Neptune's Lair - don't diss man, that's sacred! :o)

No, I'm kidding. Your entitlement to your own opinion is what's really
sacred.

... But what I say and I think many would agree is that the music needs to
be approached as the god Neptune would. Or the Greek equivalent Dionysius -
that should be a better clue. (I'm no classicist, would appreciate
correction if I'm wrong.) Know what I mean? Or else it will sound cold -
thousands will assure you it isn't. Just think: It was mostly (or sounds
mostly) like it was made with the (relatively) old technology of FM
synthesis ... does that strike you as the behaviour of an artist wanting to
make 'cold'-sounding music?

>-----Original Message-----
>From: Jussi Lehtonen [mailto:[EMAIL PROTECTED]
>Sent: Friday, January 11, 2002 4:54 PM
>To: Tom Robbins/Tom Magic Feet
>Cc: Somewhere in Internet
>Subject: Re: [313] drexciya LP
>
>
>On Fri, 11 Jan 2002, Tom Robbins/Tom Magic Feet wrote:
>
>> My first thoughts were similar, that it was OK and no more
>
>I can't remember either the name of the artist nor the title of the
>record, but a few weeks back there was a release by supposedly "a
>(former?) member of Drexciya" (for "Who is/are Drexciya" see 313 FAQ). In
>my opinion that record had more similar kind of touch as in the older
>Drexciya records than in Neptune's Lair. The kind of raw funk which
>appears especially in Molecular Enhancement EP and in tracks like Sea
>Snake, Black Sea and Rubick's Cube.
>Also, Neptune's Lair, though it was good, sounded a bit too sterile and
>cold to my taste. But perhaps it's the mastering technique to be blamed.
>
>
>
>
>               J
>
>--
> Jussi Lehtonen     [EMAIL PROTECTED]     www.netppl.fi/~sandman
>
>  "Do not allow yourself to be programmed.
>   For once, in your life, take control. Take control." - UR
>
>
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