Re: [Phono-L] Amberola 1 III

2011-01-11 Thread Peter Fraser
Hi -

Thanks for the response. 

No, I have no intention of doing anything permanent or irreversible. I 
basically want to add cylinder storage. My III lost its shelf before I got it, 
and looks awful. 

From the sounds of things, horn size will be the main issue...

Sent from my iPhone

-- Peter
pjfra...@mac.com

On Jan 11, 2011, at 8:36 AM, DeeDee Blais deedeebl...@yahoo.com wrote:

 Did you get your answer about the III mechanism fitting in a 1-A cabinet?  It 
 will install just fine and the crank lines up but it's not correct.  The 1-A 
 mechanism is a 24 minute player and mechanically quite different from the 
 
 1-B and III mechanism, which are the same.  I personally would not take a III 
 mechanism out of its cabinet to install in a 1-A cabinet.  If both pieces are 
 lose, it might be OK for the short term.  A marriage of parts seems to muddy 
 the 
 water.  When it's sold, you are basically selling parts.  
 
 
 
 
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Re: [Phono-L] Amberola I vs III innards

2011-01-11 Thread Peter Fraser
See my prior response, plus...my III mech and cabinet already have mismatched 
numbers...

Sent from my iPhone

-- Peter
pjfra...@mac.com

On Jan 11, 2011, at 8:44 AM, gpaul2...@aol.com wrote:

 Jerry is correct about mixing a 1A and a III, but a 1B uses the same 
 mechanism as the III.  Even so, the number stamped into the III mechanism 
 will not match that on the 1A/B cabinet.  This sort of mixing  matching 
 permanently separates mechanisms and cabinets, preventing the proper 
 restoration of the original machines.  I'd advise against it.
 
 George P.
 
 
 
 
 
 
 
 
 
 
 -Original Message-
 From: Peter Fraser pjfra...@mac.com
 To: phono-l phono-l@oldcrank.org
 Sent: Mon, Jan 10, 2011 5:14 pm
 Subject: [Phono-L] Amberola I vs III innards
 
 
 
 
 Does anyone happen to know how much difference there is between the guts of 
 an 
 
 Amberola I and a III?  Hoping to do a swap into a Amberola I cabinet from a 
 
 messed up III I have...
 
 
 
 Thanks...
 
 
 
 -- Peter
 
 pjfra...@mac.com
 
 ___
 
 Phono-L mailing list
 
 http://phono-l.oldcrank.org
 
 
 
 
 
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[Phono-L] Political cylinders f/s

2011-01-11 Thread john9ten
Hi folks
If anyone is interested, I am offering a very fine BA of Social and Industrial 
Justice by Theodore Roosevelt and a 2 minute copy of The Farmer and the 
Republican Party by William H. Taft for sale here before they go to eBay.
The Roosevelt I am asking $100 for, and the Taft $85. The Taft seems to be more 
scarce then the Roosevelt.
I also have a 2 min Columbia of President McKinley's Address at the Panama 
Exposition by Len Spencer for $50. I have never seem this cylinder before.
Thanks!
John Robles

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Re: [Phono-L] Amberola I vs III innards

2011-01-11 Thread Rich
Seems that after many of those machines left the factory the retail 
dealers swapped the mechanisms to make customers happy with the color of 
the machine.


On 01/11/2011 10:54 AM, Peter Fraser wrote:

See my prior response, plus...my III mech and cabinet already have mismatched 
numbers...

Sent from my iPhone

-- Peter
pjfra...@mac.com

On Jan 11, 2011, at 8:44 AM, gpaul2...@aol.com wrote:


Jerry is correct about mixing a 1A and a III, but a 1B uses the same mechanism as 
the III.  Even so, the number stamped into the III mechanism will not match that on 
the 1A/B cabinet.  This sort of mixing  matching permanently separates 
mechanisms and cabinets, preventing the proper restoration of the original 
machines.  I'd advise against it.

George P.










-Original Message-
From: Peter Fraserpjfra...@mac.com
To: phono-lphono-l@oldcrank.org
Sent: Mon, Jan 10, 2011 5:14 pm
Subject: [Phono-L] Amberola I vs III innards




Does anyone happen to know how much difference there is between the guts of an

Amberola I and a III?  Hoping to do a swap into a Amberola I cabinet from a

messed up III I have...



Thanks...



-- Peter

pjfra...@mac.com

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Re: [Phono-L] Political cylinders f/s

2011-01-11 Thread AllenAmet
 
In a message dated 1/11/2011 12:09:37 P.M. Eastern Standard Time,  
john9...@pacbell.net writes:

I also  have a 2 min Columbia of President McKinley's Address at the Panama 
Exposition  by Len Spencer 


--
Hi,
 
   is this title inscribed on the cylinder or obtained from the  spoken 
announcement?
Are you sure of Panama?
 
