In a message dated 10/08/00 9:34:10 [EMAIL PROTECTED] writes: > >Theo Parrish - Parallel Dimensions LP (Sound Signature) > >Robert Hood - Nighttime World 2 (M-Plant) > >Shake - Songs For My Mother (Frictional) > >Da Sampla - Samplaholic (Moods & Grooves) > >Sean Deason - Allegory & Metaphor (Intuit Solar) > >Kevin Saunderson - Powerbass (Sonic Groove) > > Yes I have heard the previously mentioned records. I think for the most > part they are all good average releases. Some are a little stronger than > others, but what I am looking for are those warehouse stormers that just do > not seem to come out of Detroit as of late. >
Well if you're looking for warehouse stormers then logically you'd be dissapointed with these releases. The musical trend now seems to be heading toward more intricate sounds, structures that are more specialised then what was released back in the day. I'm not implying that there were no intricacies in techno music then, just that it is more prevalent today because of new technological advancements. Music evolves...and continue to evolve. (In some cases more than some people do!) > I have been impressed with all of the Deepchord releases, but I am just a > sucker for that type of sound. I would not say Deepchord is really doing > anything special either. > Well they are and they aren't. The ingredients are just the ones which Mark Ernestus and Moritz Von Oswald prescribed. They just baked it in a different way. > I am waiting to see what the next wave of Detroit producers will be. Also, > I think Detroit has had better house releases than techno. Any thoughts > would be appreciated. > > Jared Wilson > F.T.M. Records Well, this 'wave' is quite visible in its development currently - and we'll be talking about it in years to come. Guaranteed. A_Zed _________________________________________ Program Co-ordinator, Ambient Zone RTRFM 92.1 Sunday Electronic Listening [http://rtrfm.ii.net] Perth, W.Aust (WST) 23.00-01.00 Detroit (EST) 10.00-12.00 Frankfurt (CET)/ London(GMT)16.00-18.00
