oooppps, that's.... "we hear at FORD"

> -----Original Message-----
> From: John Shipman [SMTP:[EMAIL PROTECTED]
> Sent: Wednesday, November 08, 2000 2:54 PM
> To:   'keleigh casper'; [email protected]
> Subject:      RE: [313] Ford and Atkins
> 
>  i'm quite sure this is what atkins had in mind when he originally
> recorded
> the tune :P........man, isn't this a sign of the apocalypse? "we hear at
> for
> are really down with that new techno sound"......how cutting edge, where
> can
> i get a focus?
> 
> > -----Original Message-----
> > From:       keleigh casper [SMTP:[EMAIL PROTECTED]
> > Sent:       Wednesday, November 08, 2000 2:27 PM
> > To: [email protected]
> > Subject:    [313] Ford and Atkins
> > 
> > 
> > New Ford Focus Commercial Features Ground Breaking Juan Atkins' Techno
> Hit
> > 
> > 
> >     DETROIT, Nov. 8 /PRNewswire/ -- The new Ford Focus commercial will 
> > feature
> > breakbeat tunes of renowned Detroit techno artist Juan Atkins.  The
> > advertisement breaks November 11.  With techno music moving beyond the
> > underground club scene, Ford brings back the origins of this
> cutting-edge
> > music style by utilizing the electro track "No UFOs."  The thirty-second
> > "Detroit Techno" spot will premiere on MTV Networks and will air for one
> 
> > month
> > on major network and cable television.
> >     The high-energy, fast paced commercial uses the hard driving mix of
> > "No
> > UFOs" and an assembly line multi-programmable robot DJ.  The commercial
> is
> > mostly shot through the cyberDJ's point of view.  RoboDJ's equipment
> > transforms into car parts in a futuristic manner and then the parts are
> > assembled to the car.  For example the turntables are pulled up by the
> > DJ's
> > robotic arm and converted into an aluminum wheel and tire that is
> machined
> > 
> > on
> > to the Focus' hub.  Ultimately, the final transformation occurs when all
> > the
> > DJ's equipment is altered into a CD silver metallic Ford Focus ZTS.
> >     "As a Detroit-based automotive company, and Detroit being "Techno
> > City" 
> > we
> > felt a particular connection to the Detroit techno music genre because
> it 
> > was
> > created in our own backyard," said Bob Fesmire, Focus brand manager.
> > "That 
> > is
> > why we decided to utilize Juan Atkins' 'No UFOs' track because we wanted
> > to
> > link together this legendary Detroit-based music with our hot-selling 
> > Focus."
> > 
> >     Music a Key for Young Consumers
> >     Focus has been a hit with young car buyers, with almost half the
> > buyers
> > age 35 or younger.  Focus marketing revolves around fashion, music and 
> > summer
> > fun, all designed to appeal to young consumers.
> >     The Ford Focus and Detroit Techno music mirror each other in many
> > ways.
> > Techno kids are forward thinkers that scream and dance and so are Focus
> > buyers.  Ford Focus owners are influenced by technology, style, music
> and 
> > the
> > idea of change.  Detroit Techno was born from the same roots.  Focus is
> a
> > global brand with international appeal that was developed in Europe.  
> > Detroit
> > Techno's core is the balance of African-American styles with cold
> European
> > synthesizer pop.  The "Detroit Sound" has traveled to Europe and
> > re-emerged 
> > in
> > the U.S.
> >     "Detroit techno appeals to a wide, cross-cultural group of people
> that
> > 
> > are
> > all unified by this beat and scene." said Fesmire.  "This music was
> > created
> > partly by the pounding clangor of the Motor City's auto factories.  It 
> > became
> > natural for us to incorporate Detroit techno into our commercials after
> we
> > discovered that young people are embracing techno."
> >     "We feel confident that viewers of all ages -- especially our
> targeted
> > buyer -- will embrace this commercial because of the smooth electronica 
> > beats
> > and the slick visual images of the Focus," concluded Fesmire.
> > 
> >     About Detroit Techno Music And Juan Atkins
> >     Born and raised in the Motor City, Atkins is the son of a concert 
> > promoter
> > and the grandson of a career Ford employee.
> >     Detroit Techno music was born around the time Atkins released the
> > track
> > "Clear" in 1982, with partner Rick Davis.  He created this sound by 
> > exploring
> > his vision of a futuristic music that welded the more cosmic side of
> funk 
> > with
> > rigid computer synth-pop.
> >     Atkins, along with fellow contemporaries Kevin Saunderson and
> Derrick 
> > May,
> > began to create this new sound after being influenced by artists like 
> > Prince,
> > Gary Numan, the B-52's and Kraftwerk in the late 70s.  From 1985 to
> 1989,
> > Atkins went out on his own as Model 500 and released some of his most
> > important material including "No UFOs."  Except for the underground club
> > scene, the United States didn't embrace techno music until this year -- 
> > nearly
> > 20 years later.
> >     Atkins continued to record throughout the 90s and maintained his
> > international success throughout Europe, where Detroit techno boomed
> > almost
> > since its inception.  Now, as the new emerging techno scene begins to
> look
> > back to the past to find musical innovators, Atkins has been hailed the
> > "godfather of techno."  He continues to record today.
> >     The first car ever to be named both North American Car of the Year
> and
> > European Car of the Year, Ford expects Focus to appeal to a tremendously
> > diverse group of buyers.  Setting new standards for small car roominess,
> > comfort, driving dynamics and stylish appearance, the Focus is priced
> from
> > $12,280 for the three door ZX3 to $15,580.  It is available as a coupe, 
> > sedan
> > and station wagon.
> > 
> > 
> > 
> >
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