Has anyone any thoughts about the starting note of the x ornament signs in
Corbetta's La Guitar Royal of 1671, particularly the Folia starting on page 79?
On p.9 he gives an example of a prepared appoggiatura on the fifth line. but
there are numerous places that could be confusing.
Examples:
By chance I have a recording of Antonio Ligios playing this piece and as far
as I can tell he is doing exactly what the ornaments seem to imply...
Has anyone any thoughts about the starting note of the x ornament signs in
Corbetta's La Guitar Royal of 1671, particularly the Folia starting on