Allen
 
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Re: [Phono-L] Political cylinders f/s

2011-01-11 Thread john9ten
It is inscribed, but I will double check the wording when I get home at lunch.
-Original Message-
From: allena...@aol.com
Sender: phono-l-boun...@oldcrank.org
Date: Tue, 11 Jan 2011 12:15:57 
To: phono-l@oldcrank.org
Reply-To: Antique Phonograph List phono-l@oldcrank.org
Subject: Re: [Phono-L] Political cylinders f/s

 
In a message dated 1/11/2011 12:09:37 P.M. Eastern Standard Time,  
john9...@pacbell.net writes:

I also  have a 2 min Columbia of President McKinley's Address at the Panama 
Exposition  by Len Spencer 


--
Hi,
 
   is this title inscribed on the cylinder or obtained from the  spoken 
announcement?
Are you sure of Panama?
 
Allen
 
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Re: [Phono-L] Amberola I vs III innards

2011-01-11 Thread gpaul2000
I'd be most grateful to see period documentation of that practice.  Can you 
direct me?

George P.

 

 


 

 

-Original Message-
From: Rich rich-m...@octoxol.com
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Tue, Jan 11, 2011 12:13 pm
Subject: Re: [Phono-L] Amberola I vs III innards


Seems that after many of those machines left the factory the retail 

dealers swapped the mechanisms to make customers happy with the color of 

the machine.



On 01/11/2011 10:54 AM, Peter Fraser wrote:

 See my prior response, plus...my III mech and cabinet already have mismatched 

numbers...



 Sent from my iPhone



 -- Peter

 pjfra...@mac.com



 On Jan 11, 2011, at 8:44 AM, gpaul2...@aol.com wrote:



 Jerry is correct about mixing a 1A and a III, but a 1B uses the same 

mechanism as the III.  Even so, the number stamped into the III mechanism will 

not match that on the 1A/B cabinet.  This sort of mixing  matching permanently 

separates mechanisms and cabinets, preventing the proper restoration of the 

original machines.  I'd advise against it.



 George P.





















 -Original Message-

 From: Peter Fraserpjfra...@mac.com

 To: phono-lphono-l@oldcrank.org

 Sent: Mon, Jan 10, 2011 5:14 pm

 Subject: [Phono-L] Amberola I vs III innards









 Does anyone happen to know how much difference there is between the guts of 

an



 Amberola I and a III?  Hoping to do a swap into a Amberola I cabinet from a



 messed up III I have...







 Thanks...







 -- Peter



 pjfra...@mac.com



 ___



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 http://phono-l.oldcrank.org











 ___

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 http://phono-l.oldcrank.org

 ___

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 http://phono-l.oldcrank.org





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Re: [Phono-L] Amberola I vs III innards

2011-01-11 Thread Rich
How do you explain original machines that have been in the same family 
since new that have mismatched works?  There are different shades of 
mechanisms and for what those machines cost originally people were 
picky.  If you expect to find a period written record good luck.


On 01/11/2011 11:46 AM, gpaul2...@aol.com wrote:

I'd be most grateful to see period documentation of that practice.  Can you 
direct me?

George P.










-Original Message-
From: Richrich-m...@octoxol.com
To: Antique Phonograph Listphono-l@oldcrank.org
Sent: Tue, Jan 11, 2011 12:13 pm
Subject: Re: [Phono-L] Amberola I vs III innards


Seems that after many of those machines left the factory the retail

dealers swapped the mechanisms to make customers happy with the color of

the machine.



On 01/11/2011 10:54 AM, Peter Fraser wrote:


See my prior response, plus...my III mech and cabinet already have mismatched


numbers...






Sent from my iPhone







-- Peter



pjfra...@mac.com







On Jan 11, 2011, at 8:44 AM, gpaul2...@aol.com wrote:







Jerry is correct about mixing a 1A and a III, but a 1B uses the same


mechanism as the III.  Even so, the number stamped into the III mechanism will

not match that on the 1A/B cabinet.  This sort of mixing   matching permanently

separates mechanisms and cabinets, preventing the proper restoration of the

original machines.  I'd advise against it.






George P.











































-Original Message-



From: Peter Fraserpjfra...@mac.com



To: phono-lphono-l@oldcrank.org



Sent: Mon, Jan 10, 2011 5:14 pm



Subject: [Phono-L] Amberola I vs III innards



















Does anyone happen to know how much difference there is between the guts of


an






Amberola I and a III?  Hoping to do a swap into a Amberola I cabinet from a







messed up III I have...















Thanks...















