Thanks for the suggestions, Andre! You obviously spent a lot of time compiling this. And now I won't have to worry about how to spend my time once I retire :-).
But because of line folding in Outlook, I had some trouble processing your file. I do have something that compiles, but it's messed up somewhere. Could you provide a separately attached pmx file? --Don > -----Original Message----- > From: TeX-Music [mailto:tex-music-boun...@tug.org] On Behalf Of Andre > Van Ryckeghem > Sent: Wednesday, March 15, 2017 11:17 PM > To: Werner Icking Music Archive <tex-music@tug.org> > Subject: Re: [Tex-music] trio with interstaff beam puzzle > > Thanks to everyone for looking at it. > > Don's solution is a handsome discovery, but had a drawback that i cannot > read the value of the 3th note in the trio (it comes on the wrong line if in the > lower staff). > > Now i humbly ask for allowing rests at the end of xtuplets. And also for > combined flags and beams in xtuplets. > > Here are a few examples of what are my wishes. > > Andre > > =============== > 2 1 2 4 0 6 0 0 1 3 20 0 > > tt > ./ > AT > %Method: Put an any note where the rest should come. > %(if beamed, the hight defines the slope. > %Then replace the note by the musixtex dummy note (*) %The put a normal > rest (ie. \ds) % \\\staffbotmarg6\Interligne\ \\\stafftopmarg10\Interligne\ > \\interstaff{20}\ %definitions > \\let\cusav\cu\let\clsav\cl\let\ccusav\ccu\let\cclsav\ccl\ > \\let\qusav\qu\let\qlsav\ql\let\qbsav\qb\ > \\let\tbusav\tbu\let\tblsav\tbl\ > \\let\iblsav\ibl\let\ibblsav\ibbl\let\ibusav\ibu\let\ibbusav\ibbu\ > \\let\tblsav\tbl\let\tbusav\tbu\ > % > %NOT BEAMED > %replace a 4th note by a dummy (*) > \\def\trioq{\def\qu##1{\let\ql\qlsav\let\qu\qusav\qu{*}}\ > \\def\ql##1{\let\qu\qusav\let\ql\qlsav\ql{*}}\qp}\ > % lower the rest > \\def\trioql#1{\def\qu##1{\let\ql\qlsav\let\qu\qusav\qu{*}}\ > \\def\ql##1{\let\qu\qusav\let\ql\qlsav\ql{*}}\lower#1\Interligne\qp}\ > > %replace an 8th note by a dummy (*) > \\def\trioc{\def\cu##1{\let\cl\clsav\let\cu\cusav\cu{*}}\ > \\def\cl##1{\let\cu\cusav\let\cl\clsav\cl{*}}\ds\bsk}\ > % lower the rest > \\def\triocl#1{\def\cu##1{\let\cl\clsav\let\cu\cusav\cu{*}}\ > \\def\cl##1{\let\cu\cusav\let\cl\clsav\cl{*}}\lower#1\Interligne\ds\bsk}\ > > %replace an 16th note by a dummy (*) > \\def\triocc{\def\ccu##1{\let\cl\cclsav\let\ccu\ccusav\ccu{*}}\ > \\def\cl##1{\let\ccu\ccusav\let\ccl\cclsav\ccl{*}}\qs\bsk}\ > % lower the rest > \\def\trioccl#1{\def\ccu##1{\let\cl\cclsav\let\ccu\ccusav\ccu{*}}\ > \\def\cl##1{\let\ccu\ccusav\let\ccl\cclsav\ccl{*}}\lower#1\Interligne\qs\bsk > }\ > % > % BEAMED > % replace an 8th beamed note by a dummy (*), then put a musixtex rest % > the \bsk adapt the lenght of the beam > \\def\triods{\def\qb##1##2{\let\qb\qbsav\qb##1{*}}\ds\bsk}\ > % lower the rest > \\def\triodsl#1{\def\qb##1##2{\let\qb\qbsav\qb##1{*}}\lower#1\Interlign > e\ds\bsk}\ > % shorter beam > \\def\triodsb{\triods\bsk\bsk\def\tbu##1{\let\tbu\tbusav\tbu##1\sk}}\ > \\def\triodsbl#1{\triodsl#1\bsk\bsk\def\tbu##1{\let\tbu\tbusav\tbu##1}}\ > % replace an 16th beamed note by a dummy (*) > \\def\trioqs{\def\qb##1##2{\let\qb\qbsav\qb##1{*}}\qs\bsk}\ > % lower the rest > \\def\trioqsl#1{\def\qb##1##2{\let\qb\qbsav\qb##1{*}}\lower#1\Interlign > e\qs\bsk}\ > % shorter beam > \\def\trioqsb{\trioqs\bsk\def\tbu##1{\let\tbu\tbusav\tbu##1\sk}}\ > \\def\trioqsbl#1{\triodsl#1\bsk\def\tbu##1{\let\tbu\tbusav\tbu##1\qs}}\ > % > % BEAMS and FLAG combined > % 8th note up > \\def\triobuc{\def\qb##1##2{\let\qb\qbsav\qb##1{*}\cu{##2}}\bsk}\ > \\def\triobubc{\bsk\let\ibu\ibusav\def\ibu##1##2##3{\sk\ibusav{##1}{##2} > {##3}\bsk\bsk}\ > \\def\qb##1##2{\let\qb\qbsav\qb##1{*}\cu{##2}}\sk}\ > \\def\triobucc{\def\qb##1##2{\let\qb\qbsav\qb##1{*}\ccul{##2}}\bsk}\ > \\def\triobubcc{\bsk\let\ibbu\ibbusav\def\ibbu##1##2##3{\sk\ibbusav{##1 > }{##2}{##3}\bsk\bsk}\ > \\def\qb##1##2{\let\qb\qbsav\qb##1{*}\ccu{##2}}\sk}\ > % 8th note low > \\def\trioblcc{\def\qb##1##2{\let\qb\qbsav\qb##1{*}\ccl{##2}}\bsk}\ > \\def\trioblbcc{\bsk\let\ibbl\ibblsav\def\ibbl##1##2##3{\sk\ibblsav{##1}{# > #2}{##3}\bsk\bsk}\ > \\def\qb##1##2{\let\qb\qbsav\qb##1{*}\ccl{##2}}\sk}\ > \\def\trioblc{\def\qb##1##2{\let\qb\qbsav\qb##1{*}\cl{##2}}\bsk\tbl1}\ > \\def\trioblbc{\bsk\let\ibl\iblsav\def\ibl##1##2##3{\sk\iblsav{##1}{##2}{## > 3}\bsk\bsk}\ > \\def\qb##1##2{\let\qb\qbsav\qb##1{*}\cl{##2}}\sk}\ > % > \\def\st{\smalltype}\def\bs{$\backslash$}\ > %1 > %rest at the end of a trio, not beamed > d44ax3nf+1 D"\st d4ax3 e $\backslash$trioc f"-3 e \trioc\ f > b4-ax3nf D"\st b4ax3 e $\backslash$triocl2 g"-3 e \triocl2\ g | %rest at the > end of a trio, beamed ex3nf D"\st ex3 b \bs triodsl2\ g"-3 d \triodsl2\ g ex3nf > D"\st ex3 d \bs triodsbl3\ g"-3 d \triodsbl3\ g // % normal ones > d45ax3nf-2 r e rx3nf-2 r e | > % other examples > g-Dx2 D"\st gDx2 \bs trioc\ g"+19 \trioc\ g > cx3 D"\st cx3 b \bs triodsb\ g"+21 D"voices not sychron"+26 b \triodsb\ g / % > %2 end rest, low beam > g44x3 D"\st g+x3 r \bs triodsl2\ g"-3 r \triodsl2\ g % end rest, no beam gax3nf > D"\st g+x3 r \bs triocl2\ f"-5 r \triocl2\ f | % testing other cases > rDx3n+1 D"\st rDx3 \bs triocl2\ b"-7-5 \triocl2\ b > rx3 D"\st rx3 \bs trioql2\ bD"-7-5 \trioql2\ bD // % normal one > r2x3 r b+ | > % exotic ones > [u-2 c8x3n-3 D"\st [ c8x3 \bs triods\ bD ]"+22-4 \triods\ bD ] > b8ax3n-3 D"\st b8ax3 \bs trioc\ bD "+22-1 \trioc\ bD > rx3n-3 bD > baDx3n-3 D"\st baDx3 \bs triocc\ b "+22-1 \triocc\ b / rp rp / % > %3 beam and flag > e8-x3nf sf D"\st e8-x3nf sf d s \bs trioblcc\ c "-7 d s \trioblcc\ c \trioblbcc\ > e8x3nf D"\st \bs trioblbcc\ e8x3 d sf c s"-3+3 d sf c s % > \\\def\trioblcns{\def\qb##1##2{\let\qb\qbsav\tbl##1\qb##1##2}}\ > \\\def\trioblcnsi{\def\qb##1##2{\cl##2}\def\tbl##1{}}\ > % > e4x3nf D"\st e4x3 sf \bs trioblcns\ d s \bs trioblcnsi\ c"-2 sf \trioblcns\ d s > \trioblcnsi\ c | \trioblbc\ e4x3nf D"\st \bs trioblbc\ e4x3 d sf c s "-6+6 d sf c s > % end rest, low beam shorted > bl4Dx3nf+2 D"\st b4Dx3 \bs triocl4\ b"-4 \triocl4\ b // > r8ax3n-2 D"\st r8ax3 r \bs trioccl{-1}\ g "+22-5 r \trioccl{-1}\ g > r8 r D"voices not sychron"+16 r1 r | r8 r1 r > b4x3 D"\st b4x3 a \bs triobuc\ c"+21 a \triobuc\ c / % > %5 > \\\interstaff{12}\ > % > % this line messes up the trios > %r8 r r r r r r r // > rb4 [jl f8+ ] r \ibl3{20}0\ [l rb4x3 rb XS-1 \def\cu{\qu}\stemlength5\ fu ] > r4 / > r8+6 r+6 r+6 r+6 r8+0 r+0 r r // > [l b8- a ]j rb r-4 [jl b4x3nf a \triodsl4\ b- ] r4 / ==================== > > ------------------------------- > TeX-music@tug.org mailing list > If you want to unsubscribe or look at the archives, go to > http://tug.org/mailman/listinfo/tex-music ------------------------------- TeX-music@tug.org mailing list If you want to unsubscribe or look at the archives, go to 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