> >In the beggining techno was underground, but then it was only techno, today >everybody that use somekind of filter is techno. > >So if we talking about big events you cant make event, book Moby, FBS, >Underworld(without emerson), Paul van Dyk and call it Techno, because its >POP.
So if I follow your reasoning then Jeff Mills, Laurent Garnier, Richie Hawtin, Dave Clarke, Mark Broom, Derrick May, Juan Atkins, Claude Young, Ken Ishii, etc... who all play or played the I love techno party together with Underworld, Pills, Mixmaster Mike and others for 30000 people here in Belgium (which does qualify as a big event me thinks) do not play techno but pop? I'd give a lot to hear their opinion on that... > >you can stop that some records go out of thier original place on scene, but >when you start to make songs with that purpose you are history for >underground electronic music. Then you go on "Top of the Pops". When I heard Laurent Garnier play 'Man With The Red Face' live as early as 1999 I don't think that he made that track with the specific purpose of becoming a hit record. If you could actually know which techno/house records will cross over into the mainstream I'm willing to bet that all names mentioned above would not hesitate to make such a track. Or did you think that Rolando's 'Knights Of The Jaguar' was pre-conceived to becoming a hit record? He would be glad to hear that... I could be misreading your thoughts, so feel free to correct me. RD > >Long time ago Moby and crew made that. > > >--------------------------------------------------------------------- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > > Interested in Turkey? Visit http://www.turkey.com! --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