-- Peter







pjfra...@mac.com







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http://phono-l.oldcrank.org























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http://phono-l.oldcrank.org



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http://phono-l.oldcrank.org










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Re: [Phono-L] Political cylinders f/s

2011-01-11 Thread AllenAmet
 
In a message dated 1/11/2011 12:23:54 P.M. Eastern Standard Time,  
john9...@pacbell.net writes:

It is  inscribed, but I will double check the wording ('Panama') when I get 
home  at lunch.
-Original Message-


doing some mind-reading here, how about:
 
  Pan-American exposition (1901)
 
Allen
 
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Re: [Phono-L] Amberola I vs III innards

2011-01-11 Thread Steve Andersen
I guess one has to define mismatched works...

An Amberola 1A mechansim serial number matches a corresponding nameplate which 
is affixed to the cabinet. Cabinets are stamped with a different number which 
is on the lid, main cabinet, and on the doors. Without the nameplate on the 
cabinet, nobody can prove if the mechansim was or was not originally with the 
cabinet.

I would think the only reason why a nameplate matching the mechanism would be 
put on the machine in the first place would be for warranty consideration. I 
cannot see a dealer swapping the mechansim without also swapping the nameplate 
if the machine was brand new. I could see a dealer swapping out a mechansim 
without the nameplate if the machine was used and out of warranty.

That being said,

If the cabinet nameplate doesn't match the mechanism, then one or the other was 
replaced after the machine was new.

If the mechanism serial number doesn't match the stamped number on the various 
cabinet parts, thats perfectly normal.

Steve




On Jan 11, 2011, at 12:54 PM, Rich wrote:

 How do you explain original machines that have been in the same family since 
 new that have mismatched works?  There are different shades of mechanisms and 
 for what those machines cost originally people were picky.  If you expect to 
 find a period written record good luck.
 
 On 01/11/2011 11:46 AM, gpaul2...@aol.com wrote:
 I'd be most grateful to see period documentation of that practice.  Can you 
 direct me?
 
 George P.
 
 
 
 
 
 
 
 
 
 
 -Original Message-
 From: Richrich-m...@octoxol.com
 To: Antique Phonograph Listphono-l@oldcrank.org
 Sent: Tue, Jan 11, 2011 12:13 pm
 Subject: Re: [Phono-L] Amberola I vs III innards
 
 
 Seems that after many of those machines left the factory the retail
 
 dealers swapped the mechanisms to make customers happy with the color of
 
 the machine.
 
 
 
 On 01/11/2011 10:54 AM, Peter Fraser wrote:
 
 See my prior response, plus...my III mech and cabinet already have 
 mismatched
 
 numbers...
 
 
 
 Sent from my iPhone
 
 
 
 -- Peter
 
 pjfra...@mac.com
 
 
 
 On Jan 11, 2011, at 8:44 AM, gpaul2...@aol.com wrote:
 
 
 
 Jerry is correct about mixing a 1A and a III, but a 1B uses the same
 
 mechanism as the III.  Even so, the number stamped into the III mechanism 
 will
 
 not match that on the 1A/B cabinet.  This sort of mixing   matching 
 permanently
 
 separates mechanisms and cabinets, preventing the proper restoration of the
 
 original machines.  I'd advise against it.
 
 
 
 George P.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 -Original Message-
 
 From: Peter Fraserpjfra...@mac.com
 
 To: phono-lphono-l@oldcrank.org
 
 Sent: Mon, Jan 10, 2011 5:14 pm
 
 Subject: [Phono-L] Amberola I vs III innards
 
 
 
 
 
 
 
 
 
 Does anyone happen to know how much difference there is between the guts of
 
 an
 
 
 
 Amberola I and a III?  Hoping to do a swap into a Amberola I cabinet from a
 
 
 
 messed up III I have...
 
 
 
 
 
 
 
 Thanks...
 
 
 
 
 
 
 
 -- Peter
 
 
 
 pjfra...@mac.com
 
 
 
 ___
 
 
 
 Phono-L mailing list
 
 
 
 http://phono-l.oldcrank.org
 
 
 
 
 
 
 
 
 
 
 
 ___
 
 Phono-L mailing list
 
 http://phono-l.oldcrank.org
 
 ___
 
 Phono-L mailing list
 
 http://phono-l.oldcrank.org
 
 
 
 
 
 ___
 
 Phono-L mailing list
 
 http://phono-l.oldcrank.org
 
 
 
 
 
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 http://phono-l.oldcrank.org
 
 
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Re: [Phono-L] Political cylinders f/s

2011-01-11 Thread john9ten
Yeah that's probably it!!
--Original Message--
From: allena...@aol.com
Sender: phono-l-boun...@oldcrank.org
To: phono-l@oldcrank.org
ReplyTo: Antique Phonograph List
Subject: Re: [Phono-L] Political cylinders f/s
Sent: Jan 11, 2011 10:04 AM

 
In a message dated 1/11/2011 12:23:54 P.M. Eastern Standard Time,  
john9...@pacbell.net writes:

It is  inscribed, but I will double check the wording ('Panama') when I get 
home  at lunch.
-Original Message-


doing some mind-reading here, how about:
 
  Pan-American exposition (1901)
 
Allen
 
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Re: [Phono-L] Amberola I vs III innards

2011-01-11 Thread gpaul2000
No, I don't expect to find a period written record.
 

