>From todays Guardian newspaper...might be nice for some of the
listmembers...
'Stockhausen to play concert in London 

Charlotte Higgins, arts correspondent
Wednesday August 3, 2005
The Guardian <http://www.guardian.co.uk>  

The eccentric standard-bearer of the European avant-garde, the composer
Karlheinz Stockhausen, is to make a rare appearance in England this
autumn, his first since 2001. 
Stockhausen, the pioneer of electronic music, will perform solo in the
1,000-capacity old Billingsgate market in London. The venue will be
plunged in darkness but for a shaft of "moonlight" illuminating the
composer, who will be clad entirely in white as he twiddles the knobs at
his mixing desk.
The 82-year-old will present Kontakte, a 1960s work originally for
piano, percussion and electronics, and Oktophonie, from his monumental,
"cosmic" operatic cycle Licht, to which he devoted 25 years of his life
from 1977. 
Licht is divided into sections for the seven days of the week and
contains 29 hours of music. Oktophonie comes from Dienstag (Tuesday)
and, according to its composer, "is the first composition that exists in
which there is vertical movement between four groups of speakers at
ceiling level and four at ground level". 
The concert will be presented on October 22 as part of the Frieze art
fair, sponsored by the Guardian. Stockhausen will also deliver a lecture
on October 21. 
Stockhausen's work has not only had a profound effect on classical
music, with associates including such figures as Gyorgy Ligeti, Mauricio
Kagel and Peter Eotvos, but on musicians including Aphex Twin, Bjork,
Miles Davis, Kraftwerk and many of today's DJs. 
He and the Beatles were mutual fans - he once referred to John Lennon as
"the most important mediator between popular and serious music" of the
20th century. The composer is pictured on the cover of the Sergeant
Pepper LP, between Carl Jung and Mae West. 
Matthew Slotover, the co-director of Frieze art fair, said: "If you're
open to the experience, his work is not at all inaccessible. It's the
same sort of people who are attracted to contemporary art as who will be
attracted to a Stockhausen concert - but perhaps they don't know it
yet."'

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