I received a message on my imslp talk page:
http://imslp.org/index.php?title=Special:WikiForumthread=5106
The corresponding page
is:http://imslp.org/wiki/Harpsichord_Concerto_No.1_in_D_minor,_BWV_1052_%28Bach,_Johann_Sebastian%29
The PMX sources are present there. Does anybody feels capable
Jean-Pierre--
I'd be willing to try, although after looking at the source files I see that
it's going to be very complicated to reconstruct Christof's steps in
producing the final score and parts. Please provide Rutger's email address
or get him to sign up to the Tex-Music list.
--Don Simons
2013/9/16 Rutger Hofman rut...@cs.vu.nl
BTW, any idea why pmx/MusiXTeX on my Ubuntu 12.08 generates weird pdfs,
with all notes clustered towards the left of the staff? This is not only
for BWV1052, but also for sample .pmx files as published on the Icking site.
Looks like you compile only
|BTW, any idea why pmx/MusiXTeX on my Ubuntu 12.08 generates weird pdfs,
|with all notes clustered towards the left of the staff? This is not only
|for BWV1052, but also for sample .pmx files as published on the Icking
|site.
Sounds like you're not running musixflx and re-running musixtex.
On Mon, 16 Sep 2013, Rutger Hofman wrote:
I am already subscribed to the list.
Great! Did you make comparisons with the other BWV 1052 versions or only
with BWV 146? Couldn't it be that when Bach arranged Bach he made slight
modifications?
Bye,
Jean-Pierre Coulon
On 09/16/2013 05:53 PM, Jean-Pierre Coulon wrote:
On Mon, 16 Sep 2013, Rutger Hofman wrote:
I am already subscribed to the list.
Great! Did you make comparisons with the other BWV 1052 versions or only
with BWV 146? Couldn't it be that when Bach arranged Bach he made slight
modifications?
On Mon, 16 Sep 2013, Rutger Hofman wrote:
BTW, any idea why pmx/MusiXTeX on my Ubuntu 12.08 generates weird pdfs, with
all notes clustered towards the left of the staff? This is not only for
BWV1052, but also for sample .pmx files as published on the Icking site.
Do you mean something like:
Don Simons wrote:
Jean-Pierre--
I'd be willing to try, although after looking at the source files I
see that it's going to be very complicated to reconstruct Christof's
steps in producing the final score and parts.
I know from my long term correspondence with Christof that he was
applying
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