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[Via Communist Internet... http://www.egroups.com/group/Communist-Internet ]
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----- Original Message ----- 
From: Downwithcapitalism <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, June 18, 2001 1:18 AM
Subject: [downwithcapitalism] Even under capitalism, Russian artists defect



Associated Press. 17 June 2001. Bolshoi Head Says Singer Defections
Spurred Resignation. Comment at bottom.


MOSCOW --  The former artistic director of Russia's Bolshoi Theater said
Sunday that problems with a new production and the defections of key
singers led to his resignation from the 225-year-old theater.

Renowned conductor Gennady Rozhdestvensky, who quit last week after one
season, said his singers kept deserting rehearsals for better-paying
jobs abroad. "It's impossible to condemn these people," he said on TV-6
television's Itogi program. "They want to eat."

But the defections prevented him and the troupe from properly preparing
the premier of his production of Prokofiev's opera "The Gambler," he
said. He also cited critical attacks from the Moscow press as a reason
for stepping down, and called it "strange" that Bolshoi executive
director Anatoly Iksanov did not attend a single rehearsal for the new
production.

Rozhdestvensky was appointed to the post in a shake-up last fall, when
President Vladimir Putin placed the ballet and opera theater under
direct control of the Ministry of Culture.

The ministry sacked the theater's then-artistic and general director,
Vladimir Vasilyev, and divided his position between Rozhdestvensky and
Iksanov.

Rozhdestvensky expressed regret, saying that he took the job "full of
determination to give the Bolshoi Theater all my strength and knowledge
in order to restore the best traditions of the troupe."

The theater has struggled with financial and administrative woes and
what some have called a lack of artistic focus since the collapse of the
Soviet-era system of support for the arts.



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[NOTE. It has always been assumed that artists left the U.S.S.R.,
usually defecting to the U.S., because there was something oppressive
about the arts, or life in general, in the U.S.S.R. The above suggests
what many of us have always suspected: artists, the classic
representatives of the petit-bourgeois, are simply quick to go where the
money seems to be best, no ideological loyalties necessary.]

















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