http://www.starve.org/usenet.html
2005 Archive: http://starve.org/usenet/2005
"Some, like Lomana Lua-Lua and the wretched Laurent Robert, seemed to
imagine their job only involved little other than constant moaning and
finger-pointing. However, when manager Alain Perrin finally lost
That is the conflict. I must confess, I am fascinated by the
ambiguity/acuity, stumbling across a stone, a poem, mostly
indecipherable, knowledge obscured, critical information masked,
buried. Archeological clues, left to the viewer to interpret, to
deconstruct, to reconstruct, the poem as
Yes, I agree with you - the issue in an odd way is the 'hook' - perhaps if
more were legible. As it is, one (I'm speaking of course only for myself
here) sees it as a stone-to-be-deciphered, but by an archaeologist, not by
me, i.e. the reader of the image; not enough is present... - Alan
On
However is open, occupied and
anxious, too. to estimate the
newest
in its sphere of interest,
Joan
Houlihan sizes up the drinkable
red
wine. it functions not in the
case
of the three books discussed here. It
is
not simply that one has a
pure
dawn impenetrability or a
prevailing
sense of
you can go into music and how the melody and scale have physiological
effects but then anything and your sight now reading this, but the
spesific, back to simple beuaty spelt wrong spellt right. GHT! abstract
expressionism, it should be a slash there. back to work he said, control
is a map, the
Bone day. The bitter time which I see.
To seek time of them and the ground here.
Pleasant Blog. I will have to turn over later.
Large post, I had pleasure to read it.
Adding you to favourites, the defect
crosses to return. and to read it still later
announces gain. close the Commissions:
Did someone say the fugue is dead?HalOn Jan 2, 2006, at 4:15 PM, Allen Bramhall wrote:The lag time between farting and the culture’s ability to appreciate it has a long, well-documented history. It was during such time that Joan Houlihan's fuckin' greatness laughed when Pollock spattered his
nasa and the dream of outer inner space
constructed a vlf radio (vlf-3) with a nasa kit (see INSPIRE project) and
accidently (clumsily) soldered an inductor connection poorly (it didn't take)
so that the connection was loose but really (honestly) non-existent - the
result interior noise (white
Okay, guys, here’s the deal. I’m in the process of putting the
finishing touches on a 2-hour videotaping I did in 2005 of a lecture by
the filmmaker Jean-Paul Gorin. Gorin was 1/2 of the Dziga Vertov team
in the 1960s-70s that was formed by him and Jean-Luc Godard; – yes,
THAT Jean-Luc Godard.
Flaming seraphim leaped in the air. Hoshea began to reign in. We have
identified his booty. Who was pharaoh? [marine jumps into jeep, drives]
It's like being the stand-up comic.
Zaraath being understood in later times as leprosy, a single sequence of
mudstone facies.
You kind of hope * you
He was not identified by grenades, while driving.
We got the best fans in the world and the best kids in this city.
Transferred to those sick with leprosy, intimate interbedded
relationship.
It's just good music at the end of the day. A recently
published report on the contamination of a group
(poorly sorted clay and silt)
The historians: many Marines drop to a meter or two above ground.
If we get that one person, that's a good into night for us. And we
find that this disease is one of the less contagious, individual cycles
into different facies, the most obscure and intricate Enigrns
Efforts were made and climb-in animation very lifelike, yet through the
ages determined by lateral change of portions
The young people cheering for the rock-and-roll punk. BLAH-BLAH
BLAH.
Still without a job and could not find a buyer for his house, not in
Judea.(2) With the reliefs, as he
No acceptable assumption made - disconcerting. [Demo of an alien flyer doing
loops]
With this album, going deep into the psyche. Who work with the leprous,
equivalence of these three depth rank series was - extirpate all such
Ambiguities - we have identified his booty, of Solomon's temple.
On 3/01/06 2:55, mwp [EMAIL PROTECTED] probably wrote:
Okay, guys, here¹s the deal. I¹m in the process of putting the
finishing touches on a 2-hour videotaping I did in 2005 of a lecture by
the filmmaker Jean-Paul Gorin. Gorin was 1/2 of the Dziga Vertov team
in the 1960s-70s that was formed
Tingly
Shattered rocks of stars,
the silence is
too factual:
thicknesses
of memory --
to maneuver
thru
them
obsessed with the subtleties
of vast piles of excrement.
--Bob BrueckL
primordial
ur
http://www.asondheim.org/prime.mov
plagiarism
at
the
origin
of
tertullian
origin of
plagiarism
originary
asymptotic
beginning
the now
http://www.asondheim.org/prime.mov
sublime
ipseity
thusness
imminence
immanence
creation
Interesting...though I would have preferred use of the word"fractal"
in the text, particularly with the geology/astronomy in the opening
element.
Oh, and I nearly forgot...damn, I love the title!!! Hell, actually, I love
the entire piece! I just hate the use of the word "factual" in the
Still teat
Each ache sham ham teat
cupboard puke boar drat gnats
rear ray ear peels sleep peals slapped pears
sudden doze teflon icy dice moo mow
toilet hoot toot pours pores spurt syrup erupts purrs pure
knuckle nails hunk lien easel release
wails slime emits slaw mace crammed rough
huggies
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