A couple of weeks back, when DJ Drama got busted by the RIAA I forwarded to some of the guys at work. I got a reply along the lines of "The death of hip-hop wouldn't be so bad. All that macho bullsh!t and guns and sh!t...". It was clear that this was prejudice against the entire genre because of the way a certain aspect of hip-hop *has* been marketed by the media.
Actually even a lot of the more 'credible' MCs take that line to an
extent - but they're talking about commercial hip-hop. Lupe Fiasco
says something similar. Nas' album takes that view as its theme.
Probably the most interesting thing of late is the popularity of
regional styles - hypy, Baltimore house, baile funk, etc - globally
which DJs like Low Budget and Disco D (RIP) have credited to the fact
that people are resisting the marketed urban music of majors, where
here Australian hip-hop, once despised, is massive. I gotta admit hip-
hop hasn't been the same since 50 Cent came on the scene - he
certainly ain't nothing on 'Pac! The whole G Unit stable is wack. I
think the negativity within hip-hop is a phase and it will emerge
stronger, more fertile. Electronic music has experienced the same cycle.
- Re: (313) Amp Fiddler article in The Independent kent williams
- Re: (313) Amp Fiddler article in The Independent Carlos de Brito
- (313) (A little OT) Re: (313) Amp Fiddler article ... Nik Stoltzman
- Re: (313) (A little OT) Re: (313) Amp Fiddler ... Cyclone Wehner
- Re: (313) Amp Fiddler article in The Independent Thomas D. Cox, Jr.
