My experience with this stuff is don't do it. way too much grain and no
shadow details to speak of... having said thus, permit me to suggest:
1. Use Bruce Barnbaum's double HC110 procedure that goes like this. 2
min at 1:31 followed by 10-14min at 1:180.. right, those are
have also had success using soft paper developers and
placing a VC printing filter over the pinhole
Jim K
- Original Message -
From: gina ginab...@ix.netcom.com
Thanks to Ed for the Oriental paper tip-big problem for me when shooting
using paper negatives on a sunny day is that they
Hello Mark,
Very nice and mysterious image!
I like sun flare effect. It looks like UFO or... something for X-files.
Great picture Mark.
--
Best regards from Belgrade,
Vladimir
mailto:fo...@bitsyu.net
Friday, May 18, 2001, 6:50:23 AM, you wrote:
mb hello again,
mb i just got back from the
Nice image Mark
How long was your exposure? You seem to have captured a bit of a moment.
Also like your SF bridge photo. Using paper limits me to photos in close
proximity to my darkroom. I think I need to convert an old camera to
pinhole...
Love your work:-)
hello again,
i just got back from
mark boucher wrote:
i just got back from the darkroom and i printed another photo from my trip
to san francisco. i tried a photo from the window of the plane.http://www.p
at ???/discussion/upload/images/airplane.jpg
Extraordinary photograph.
What camera/film/technique are you using?
I
If you have a copy of Freestyles catalogue , they tend to include a page (is
near the center ,and next to the order forms ) of developing times for a
variety of films, (Arista, Konica, Fuji, Efke, Ilford, Kodak, and Cachet Maco
IR ) . according to their charts, Kodak Tri-X Pan ISO 400 , a 1:25
hello again,
i just got back from the darkroom and i printed another photo from my trip
to san francisco. i tried a photo from the window of the plane. i had my
doubts about whether it would turn out, but it came out really interesting.
the sun flared and it looks like i was looking out at a
