I found that with incandescent light and no filtration I was quite happy
with the color balance, with a speed of about 2.5 I used an 85A outdoors at
speed of 1.75 but I didn't like the color balance. I developed in JOBO,
which worked fine. A friend did a lot of these at or near sunset, i.e.,
Leezy's suggestion is probably best but I have a friend who does
this with lens cameras and told me that the paper is treated like
tungsten film as far as filtration. That will give you a starting
point.
On Saturday, January 18, 2003, at 06:16 AM, TIM MIDKIFF wrote:
hello everyone,
When WillieAnn Wright did them they were cibachrome, not iflochrome...so the
filtration will undoubtedly be different.
You can email her...she's very nice and will probably respond.
leezy
I think this is a very interesting lens design, but after the 4th or 5th
picture, it kind of comes off as a One Trick Pony, don't you think?
That being said, I think the technique is more interesting when he uses the
surrounding architechture to define the space, for example, when he stood in
This swap is the greatest! Now I actually look forward to opening my mailbox!
I think I may make an album with everyone's cards in it. Last year I made a
box to keep them in. Thanks to all who have sent images.
Jan
ethereal art wrote:
Hello to you all.
It's the middle of January and I have a
hello everyone,
I'm looking for information to research ULF pinhole cibachromes.
Is anyone aware of any printed material or web-source about this other than
all the W.A.Wright images posted on the web. I'm really interested in the
color correction needed and processing requirements.
