obviously it would be a fairly trivial task to pitch-up the encoded mp3 in something like cooledit with key correction first.
>-----Original Message----- >From: Bulger, Tim [mailto:[EMAIL PROTECTED] >Sent: Wednesday, September 04, 2002 5:27 PM >To: 'Langsman, Marc'; 'Ian Cheshire'; 'Tristan Watkins'; Sakari >Karipuro; 313 >Subject: RE: [313] which dj invented + 15 > > >I inquired about this and heard nothing back from the Final >Scratch people. >The only digital key correction that I've heard is on the Stanton >turntables, and it sounds awful. Almost like a double beat. >Mixing with it >turned on is annoying and difficult. Anything beyond +2 >irritates people >with perfect pitch, +4 or greater starts sounding pretty awkward. > >-----Original Message----- >From: Langsman, Marc [mailto:[EMAIL PROTECTED] >Sent: Wednesday, September 04, 2002 8:57 AM >To: 'Ian Cheshire'; Bulger, Tim; 'Tristan Watkins'; Sakari >Karipuro; 313 >Subject: RE: [313] which dj invented + 15 > > > >Im sure a final scratch [or similar device] would solve all >these problems >outright :) > >Dear santa.... > > >:) Marc > >>-----Original Message----- >>From: Ian Cheshire [mailto:[EMAIL PROTECTED] >>Sent: Wednesday, September 04, 2002 4:44 PM >>To: 'Bulger, Tim'; Ian Cheshire; 'Tristan Watkins'; Sakari >>Karipuro; 313 >>Subject: RE: [313] which dj invented + 15 >> >> >>God Bless you my son :0) >> >>-----Original Message----- >>From: Bulger, Tim [mailto:[EMAIL PROTECTED] >>Sent: 04 September 2002 16:48 >>To: 'Ian Cheshire'; 'Tristan Watkins'; Sakari Karipuro; 313 >>Subject: RE: [313] which dj invented + 15 >> >> >>Amen.. Theo of all people should be kept nicely in key. >> >>-----Original Message----- >>From: Ian Cheshire [mailto:[EMAIL PROTECTED] >>Sent: Wednesday, September 04, 2002 8:38 AM >>To: 'Tristan Watkins'; Sakari Karipuro; 313 >>Subject: RE: [313] which dj invented + 15 >> >> >>>I really like to play those Theo Parrish records and they don't get >>>played out much unless I have +/-16 (or 15 if you rather). >> >>or just play the Theo's at the normal speed and not worry >>about it:) >> >> >> >>-----Original Message----- >>From: Tristan Watkins [mailto:[EMAIL PROTECTED] >>Sent: 04 September 2002 16:32 >>To: Sakari Karipuro; 313 >>Subject: Re: [313] which dj invented + 15 >> >> >>----- Original Message ----- >>From: "Sakari Karipuro" <[EMAIL PROTECTED]> >>To: "313" <[email protected]> >>Sent: Wednesday, September 04, 2002 4:53 AM >>Subject: Re: [313] which dj invented + 15 >> >> >>> Sam Karmel wrote on Wed, 4 Sep 2002 about following: >>> >>> > Who was the first dj to modify there turntables to >>> > plus 15? >>> >>> i dunno but i'd rather kill the dude; pitched technics are >>horrible to >>> play at; and you end up playing all the time all the records >>at least at >>> +4 - because pitch in area 0-+2 usually does nothing. and >>you can't mix >>> long mixes with pitched decks, the pitch control stops being >>exact quite >>> soon. ie. pitching will ruin the decks. also, the components in the >>> pitch wont last long with wrong voltages and stuff. >> >>Agreed it's harder to mix on pitched tables, but I've never seen any >>intensified 'dipping + diving' after switching back and forth. I've >>heard this is the case many times, but I must've switched mine at >>least twenty >>times, and the stobes bear no inexactitude. They're very close >>to the +3.33 >>and +6 marks. Maybe I'm just lucky? These turntables are 8 >>years old too, so >>go figure. >> >>> also - if you need to play records in the same set that are >>117bpm and >>> 150 bpm, play longer sets and build your set, and buy enough >>records to >>> build the set from 117bpm to 150bpm. that's the right way. >> >>It's definitely not the best way to do it, but I can't say I'd >>never do it >>again. I really like to play those Theo Parrish records and >>they don't get >>played out much unless I have +/-16 (or 15 if you rather). Of >>course, my >>solution should just be to get the Vestax, no? >> >>Tristan >>===== >>Text/Mixes: http://phonopsia.tripod.com >>Music: http://www.mp313.com >>Contact: [EMAIL PROTECTED] >> >> >> >>--------------------------------------------------------------------- >>To unsubscribe, e-mail: [EMAIL PROTECTED] >>For additional commands, e-mail: [EMAIL PROTECTED] >> >>--------------------------------------------------------------------- >>To unsubscribe, e-mail: [EMAIL PROTECTED] >>For additional commands, e-mail: [EMAIL PROTECTED] >> >> >>--------------------------------------------------------------------- >>To unsubscribe, e-mail: [EMAIL PROTECTED] >>For additional commands, e-mail: [EMAIL PROTECTED] >> >> > >--------------------------------------------------------------- >------------- >-- >This message is intended only for the personal and >confidential use of the >designated recipient(s) named above. 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