>
>In the beggining techno was underground, but then it was only techno, today
>everybody that use somekind of filter is techno.
>
>So if we talking about big events you cant make event, book Moby, FBS,
>Underworld(without emerson), Paul van Dyk and call it Techno, because its
>POP.
So if I follow your reasoning then Jeff Mills, Laurent Garnier, Richie
Hawtin, Dave Clarke, Mark Broom, Derrick May, Juan Atkins, Claude Young, Ken
Ishii, etc... who all play or played the I love techno party together with
Underworld, Pills, Mixmaster Mike and others for 30000 people here in
Belgium (which does qualify as a big event me thinks) do not play techno but
pop?
I'd give a lot to hear their opinion on that...
>
>you can stop that some records go out of thier original place on scene, but
>when you start to make songs with that purpose you are history for
>underground electronic music. Then you go on "Top of the Pops".
When I heard Laurent Garnier play 'Man With The Red Face' live as early as
1999 I don't think that he made that track with the specific purpose of
becoming a hit record. If you could actually know which techno/house records
will cross over into the mainstream I'm willing to bet that all names
mentioned above would not hesitate to make such a track.
Or did you think that Rolando's 'Knights Of The Jaguar' was pre-conceived to
becoming a hit record? He would be glad to hear that...
I could be misreading your thoughts, so feel free to correct me.
And at the and of a day, i see, that one leter is missing-"t" ,i mean "you
CANT stop some records..."
And by that i also mean on Rolando, and Laurent Garnier etc. Im still saying
that moby goes in studio and makes songs like pizza`s. A little bit of
everything on top and its one million selling record.
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