Rob MacKillop wrote:
I've just had a knock-back from the Crail Festival. Remember, James Oswald -
Scotland's finest 18th-century musician - was born there to a poor family
and rose to become the Chamber Composer to George III and muse to Robert
Burns. I offered to have the launch of my CD of
I've just had a knock-back from the Crail Festival. Remember,
James Oswald -
Scotland's finest 18th-century musician - was born there to a
poor family
and rose to become the Chamber Composer to George III and muse to Robert
Burns. I offered to have the launch of my CD of Oswald's
Yes, after all these descriptions of the so-called Shetland guitar style, I
was wondering if there was any connection with the CB piano school. They do
sound similar.
??? The CB piano stuff is simple harmonies but very complicated rhythms
and textural effects: the "Shetland" guitar stuff is
I've just had a knock-back from the Crail Festival. Remember, James Oswald -
Scotland's finest 18th-century musician - was born there to a poor family
and rose to become the Chamber Composer to George III and muse to Robert
Burns. I offered to have the launch of my CD of Oswald's 'guittar' music
Yes, after all these descriptions of the so-called Shetland guitar style, I
was wondering if there was any connection with the CB piano school. They do
sound similar.
??? The CB piano stuff is simple harmonies but very complicated rhythms
and textural effects: the "Shetland" guitar stuff is
