: Saturday, July 09, 2005 10:05 AM
Subject: Otras tres diferencias
Have we a definitive understanding of what Narvaez was referring to when
he
entitled the piece after 'Guardame las vacas' as ''Otras tres diferencias
sobre 'Guardame las vacas', hechas por otra parte''?
''Otras tres diferencias
sobre
Thanks Monica. 'Guardame las vacas' is certainly based on the romanesca, but
the 'Otras tres diferencias' only partially fits the passamezzo antico:
i/VII/i/V/III/VII/i-V/i.
'Otras' has this chordal outline: i/VII/VI/V/i/VII/iv-V/i/iv-V/I - the first
half of which is often referred to now
Thanks Monica. 'Guardame las vacas' is certainly based on the romanesca,
but
the 'Otras tres diferencias' only partially fits the passamezzo antico:
i/VII/i/V/III/VII/i-V/i.
'Otras' has this chordal outline: i/VII/VI/V/i/VII/iv-V/i/iv-V/I - the
first
half of which is often referred to now
