We had Ambrose come through town once about a year and a half back, his spinning is much like Terry Francis, deep, spacey, subtle eqing. As for his productions I prefer the early stuff he did on Offshoot and Crayon, his newer stuff (much in the same vien as Steve O'Sullivan) has just become slow and loopy, with short high frequency stabs, and conga's, kinda spacey, but all too familiar once you've heard his other records. If I had to pick a Ambrose record it would be Skymaster: Photon Beams: offshoot. The long player has the wickedest bassline, and a very detroitish synth line. todd ----- Original Message ----- From: "darw_n" <[EMAIL PROTECTED]> To: "Cyclone Wehner" <[EMAIL PROTECTED]>; "313 Detroit" <[email protected]> Sent: Wednesday, September 20, 2000 8:33 AM Subject: Re: [313] Mark Ambrose
> Ambrose is by far one of the producers I hunt out most while shopping, > absolutely love the blends of styles, however subtle!! > > I haven't gotten any tracks by him lately though, wondering if his tracks > are the same as last years? > > Never heard him spin either... > > darw_n > > "create, demonstrate, toneshift..." > http://www.mp3.com/darw_n > http://www.sphereproductions.com/topic/Darwin.html > http://www.mannequinodd.com > > ----- Original Message ----- > From: "Cyclone Wehner" <[EMAIL PROTECTED]> > To: "313 Detroit" <[email protected]> > Sent: Tuesday, September 19, 2000 5:28 PM > Subject: [313] Mark Ambrose > > > > > > Anyone have any thoughts on the work/DJing of Mark Ambrose from the UK. He > > had a track remixed by Blake Baxter, Bellinringers 1, and has been called > > the "New Red Planet" by one of the UK magazines a while back. > > > > Peace > > > > C > > > > > > --------------------------------------------------------------------- > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