 


 

 

-Original Message-
From: Rich rich-m...@octoxol.com
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Tue, Jan 11, 2011 12:54 pm
Subject: Re: [Phono-L] Amberola I vs III innards


How do you explain original machines that have been in the same family 

since new that have mismatched works?  There are different shades of 

mechanisms and for what those machines cost originally people were 

picky.  If you expect to find a period written record good luck.



On 01/11/2011 11:46 AM, gpaul2...@aol.com wrote:

 I'd be most grateful to see period documentation of that practice.  Can you 

direct me?



 George P.





















 -Original Message-

 From: Richrich-m...@octoxol.com

 To: Antique Phonograph Listphono-l@oldcrank.org

 Sent: Tue, Jan 11, 2011 12:13 pm

 Subject: Re: [Phono-L] Amberola I vs III innards





 Seems that after many of those machines left the factory the retail



 dealers swapped the mechanisms to make customers happy with the color of



 the machine.







 On 01/11/2011 10:54 AM, Peter Fraser wrote:



 See my prior response, plus...my III mech and cabinet already have mismatched



 numbers...







 Sent from my iPhone







 -- Peter



 pjfra...@mac.com







 On Jan 11, 2011, at 8:44 AM, gpaul2...@aol.com wrote:







 Jerry is correct about mixing a 1A and a III, but a 1B uses the same



 mechanism as the III.  Even so, the number stamped into the III mechanism will



 not match that on the 1A/B cabinet.  This sort of mixing   matching 

permanently



 separates mechanisms and cabinets, preventing the proper restoration of the



 original machines.  I'd advise against it.







 George P.











































 -Original Message-



 From: Peter Fraserpjfra...@mac.com



 To: phono-lphono-l@oldcrank.org



 Sent: Mon, Jan 10, 2011 5:14 pm



 Subject: [Phono-L] Amberola I vs III innards



















 Does anyone happen to know how much difference there is between the guts of



 an







 Amberola I and a III?  Hoping to do a swap into a Amberola I cabinet from a







 messed up III I have...















 Thanks...















 -- Peter







 pjfra...@mac.com







 ___







 Phono-L mailing list







 http://phono-l.oldcrank.org























 ___



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 http://phono-l.oldcrank.org



 ___



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 http://phono-l.oldcrank.org











 ___



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 http://phono-l.oldcrank.org











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[Phono-L] Amberola III

2011-01-11 Thread Kurt Nauck

I have one available if anyone is interested - contact me off-list

Kurt Nauck
c/o Nauck's Vintage Records
22004 Sherrod Ln.
Spring, TX  77389

Website: www.78rpm.com
E-Mail: na...@78rpm.com
www.newpledge.org
www.mdada.org

Phone: (281) 288-7826
Fax: (425) 930-6862


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Re: [Phono-L] Amberola I vs III innards

2011-01-11 Thread c5fan
I have a 1B mech in a 1A cabinet that was original as far as the original 
owners family could remember. 





-Original Message-
From: Rich rich-m...@octoxol.com
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Tue, Jan 11, 2011 12:13 pm
Subject: Re: [Phono-L] Amberola I vs III innards


Seems that after many of those machines left the factory the retail dealers 
swapped the mechanisms to make customers happy with the color of the machine. 
 
On 01/11/2011 10:54 AM, Peter Fraser wrote: 
 See my prior response, plus...my III mech and cabinet already have mismatched 
 numbers... 
 
 Sent from my iPhone 
 
 -- Peter 
 pjfra...@mac.com 
 
 On Jan 11, 2011, at 8:44 AM, gpaul2...@aol.com wrote: 
 
 Jerry is correct about mixing a 1A and a III, but a 1B uses the same 
 mechanism as the III. Even so, the number stamped into the III mechanism 
 will not match that on the 1A/B cabinet. This sort of mixing matching 
 permanently separates mechanisms and cabinets, preventing the proper 
 restoration of the original machines. I'd advise against it. 
 
 George P. 
 
 
 
 
 
 
 
 
 
 
 -Original Message- 
 From: Peter Fraserpjfra...@mac.com 
 To: phono-lphono-l@oldcrank.org 
 Sent: Mon, Jan 10, 2011 5:14 pm 
 Subject: [Phono-L] Amberola I vs III innards 
 
 
 
 
 Does anyone happen to know how much difference there is between the guts of 
 an 
 
 Amberola I and a III? Hoping to do a swap into a Amberola I cabinet from a 
 
 messed up III I have... 
 
