----- Original Message ----- From: "Ploegmakers, Joost" <[EMAIL PROTECTED]> To: "Langsman, Marc" <[EMAIL PROTECTED]>; <[email protected]> Sent: Thursday, September 19, 2002 4:05 PM Subject: RE: [313] FiNal ScrAtch - finally roadtested...
> Wether you want it or not, when you are playing somewhere where the music is > loud, you will always have feedback. No matter how well you isolate your > turntable. In fact, isolating the decks is to prevent rumble not feedback. > > The needle will pick up all kinds of vibration. Just put a record on, don't > let it spin, and tap with your finger somewhere on the turntable. You will > definately hear this amplified. So when the needle picks up the bass > vibrations from the speakers, this is feedback. You can even shout to the > needle when it's on a (stopped) record and if you record that you will hear > it. This is normally just a factor how close the monitors are to the tables, no? > You can already hear the difference when playing vinyl and CDs. CDs sound > less "deep" on the dancefloor. I see your point. I wonder if there's a specific frequency it picks up and if you could run a sine wave at that frequency to pot up on another channel whenever you play something digital? That's a bit convoluted though I guess... Probably not the most elegant solution. Then again, when I heard the Final Scratch workout last weekend, I didn't notice a difference between vinyl and finyl. Tristan ===== Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
