this list desperately needs moderation

----- Original Message -----
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>
Cc: <[email protected]>
Sent: Thursday, June 06, 2002 10:31 AM
Subject: RE: Re[2]: [313] submerge.panel


> > -----Original Message-----
> > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> > Sent: 06 June 2002 15:18
> >
> > LKS> how would you measure this?
> >
> > BBP> Average life expectancy, infant mortality rates, literacy, et
cetera.
> >
> >
> > uhm...so do you believe the most country that is the most
> > technologically advanced, the US, is sitting on top of these
> > statistics because it's not
>
> Ah, but is the US the most technologically advanced country in the world
> anyway? It probably isn't you know. It's a very diverse place and as you
> say, inner city areas as well as remote rural backwaters aren't very
> technologically advanced places. Countries like Finland, Norway or Japan
are
> arguably more technologically advanced all in all. But there aren't many
> metrics for measuring the technological advancement of a particular
nation,
> in the same way as we use literacy, mortality rates, etc, to measure
overall
> standard of living.
>
> But ultimately I don't think it impacts on techno music all in all. What
> stance should UR or Submerge take on this issue? Should the process of
> globalisation be stopped, so that records can't be exported to the rest of
> the world? Does techno music pose the dangerous risk of homogenising
> European culture? To me, techno is one of the *good* things about
> globalisation; on one hand, you get Starbucks, McDonalds, and other
sterile
> forces spreading throughout the globe. But on the other hand, you get new
> cultural phenomena, like techno, which are not geographically specific,
and
> allow people of diverse backgrounds and ideologies relate to one another
and
> feel part of the greater whole.
>
> Brendan
>
>
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