 
 
 Thanks... 
 
 
 
 -- Peter 
 
 pjfra...@mac.com 
 
 ___ 
 
 Phono-L mailing list 
 
 http://phono-l.oldcrank.org 
 
 
 
 
 
 ___ 
 Phono-L mailing list 
 http://phono-l.oldcrank.org 
 ___ 
 Phono-L mailing list 
 http://phono-l.oldcrank.org 
 
 
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Re: [Phono-L] Amberola I vs III innards

2011-01-11 Thread Rich
The theory is that the cabinet numbers all match and the cabinet number 
matches the serial number plate and the mechanism serial number.  I have 
seen way too many of these machines that have verifiable provenance 
where the mech sn and the plate sn match but they do not match the 
cabinet.  I have also seen the case where they all do match.  there are 
collectors who will tell you that a requirement of the patent laws of 
the period required all numbers to match when the piece left the 
factory.  I have no recollection of ever seeing that in print in a 
period publication though.


On 01/11/2011 12:21 PM, Steve Andersen wrote:

I guess one has to define mismatched works...

An Amberola 1A mechansim serial number matches a corresponding nameplate which 
is affixed to the cabinet. Cabinets are stamped with a different number which 
is on the lid, main cabinet, and on the doors. Without the nameplate on the 
cabinet, nobody can prove if the mechansim was or was not originally with the 
cabinet.

I would think the only reason why a nameplate matching the mechanism would be 
put on the machine in the first place would be for warranty consideration. I 
cannot see a dealer swapping the mechansim without also swapping the nameplate 
if the machine was brand new. I could see a dealer swapping out a mechansim 
without the nameplate if the machine was used and out of warranty.

That being said,

If the cabinet nameplate doesn't match the mechanism, then one or the other was 
replaced after the machine was new.

If the mechanism serial number doesn't match the stamped number on the various 
cabinet parts, thats perfectly normal.

Steve




On Jan 11, 2011, at 12:54 PM, Rich wrote:


How do you explain original machines that have been in the same family since 
new that have mismatched works?  There are different shades of mechanisms and 
for what those machines cost originally people were picky.  If you expect to 
find a period written record good luck.

On 01/11/2011 11:46 AM, gpaul2...@aol.com wrote:

I'd be most grateful to see period documentation of that practice.  Can you 
direct me?

George P.










-Original Message-
From: Richrich-m...@octoxol.com
To: Antique Phonograph Listphono-l@oldcrank.org
Sent: Tue, Jan 11, 2011 12:13 pm
Subject: Re: [Phono-L] Amberola I vs III innards


Seems that after many of those machines left the factory the retail

dealers swapped the mechanisms to make customers happy with the color of

the machine.



On 01/11/2011 10:54 AM, Peter Fraser wrote:


See my prior response, plus...my III mech and cabinet already have mismatched


numbers...






Sent from my iPhone







-- Peter



pjfra...@mac.com







On Jan 11, 2011, at 8:44 AM, gpaul2...@aol.com wrote:







Jerry is correct about mixing a 1A and a III, but a 1B uses the same


mechanism as the III.  Even so, the number stamped into the III mechanism will

not match that on the 1A/B cabinet.  This sort of mixingmatching 
permanently

separates mechanisms and cabinets, preventing the proper restoration of the

original machines.  I'd advise against it.






George P.











































-Original Message-



From: Peter Fraserpjfra...@mac.com



To: phono-lphono-l@oldcrank.org



Sent: Mon, Jan 10, 2011 5:14 pm



Subject: [Phono-L] Amberola I vs III innards



















Does anyone happen to know how much difference there is between the guts of


an






Amberola I and a III?  Hoping to do a swap into a Amberola I cabinet from a







messed up III I have...















Thanks...















-- Peter







pjfra...@mac.com







___







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http://phono-l.oldcrank.org























___



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http://phono-l.oldcrank.org



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http://phono-l.oldcrank.org










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Re: [Phono-L] Amberola I vs III innards

2011-01-11 Thread phonofolks
The original owners are long dead unless you consider someone born around 1920 
to parents that bought the edison who is still alive to be an original owner.





-Original Message-
From: Rich rich-m...@octoxol.com
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Tue, Jan 11, 2011 4:00 pm
Subject: Re: [Phono-L] Amberola I vs III innards


There have been several recoded cases of that marriage with evidence that it is 
original. Keep in mind that as cylinders were displaced by disk records these 
machines went to the refurbishers and were resold as new-used machines through 
the catalog stores. Th old cylinder machines became trade-ins or sold outright. 
Probably late teens and early 20s period which would make the original owners 
close to 90 now. 
 
