro into a 100mm macro

2009-02-21 Thread pnstenquist
You can sometimes find a Vivitar Series 1 90/2.5 for less than $150 if you shop 
around. That's as good as any macro lens you can own. And autofocus is useless 
on a macro.
- Original Message -
From: Adam Maas a...@mawz.ca
To: Pentax-Di. scuss Mail List pdml@pdml.net
Sent: Saturday, February 21, 2009 7:13:20 PM GMT -05:00 US/Canada Eastern
Subject: Re: turning my 50mm macro into a 100mm macro

On Sat, Feb 21, 2009 at 7:08 PM, Larry Colen l...@red4est.com wrote:
 I've got a DFA 50/2.8 macro and it works great. But, I find myself
 wanting the 100mm macro. I can't really justify shelling out the money
 for a new one right now. I see a few possibilities:

 Act like a grownup and just wait until I have the money.

 Put my macro focusing 2X TC on my PFA50/1.4 for a longer macro.

 Put my 1.4X TC on my FA 77 for 108mm f/2.5 portrait lens

 Sell my 50, and use the proceeds to buy a 100.

 Find someone selling the 100 used.

 Sell the 50 and buy a used 100.

 So, I just thought I'd check out the level of interest in the 50 and
 see if anyone as a 100 that they're thinking of selling.



Buy a Kiron/Lester Dine or Vivitar 105mm f2.8 in KA form for much cheaper?

-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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Re: film scanners

2009-02-18 Thread pnstenquist
I don't know how good the Canoscan is, but I know the Epson flatbed photo 
scanners are quite good. The latest version is the Perfection 4490 Photo 
Scanner. It retails for $149. I have a Perfection 3200, and it does a good job 
on 35mm negs and transparencies. The 4990 is better. 
Paul
- Original Message -
From: Nick David Wright pedalingpr...@yahoo.com
To: pdml@pdml.net
Sent: Wednesday, February 18, 2009 6:25:05 PM GMT -05:00 US/Canada Eastern
Subject: film scanners


Has anyone any experience with the Canoscan 4400? It's only about $100. I know 
the quality probably wouldn't be the greatest, but the primary purpose of this 
scanner would be low-res scans for the web that look better than what Wal-Mart 
does.

 ~Nick David Wright
http://pedalingprose.wordpress.com/



  


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Re: Exploded K20D

2009-02-15 Thread pnstenquist
You'd have to get a higher res sample to have a chance at decent reproduction. 
And given the comlexity, it would still be problematic for a t-shirt.
Paul
- Original Message -
From: Godfrey DiGiorgi godd...@mac.com
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Sunday, February 15, 2009 3:17:32 PM GMT -05:00 US/Canada Eastern
Subject: Re: Exploded K20D

I like it. Of course, I almost always like cutaways and exploded view  
diagrams of mechanical things.

It would make a cool tee shirt ... hint hint, nudge nudge.

G

On Feb 15, 2009, at 4:53 AM, Derby Chang wrote:

 I don't know how useful an exploded view like this is as an actual  
 assembly instruction, but it sure is impressive to see what goes  
 into one of these things.

 http://www.pentaxforums.com/forums/pentax-dslr-discussion/48973-k20d-exploded-view-parts.html
 http://www.pentaxforums.com/forums/attachments/pentax-dslr-discussion/26879d1233241110-k20d-exploded-view-parts-k20d-parts-listing.pdf


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