'brightness' might explain this
practice.
regards
Martyn
--- On Mon, 9/5/11, Monica Hall mjlh...@tiscali.co.uk wrote:
From: Monica Hall mjlh...@tiscali.co.uk
Subject: [VIHUELA] Re: Guitar continuo example
To: Rockford Mjos rm...@comcast.net
Cc: Vihuelalist vihuela
--- On Mon, 9/5/11, R. Mattes r...@mh-freiburg.de wrote:
From: R. Mattes r...@mh-freiburg.de
Subject: [VIHUELA] Re: Guitar continuo example
To: Rockford Mjos rm...@comcast.net, Monica Hall
mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Date: Monday, 9 May
for
the practice.
I might sound grumpy but this seems to become a unhealthy habbit recently.
Cheers, Ralf Mattes
MH
--- On Mon, 9/5/11, R. Mattes r...@mh-freiburg.de wrote:
From: R. Mattes r...@mh-freiburg.de
Subject: [VIHUELA] Re: Guitar continuo example
To: Rockford Mjos rm
-5graysinnsquare.co.uk/news/index.cfm?id=1391
regards
Martyn
--- On Tue, 10/5/11, R. Mattes r...@mh-freiburg.de wrote:
From: R. Mattes r...@mh-freiburg.de
Subject: Re: [VIHUELA] Re: Guitar continuo example
To: Martyn Hodgson hodgsonmar...@yahoo.co.uk, Rockford Mjos
rm
On Tue, 10 May 2011 14:37:10 +0100 (BST), Martyn Hodgson wrote
If you're interested in the bacground and legal arguments, there are
summaries of the case, known as Sawkins v Hyperion Records Ltd 2005,
on various sites such as
www.4-5graysinnsquare.co.uk/news/index.cfm?id=1391
Thanks
I believe they (Ex-Cathedra dir. Jeff Skidmore) did use the edition not, of
course, expecting all the subsequent trouble.
Mh
--- On Tue, 10/5/11, R. Mattes r...@mh-freiburg.de wrote:
From: R. Mattes r...@mh-freiburg.de
Subject: Re: [VIHUELA] Re: Guitar continuo example
To: Martyn Hodgson
@cs.dartmouth.edu
Sent: Tuesday, May 10, 2011 10:03 AM
Subject: [VIHUELA] Re: Guitar continuo example
On Tue, 10 May 2011 14:37:10 +0100 (BST), Martyn Hodgson wrote
If you're interested in the bacground and legal arguments, there are
summaries of the case, known as Sawkins v Hyperion
To: [2]Monica Hall
Cc: [3]Vihuelalist
Sent: Tuesday, May 10, 2011 9:20 AM
Subject: Re: [VIHUELA] Re: Guitar continuo example
Hello Monica,
I've just returned from an extended Easter break and am catching up
with emails, but this is more interesting than most
Pitch
Thanks for sharing the info with us. Your delving into this
collection is enormously useful.
It does look as if the guitar is supposed to be playing along with
everyone else. But the list of artists in Albrici's ensemble paid in 1653
includes Bartolotti as the only theorbo player, one
If we are looking for possible guitarists to take that second hand-
plucked part, Reggio comes to mind, though listed in the court
payroll as a bass (singer) [See STMF 1961, p. 308]
Kenneth Sparr had this comment:
During the period 1652-1654 Queen Christine of Sweden had a company
of
Yes - that seems very likely. Singers/players would be listed in
payrolls under just one heading. Multi tasking. Out of 16 people
listed 13 are singers.
Having looked more closely at the guitar part - it doesn't look very
suitable for guitar - it goes down to E below the
Kremberg and others assume a guitar tuned in D so, of course, a
transposing part would mean thinking E-tuned guitar shapes on a D
instrument (for example).
When I play continuo on guitar I transpose out of range bass lines
(in my head) as needed.
I also wonder about the Tacet instructions.
On Mon, 9 May 2011 12:56:20 -0500, Rockford Mjos wrote
Kremberg and others assume a guitar tuned in D so, of course, a
transposing part would mean thinking E-tuned guitar shapes on a D
instrument (for example).
And the spinetta is also a transposing instrument?
Might well be parts written
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