On 01/11/2011 02:50 PM, c5...@aol.com wrote: 
 I have a 1B mech in a 1A cabinet that was original as far as the original 
 owners family could remember. 
 
 
 
 
 
 -Original Message- 
 From: Richrich-m...@octoxol.com 
 To: Antique Phonograph Listphono-l@oldcrank.org 
 Sent: Tue, Jan 11, 2011 12:13 pm 
 Subject: Re: [Phono-L] Amberola I vs III innards 
 
 
 Seems that after many of those machines left the factory the retail dealers 
 swapped the mechanisms to make customers happy with the color of the machine. 
 
 On 01/11/2011 10:54 AM, Peter Fraser wrote: 
 See my prior response, plus...my III mech and cabinet already have 
 mismatched numbers... 
 
 Sent from my iPhone 
 
 -- Peter 
 pjfra...@mac.com 
 
 On Jan 11, 2011, at 8:44 AM, gpaul2...@aol.com wrote: 
 
 Jerry is correct about mixing a 1A and a III, but a 1B uses the same 
 mechanism as the III. Even so, the number stamped into the III mechanism 
 will not match that on the 1A/B cabinet. This sort of mixing matching 
 permanently separates mechanisms and cabinets, preventing the proper 
 restoration of the original machines. I'd advise against it. 
 
 George P. 
 
 
 
 
 
 
 
 
 
 
 -Original Message- 
 From: Peter Fraserpjfra...@mac.com 
 To: phono-lphono-l@oldcrank.org 
 Sent: Mon, Jan 10, 2011 5:14 pm 
 Subject: [Phono-L] Amberola I vs III innards 
 
 
 
 
 Does anyone happen to know how much difference there is between the guts of 
 an 
 
 Amberola I and a III? Hoping to do a swap into a Amberola I cabinet from a 
 
 messed up III I have... 
 
 
 
 Thanks... 
 
 
 
 -- Peter 
 
 pjfra...@mac.com 
 
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[Phono-L] amberola cabinets

2011-01-11 Thread Thomas Edison
I woud retore the III cabinet at all costs, the shelf is not hard to duplicate. 
My A-150 dd had a missing shelf, and I made a new one with a mahogany board, 
and made a stencil of another machine and duplicated it. Many f these cabinets 
are almost black and very bubbed, restore it! The 150 is one of my fave 
cabinets. The 1-A is a belt driven machine with a motor similar to a mdel F or 
G triumph, I had an opera and I-A in the shop at the same time. Rebuilt both 
the M and L reproducers on them too.
  
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[Phono-L] Long pin for Edison 2/4 min standard and set scew for Edison mandrel gear

2011-01-11 Thread harvey kravitz
I am looking for an Edison long pin for the large gear  and the set screw for 
the mandrel gear for my 2/4 min model B Standard. any help will be greatly 
appreciated.
Harvey Kravitz



  
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Re: [Phono-L] Political cylinders f/s

2011-01-11 Thread Aph4990
Hi John,
I would love the Taft cylinder at your price.
Let me know.
Art Heller  aph4...@aol.com
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Re: [Phono-L] Political cylinders f/s

2011-01-11 Thread john9ten
Hi Art
It sold earlier. The Roosevelt cylinder is all that's left.
Thanks
John
--Original Message--
From: aph4...@aol.com
Sender: phono-l-boun...@oldcrank.org
To: phono-l@oldcrank.org
ReplyTo: Antique Phonograph List
Subject: Re: [Phono-L] Political cylinders f/s
Sent: Jan 11, 2011 3:41 PM

Hi John,
I would love the Taft cylinder at your price.
Let me know.
Art Heller  aph4...@aol.com
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Re: [Phono-L] Matching serial numbers

2011-01-11 Thread Rich
What I said was the mech and tag match but those 2 do not match the 
cabinet numbers even though all of the cabinet numbers do match each of 
the other cabinet numbers. It is a given that the mech has been changed 
if it fails to match the tag on the case.


And as you said, many mechanisms were replaced due to wear and failure. 
 The lubricants of the period were not up to the task in any way so 
parts failed.


