Pouncing gleam

Pouncing gleam pouncing corn ,bug caldron ,went beetles ,mug rust ,knil ebuc ,dong croissant ,path rattle ,pis tesolc ,knack murder ,towel gloom dumps of tantra string my strong phone gamble like a ardnut groaning in the damp cake looper massed of trust sneak beak gnipeerc in the shade you

Slant leg

Slant leg slant shape crusted in yr eye heel ,a crawling flavor’s hat torn business clue ,gnol gnittihs in the garden where the drainless seeds clumps of window lobbed the chain stug hopping loop dog tsaeb crowding ,stunning lap lake you cash streak my shoes wheeled with ants meat for

still

still

Re: still

At 09:41 PM 11/10/2005, you wrote: still |lilt =silt= || tills =tilt= _intricate mirror mem[e_st]ories_ _ch[str]ained+[D-fence]linked_ http://www.hotkey.net.au/~netwurker/ http://www.livejournal.com/users/netwurker/ .

Re: still

On Oct 11, 2005, at 7:41 AM, Dan Waber wrote: still still ill HalThere are then quite a number of things one does or does not know. --Gertrude Stein Halvard Johnson email: [EMAIL PROTECTED] [EMAIL

Linguablanca webmagazine issue #1

PRESS RELEASE --- The first issue of Linguablanca webmagazine is now available on-line at: http://linguablanca.sevcom.com It features intriguing and dense landscape photography by Canadian Timothy Atherton from his series, Boreal Forest; photographic montage-poem-texts by Daniel

NSM: [Tue Oct 11 17:01:52 PDT 2005]

alphabetical goti boug stinga dpowe gestingi dystrophy haughtily terru suggesting of It seniority cleverly four would ingerask chto lyd ichhe uspensio rbough idge lyd lingsi ebr alphabetical jackets and soft undamaged alcove simpleton should pension made their way lyfo lge ebrevi intern omainfro

Re: an infinity of troubles

Testing the Means 3, I II An extension of the idea of Testing the Means. This time with diagonals added. 1) AFTER MATISSE http://www.kunst.no/bjornmag/mpphp2004/RYBMeans.jpg 2) XPLICITXXX http://www.kunst.no/bjornmag/mpphp2004/RYBMeans2.jpg mwp

Re: still

split lit stilts

Testing the Means 3, III IV

Testing the Means 3, III IV 2005 Two more examples. The first the full image, greatly reduced. The second, a detail of the upper LH corner. 3) XPLICITXXX II http://www.kunst.no/bjornmag/mpphp2004/RYBMeans03.jpg 4) XPLICITXXX II [DETAIL] http://www.kunst.no/bjornmag/mpphp2004/RYBMeans03b.jpg

Political Philosophical Poem

Political Philosophical Poem* Be affected by phenomena. Leave numbness to the dead. They like it. So it belongs to them. Show them the money And they laugh loudly or quietly The more and more of it you show. When your miracle Turns out to be a wet napkin, Did you renounce your mistake Or

Slave Revolt Radio: Condoleeza Rice Negro interrogation - mp3 download

Slave Revolt Radio: Condoleeza Rice Negro interrogation - mp3 download http://radio.indymedia.org/uploads/srr_012805condi.mp3 http://radio.indymedia.org/news/2005/10/7197.php Slave Revolt Radio: Imperial Peace Advocates Slave Revolt Radio: Imperial Peace Advocates 08-26-05 Politics of

Duet

Duet http://www.asondheim.org/plusplustaptap.mp4 Collaboration: video Foofwa d'Imobilite Realisation: Alan Sondheim Performance: Maud Liardon Performance: Julu 10/2005

Re: still

split lit stilts still sit l-list

] block yo(u) o(u)t in the chill

morning inconcantenate spaces inchoate sloward a(u)t(u)mnal ad(u)lt n(u)ll circle proverbial code [ half-life motif

Illiterate X

We're Just Doing a Rough Scope on This: Isotropic Matrix Island-Spacer-Blox Antique: Champagne VIAs{ 'kills' dendrodoris fumata nera nera mai hart 2dobverse

Re: Duet

On Oct 11, 2005, at 7:08 PM, Alan Sondheim wrote: Duet duel Hal Serving the tristate area. Halvard Johnson email: [EMAIL PROTECTED] [EMAIL PROTECTED] website: http://home.earthlink.net/~halvard blogs: http://entropyandme.blogspot.com

autobio

secret history http://www.asondheim.org/bio.mov perhaps false memory perhaps not _

Testing the Means 3, V VI

Testing the Means 3, V VI Last two examples, probably. The first is the full image, greatly reduced. The second, a detail of the lower LH corner. 3) AFTERMATISSE http://www.kunst.no/bjornmag/mpphp2004/RYBMeans042005.jpg 4) AFTERMATISSE II [DETAIL]