I set up his live set in madrid last may, was with him and his group for a couple days, and was amazed by his vision of music. His records are conceptual, I mean they follow a concept, like in senor coconut kraftwerk remixed with latin rythms. The live was made with an orchestra of about 10 people, and him with 2 MPC2000... Awesome!! ----- Original Message ----- From: Gwendal Cobert <[EMAIL PROTECTED]> To: 'daweed' <[EMAIL PROTECTED]> Sent: Friday, October 05, 2001 10:27 AM Subject: RE: [313] R: [313] micro house
> yep - and Lisa Carbon too, and Atom Heart, and Erik Satin, and... it seems > like everytime I dig another recording by him, he's got himself another > alias, and tackles a new genre - but I never found a bad record from him, > it's always interesting, tongue-in-cheek, and there's some homogeneity too - > same rhythms for example, no wonder he made his Senor Coconut records, he > was after that kind of south-american rhythms long before... > Gwendal > > > Is that Uwe Senor Coconut / Lasieg Bendthaus? > > > In acse you know other stuff by Uwe Schmidt, you'll notice > > he always use a > > > couple of weird, "glitch" sounds, whatever style he's into - i this > > release > > > he develops a lot around that, mixes it with gospel-like > > samples that come > > > up sometimes unexpectedly... the album is a grower - don't > > let the first > > > listen repel you > > > Gwendal > > > > | Geez'n'Gosh album "My Life With Jesus" > > > > > | > > > > | i saw that today...do you reccommend it? what *genre* is it? > --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