On 01/11/2011 07:20 PM, DeeDee Blais wrote:

If a machine, such as a big Amberola, has been in the same family since new and
the serial number on the mechanism does not match the ID tag, I would suspect
that the mechanism was swapped out near the end of its useful life span.  Lets
say a Amberola 1-B was sold new in 1913 and saw continued use until being
replaced by a radio in 1928.  In 1923, the spring broke and it was cheaper to
replace the entire mechanism with one from a parts machine rather than install a
new spring.  It's only my best guess that this happened more often than
something being swapped out when new.
*
As a side note to my story... The Amberola was moved to the attic in 1928 and
sat there until Mike Stitt bought it in 1985 for $500.  He kept all the 5000
series cylinders that were bought in the 1920s and sold me the machine for
$1500.  Jerry Blais



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[Phono-L] Edison GEM reproducer

2011-01-11 Thread Ward Sandstrom
Group. I have a early Edison GEM model A phonograph missing the special GEM 
reproducer.  Does anyone have one they would sell. Thanks Ward Sandstrom
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Re: [Phono-L] Stuck Motor Board

2011-01-11 Thread William Zucca
Bob:  The back panel is still stuck fast but you can see in my earlier reply
to this thread that I used suggestions of several members to get the motor
board open.  Next I will be giving the back panel a whack from the
inside with my trustee rubber mallet by putting in the motor board hole.

Thanks for writing.

GrnMountain Bill

On Tue, Jan 11, 2011 at 9:13 PM, Bob Maffit maff...@bresnan.net wrote:

 William:

 If the cabinet has a back removable panel, Can you remove the back panel to
 the upper portion of the cabinet? If so, you may be able to inspect or tap
 from underneath.

 I am not familiar with the XI in terms of how it is constructed. On some
 models, this is the way to remove the horn, out the rear.

 You may have already eliminated this, given this is not a design feature of
 your phono.

 Later

 Bob

 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org]
 On
 Behalf Of William Zucca
  Sent: Monday, January 10, 2011 10:01 PM
 To: Antique Phonograph List
 Subject: Re: [Phono-L] Stuck Motor Board

 If I could verify that the motor board is on a swivel then I would place a
 board lined with a felt strip on it across the BACK of the motor board and
 give a few swift blows with the mallet to see if I can loosen it.  Perhaps
 someone who owns an XVII can verify that the motor board swivels on a pivot
 just to the rear of its center so I don't do any damage.

 GrnMountain Bill

 On Mon, Jan 10, 2011 at 11:54 PM, john robles john9...@pacbell.net
 wrote:

  SOunds like a case of simple warpage and wood swelling then...
 
  --- On Mon, 1/10/11, William Zucca rochr...@gmail.com wrote:
 
  From: William Zucca rochr...@gmail.com
  Subject: Re: [Phono-L] Stuck Motor Board
  To: Antique Phonograph List phono-l@oldcrank.org
  Date: Monday, January 10, 2011, 8:52 PM
 
  John:  Yes, everything have been removed from the motor board and frame.
  Only the motor screws remain. I even tried tapping with rubber mallet to
  see
  if there would be any movement.  But there is none.
 
  Thanks for the picture.
 
  GrnMountain Bill
 
  On Mon, Jan 10, 2011 at 11:35 PM, john robles john9...@pacbell.net
  wrote:
 
   Did you remove the turntable and reposition the automatic stop yoke?
 This
   is often the culprit, because the two arms of the stop yoke overlap
 form
  the
   motorboard to the motorboard frame. Check this link to a photo of what
 I
   mean. The yoke is circled in white.
   http://s197.photobucket.com/albums/aa39/john9ten/
   John Robles
  
   --- On Mon, 1/10/11, William Zucca rochr...@gmail.com wrote:
  
   From: William Zucca rochr...@gmail.com
   Subject: [Phono-L] Stuck Motor Board
   To: phono-l@oldcrank.org
   Date: Monday, January 10, 2011, 8:04 PM
  
   Dear Phono-Lers:
  
   I recently acquired a Victrola VV-XVII.  It is pretty nice machine but
 is
   missing the crank, needle cup, motor board knob, and one large storage
  door
   knob.
  
   ANYWAY...
  
   After removing the screws that hold down the motor board (two in the
  front
   and perhaps a third in the rear center just in from the tonearm
 bracket),
  I
   have been unable to get the board to either swivel on a pivot or come
 up
   out
   of the top of the machine!  What am I doing wrong?  There is no
 movement
  of
   the motor board in any direction.  It is stuck tight.  Any suggestions
   about
   how to remove it?
  
  
   On the back of the machine there is a panel that seems to be held in
 with
   two brass screws on its bottom edge and also has two acorn wooden
 plugs
   at
   the top.  I removed all of these and this panel too is stuck fast!
  What
  is
   going on?
  
   Regards,
   GrnMountain Bill
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 No virus found in this incoming message.
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[Phono-L] Matching numbers

2011-01-11 Thread DeeDee Blais
Why would the Edison Company go to the trouble of assigning a number to the 
major cabinet parts, the mechanism, and the ID tag?  When I look at a big 
Amberola with the eye of a buyer, I check those numbers and expect them to be 
the same. Right or wrong, I'll assign a lower value to a machine that does not 
match.  


