I agree with fred here, also, I pack nearly 500 sounds into my PAs and
although I have an idea of which sounds go best together, I try to avoid
arranging my PAs in any order.

I do live sampling in some PAs where I will sample and resample to both
bounce audio out with fx or to nearly double the complexity of the "track"
without committing more resources to running 10-15 more clips.



----- Original Message -----
From: "FRED giannelli" <[EMAIL PROTECTED]>
To: "Jayson B." <[EMAIL PROTECTED]>; <[email protected]>
Sent: Thursday, December 19, 2002 2:41 PM
Subject: Re: (313) ableton live 2 beta 2 out (public)


> Well, I consider the art of arranging as the art of the Live PA.  Whether
it
> be using traditional samplers and sequencers or a Laptop with Ableton live
> on it.  I've done it both ways.  I don't think the audience really cares
as
> long as they like what is coming out of the speakers whether or not you
use
> a laptop or bulky equipment.
>
> In the past I've also played guitar onstage for years and actually feel
more
> involved with the music when I'm messing around with Ableton Live onstage
> rather than rocking out with a guitar.
>
> telepathic regards,
> the kooky scientist
>
>
>
>
> on 12/19/02 2:32 PM, Jayson B. at [EMAIL PROTECTED] wrote:
>
> >
> >> Maybe techno producers who do live PAs should break down and take a
couple
> >> keyboard lessons?
> >> Carl Craig played some live keys when I saw his live PA, I think it was
as
> >> Paperclip People.
> >
> >
> > and i found everytime he touched the keys i got bored.  the thing is,
> > playing full 'live' or not, when you're playing the keyboard you're also
> > assuring the crowd that you're *not* tweaking the bass, dropping the
cymbal
> > line, bringing in a synth solo, or sliding up a string line an octave.
> > whether or not you're doing that i don't think is the point:  making the
> > crowd think you are *is*, and when you're playing a keyboard you are
> > assuring them that you're not.
> >
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