Re: [Tango-L] The Australian context for copyright in Original Tango Music

2011-02-18 Thread Vince Bagusauskas
The following is a response from the Licensing Department, PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA (PPCA), to a series of questions I posed to them: On 1 January 2005, the duration of copyright increased. The increase applies to all works and sound recordings which were in copyright on

Re: [Tango-L] The Australian context for copyright in Original Tango Music

2011-02-18 Thread Trini y Sean (PATangoS)
Interesting. So does this mean that if a music student does a recital of Libertango in order to graduate, he must have a license to perform it (which I would guess would be handled by the school)? Would public performance include anything outside of the home, regardless of whether money is

Re: [Tango-L] The Australian context for copyright in Original Tango Music

2011-02-18 Thread Myk Dowling
On 19/02/11 03:54, Trini y Sean (PATangoS) wrote: Interesting. So does this mean that if a music student does a recital of Libertango in order to graduate, he must have a license to perform it (which I would guess would be handled by the school)? Australian and US copyrights have some

Re: [Tango-L] The Australian context for copyright in Original Tango Music

2011-02-18 Thread Myk Dowling
On 18/02/11 23:16, Vince Bagusauskas wrote: The following is a response from the Licensing Department, PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA (PPCA), to a series of questions I posed to them: On 1 January 2005, the duration of copyright increased. The increase applies to all works

[Tango-L] The Australian context for copyright in Original Tango Music

2011-02-16 Thread Vince Bagusauskas
This really is an interesting topic the more I read about it. There are many different factors that performers, dance schools, milongas and DJs need to consider. Here is what I have distilled so far from many different websites for Australian copyright. Copyright has totally been