  
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Re: [Phono-L] Phonos for sale

2011-01-11 Thread Tom Jordan
The Excelda Cameraphone is sold.  If anyone is interested in the Victor
VV-VI table model, please make me an offer.  I won't be offended if your
offer is too low.  I just may be unable to accept it.
Thank you.
Tom

-Original Message-
From: Tom Jordan [mailto:tom...@msn.com] 
Sent: Monday, January 10, 2011 9:48 PM
To: 'Antique Phonograph List'
Subject: Phonos for sale

Due to circumstances, I need to part with a couple of machines.  Here is
what I have to offer:

Thorens Excelda Cameraphone ($160.00 or make me a reasonable offer, plus
shipping)  This machine is in good condition and runs well.  The reproducer
is tight a plays well and sounds great.  This one is in better condition
than any others I have seen.

Victor VV-VI table model ($170.00 or make me a reasonable offer, plus
shipping)  This machine is a good solid runner and the case is in nice
condition. It comes with an exhibition reproducer that is tight and plays
well and sounds great.  This machine can be your work horse and could be
used to play your records on a daily basis, saving your more valuable
machines for the future.

If you are interested, please e-mail me directly at tom...@msn.com and I
will be happy to provide you with photos and answer any questions that you
might have.  

I accept Paypal and will work with you for timely delivery.
Thank you.
Tom

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Re: [Phono-L] Human nature...

2011-01-11 Thread KEEPERH2O
 
And a very interesting book it is, Jerry!  Thanks so muchly for the  
ramble.  I really enjoyed reading it!
 
: )
 
Edward
in Zigzag/Rhododendron, Oregon

 
 
In a message dated 1/11/2011 9:00:51 P.M. Pacific Standard Time,  
deedeebl...@yahoo.com writes:

Years  ago I purchased a Victrola that was autographed by Louisa 
Tetrazzini. 
Next  to the turntable, handwritten in white ink was Souvenir from Louisa  
Tetrazzini, April, 1923. Over the years I acquired other Tetrazzini items  
that 
were signed with the same signature and I'm reasonably sure that the  
Victrola 
autograph is genuine. But why did she sign the Victrola?  I  developed a 
romantic 
theory that she was in Portland, Oregon for a  performance and instead of 
staying 
in one of the hotels, she stayed with a  wealthy Portland family.  As a 
courtesy 
for their hospitality, she  signed their Victrola.  I really wanted to 
believe my 
theory, right  up to the moment that I saw another Victrola with the same 
inscription and  same date! I had to face the fact that she must have 
signed 
several  Victrolas, probably at a Victrola sales promotion for a large 
dealer.  I  
really wanted to believe that my Victrola XVI was the only Tetrazzini  
Victrola. Then I saw a second and it was a XVII!  
*
I know  strange things happened but they were the exception.  I've 
personally  
seen a Vernis Martin Victrola with an upside down decal.  I was  
dumbfounded! 
With that said, I still think 99.99% (or more) of the big  Amberolas left 
the 
factory with matching numbers. Those numbers were there  for a reason.  
When an 
Edison was traded in, the number was recorded  by the dealer.  Stolen 
machines 
were identified by the serial  numbers.  I would not expect a dealer to 
swap a 
mechanism from one  new machine to another but it was possible. Those 
machines 
are a century  old and the original owners a long gone.  Even a machine 
that has  
been in one family has gone through several family members and probably  
repairs. 
When those same machines started to be collectable I suspect  first 
generation 
collectors upgraded mechanisms and cabinets until they  were pleased and 
gave no 
thought to the serial numbers.  I remember  reading a modern collector 
statement 
that he was against swapping any  mechanism or cabinet.  I immediately 
realized 
that I had violated his  ethical position by swapping out a very ordinary 
and 
dull works for a  nicer one in my mahogany Edison Standard B. Even though 
the 
replacement  mechanism was period correct, I had not even considered for 
one 
moment  what I was doing something wrong.  
*
I recently bought a NOS 1968  Sting-Ray Run-A-Bout from a man that was a 
dealer 
in the 60's and  70's.  The bike was never sold until I bought it.  I asked 
the  
seller if he would write a note on his old letterhead with a brief history  
of 
that bike.  I was with my son, Tyler, and grandson, Wyatt.   Tyler inquired 
why I 
asked for the note and I replied that providence of  the bike was importa
nt. 
Wyatt asked what that meant and I replied that the  note would show the 
history 
of the bike from the Schwinn factory to  me.
*
If I were buying a big Amberola and questioned the seller why the  numbers 
didn't 
match and his reply was it's always been that way... my  grandfather 
bought it 
new..., that's really not providence.  Too  many things could have 
happened.  I 
may really really want to believe  it but my better judgement says 
otherwise.
*
I'll stop now or I'll need  to get a title for this book.



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