Tom,
Let me explain before the subject can be declared beaten to death.
What I started with was mildly exaggerated my own beginner learning experience
from the last century. In my text further on you saw ...a short non-music time
is needeed As an example let me describe this exchange:
@Tom
So what planet are you from? Here are two videos out of thousands showing
classes without music with men and women separated. I fell sorry for
students that pay good money for substandard instruction from second-rate
teachers.
Oscar Casas teaching a class without music
Jack:
I also dance ballroom so I can answer the question. Not only is ballroom 100%
figure based, it's also 100% musically based. Each dance has an unique cadence
which is repeated throughout the dance. Cha Cha is S-S-Q-Q-S or numerically
2-3-4--1. Fox Trot is S-S-Q-Q. Quick step is S-Q-Q-S.
Dear listmembers,
I am about to move to a new place, and it, sadly, has a carpeted floor.
What can one do to create a little practice space without ripping off
the carpets?
Any suggestions?
I vaguely remember someone (Eero?) saying something about using
roll-on vinyl for outdoor guerilla tango
I'd say vinyl over 1/2 plywood. You could use different thicknesses of
plywood, but you'd need to trade off sturdiness with portability.
Trini
--- On Tue, 4/26/11, Sergey Kazachenko syarz...@gmail.com wrote:
I am about to move to a new place, and it, sadly, has a carpeted floor.
What can
From: Jack Dylan jackdylan...@yahoo.com
Subject: Re: [Tango-L] Better? Worse? Just different.
I've always thought that the defintion of a 'Colgada' is that the axes of the
couple tilt away from each other. How is that possible while remaining in close
embrace? Or is my understanding incorrect?
