http://www.commondreams.org/views04/0702-14.htm

A Eulogy For Our Marlon Brando
by Dave Zirin

Marlon Brando's death at the age of 80 will begin a battle over how the
"greatest actor of all time" will be remembered. Some will focus on his
latter day isolation, his bizarre behavior, and the many personal
tragedies that befell his family.

Others will focus exclusively on his iconic status, and when it comes to
Brando performances, icons abound. There was the 1950s motorcycle rebel
from "The Wild One" (1954), or the brutal Stanley Kowalski in "A Streetcar
Named Desire" (1951) or Terry "I Coulda Been a Contender" Malloy in "On
the Waterfront" (1954). or his performance as Vito Corleone in "The
Godfather."

Then there is Brando's influence on acting itself. In a Hollywood built
around "movie stars" Brando was at the vanguard of a new generation of
performers in the aftermath of World War II schooled in Stanislavsky's
"Method" acting style. Taught by Stella Adler and Lee Strasberg at the
Actor's Studio in New York, The Method was a rejection of the Spencer
Tracy approach to drama of "Just memorize your lines and don't bump into
the furniture." Emotional honesty and "becoming" your character were the
hallmarks of this style It was an attempt to use art to break out of what
was seen as a stultifying and frustration gray haze of early 1950s
America. Robert DeNiro, Al Pacino, Laurence Fishburne, Sean Penn, and
countless others count Brando as their primary influence.

But the Brando I want to remember, especially now, is the actor who pulled
back in the 1960s to focus on supporting the Civil Rights Movement and the
broader struggles against war and oppression. In 1959, he was a founding
member of the Hollywood chapter of SANE, an anti-nuclear arms group formed
alongside African-American performers Harry Belafonte and Ossie Davis.

In 1963, Brando marched arm in arm with James Baldwin at the March on
Washington. He, along with Paul Newman, went down South with the freedom
riders to desegregate inter-State bus lines. In defiance of state law,
Native Americans protested the denial of treaty rights by fishing the
Puyallup River on March 2, 1964. Inspired by the civil rights movement
sit-ins, Brando, Episcopal clergyman John Yaryan from San Francisco, and
Puyallup tribal leader Bob Satiacum caught salmon in the Puyallup without
state permits. The action was called a fish-in and resulted in Brando's
arrest. When Dr. Martin Luther King, Jr. was assassinated in 1968, Brando
announced that he was bowing out of the lead role of a major film and
would now devote himself to the civil rights movement. Brando said "If the
vacuum formed by Dr. King's death isn't filled with concern and
understanding and a measure of love, then I think we all are really going
to be lost.." He gave money and spoke out in defense of the Black Panthers
and counted Bobby Seale as a close friend and attended the memorial for
slain prison leader George Jackson. Southern theater chains boycotted his
films, and Hollywood created what became known as the 'Brando Black List'
that shut him out of many big time roles.

After making a comeback in Godfather, Brando won his second Oscar. Instead
of accepting what he called "a door prize," he sent up Native American
activist Sacheen Littlefeather to refuse befuddled presenter Roger Moore
and issue a scathing speech about the Federal Government's treatment of
Native Americans.

Even in the past several years, he has lent his name and bank account to
those fighting the US war and occupation in Iraq.

So how do we remember Brando? He was a celebrity, an artist, an activist,
and at the end an isolated and destroyed old man.

It is tragic that we live in a world where most people's talents never get
to see the light of day. It is equally tragic that those like Brando who
actually get the opportunity to spread their creative wings, can be
consumed and yanked apart in process. Yet whether Brando was on the top of
Hollywood or alone and embittered, he never forgot what side he was on.


Dave Zirin is the Editor of the Prince George's Post in Prince George's
County Maryland. He can be reached at [EMAIL PROTECTED] His sports
writing can be read at http://www.edgeofsports.com.

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