-------- Original Message --------
Subject:        What Happen to the Great African American Author?
Date:   Sat, 13 Oct 2007 22:25:55 -0500
To:     [EMAIL PROTECTED] <[EMAIL PROTECTED]>



What Happen to the Great
African American Author?
by LaShelle Turner 
<http://www.thesop.org/html/writers.php?writer=turner> Posted October 
12, 2007

Something is inherently wrong with the publishing industry 
<http://www.thesop.org/article.php?id=7762#> when former hip hop video 
star, Karrine Steffans, is the most interviewed and talked about African 
American author this year. This woman, who has made a career of telling 
lurid details of her intimate life with hip hop celebrities, has been on 
every major syndicated black radio program in the country.

Her first book, /Video Vixen/, became a bestseller and her second book, 
/The Vixen Diaries/, is gathering even more press. She even made it to 
the modern day pinnacle of author success; she was on Oprah. Are we so 
used to salacious gossip that it has become literature? Do we want these 
types of books to represent the model of a bestselling black author?

Karrine Steffans represents the reality for many black authors in 
today's publishing industry. There are few great examples of African 
American literary authors on bookstore shelves. Most chain bookstores 
are filled with books by black authors who write tales of lust, sex, 
drugs and more sex.

Steffans's books started a new genre of books, the Hip Hop Tattle Tell. 
Since the debut of her first book, many have followed her recipe for 
book selling success. Carmen Bryan's /It's no Secret/ told her story of 
becoming a hip-hop baby mama. Tarsha Jones's /Meet Ms/. /Jones/ tells of 
her sexual conquests of rap stars, being a DJ is the side story. Even 
Terry McMillan's ex-husband Jonathan Plummer has made his debut as an 
author. His book, /Balancing Act, / is a thinly veiled fiction version 
of his very public divorce from McMillan. No doubt ghostwriters are 
writing most of these books. It is hard to learn sentence structure and 
cohesion between all the bed hopping and chasing celebrities.

Note to all struggling black authors trying to get a publishing 
<http://www.thesop.org/article.php?id=7762#> deal: Forget sending out 
queries and taking creative writing workshops, just go sleep with a few 
black celebrities and remember to take good notes.
 
What is most frightening about these books is who is reading them. Most 
are young, impressionable teen-aged African American girls. These books 
basically tell young black girls how to become hip-hop groupies. It is 
sending the message that fame and sex are interrelated. Real talent is 
only a minor detail.

With the exception of Alice Walker or Terry McMillan 
<http://www.thesop.org/article.php?id=7762#>, most black authors do not 
garner the same media attention as Ms. Steffans. Very few become 
household names. Most live an obscure life, never making enough money to 
quit their day jobs or make the /New York Times/ best seller list.

As an avid reader, it is a hard task trying to find African American 
books <http://www.thesop.org/article.php?id=7762#> with good substance. 
True, there are many good nonfiction and romance books 
<http://www.thesop.org/article.php?id=7762#> by black authors, but where 
are all the great books like Alice Walker's /Color Purple/ or Edward P. 
Jones's /The Known World. /Where are our Joyce Carol Oates and Jodi 
Picoult?/ /One has little other choice but to read great fiction books 
by authors of other races. Still, one longs to read about the black 
experience through the imagination of a well-written author of color.

The publishing industry is sending a message to African American 
readers. Black Americans do read, but only at a superficial level.  
Substance and great writing talent does not sell; well at least in our 
communities.


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