Only one of those is Aril's - the rest are massive trance Choooooons
the last one is Sasha
MEK
"darnistle" <[EMAIL PROTECTED]> wrote on 02/08/2007 01:45:38 PM:
> Though the second sample leaves a lot of be desired, I'm not any less
> unimpressed with these tracks than I've been with most other tracks I've
> heard by Brikha.
>
> The fact that the tracks sound a tad "progressive" doesn't make them any
> worse or better, for me at least.
>
> >
> >
> >
> >
> > I will, again, submit these four samples for your comparison:
> >
> > http://mp3.juno.co.uk/MP3/SF181852-01-01-01.mp3
> > http://mp3.juno.co.uk/MP3/SF154298-01-02-01.mp3
> > http://mp3.juno.co.uk/MP3/SF255851-01-01-01.mp3
> > http://mp3.juno.co.uk/MP3/SF197373-01-01-08.mp3
> >
> >
> > Tiestolingus, Tiestolicious, Craptastic, Sashandbag and Dishragweed,
it's
> > all the same.
> >
> > MEK
> >
> >
> > "darnistle" <[EMAIL PROTECTED]> wrote on 02/08/2007 12:34:17 PM:
> >
> >> You guys are much too harsh on it. The track isn't that bad. Not
> > exactly
> >> earth shattering, but its fine as background music.
> >>
> >> For those that hate the tune so much, maybe "Tiestolingus" would be a
> > more
> >> appropriate expression than "Tiestolicious"???
> >>
> >>
> >> > Tiestolicious - that's brilliant!
> >> >
> >> > On 08/02/2007, at 7:24 AM, [EMAIL PROTECTED] wrote:
> >> >
> >> >>
> >> >>
> >> >>
> >> >>
> >> >> What a load of crap that tune is - not only is the chord
> >> >> progression bad
> >> >> but the synthy strings coming up behind it are totally
> >> >> Tiestolicious. It
> >> >> sounds like an old BT track. Blech.
> >> >>
> >> >> MEK
> >> >>
> >> >> "David Powers" <[EMAIL PROTECTED]> wrote on 02/07/2007 01:37:41 PM:
> >> >>
> >> >>
> >> >>> On 2/7/07, kent williams <[EMAIL PROTECTED]> wrote:
> >> >>>
> >> >>>> If anyone hasn't heard it it's at
http://www.myspace.com/arilbrikha
> >> >>>> It has a similar chord progression, but not the same. Not a bad
> >> >>>> track
> >> >>>> but Aril's in danger of being embraced by the progressive DJs for
> >> >>>> stuff like this. Maybe Salsa and Dickweed will pick up on it.
> >> >>>>
> >> >>>
> >> >>> I kept my mouth shut the first time around ... but ... seriously.
> >> >>>
> >> >>> That chord progression, in whatever variation, is not something I
> >> >>> want
> >> >>> to hear in a techno track, especially on a weak sounding synth
> >> sound.
> >> >>> Maybe in some pseudo-GangOfFour discopunk hipster version with
> >> >>> lots of
> >> >>> guitar and silly lyrics making fun of dance parties I could handle
> >> >>> it.
> >> >>> But I can't listen to it without laughing. I don't know what to
call
> >> >>> it, prog, trance, whatever, but I can't even listen to the whole
> >> >>> thing
> >> >>> in one sitting.
> >> >>>
> >> >>> Every time I hear that chord progression, it reminds of me of
early
> >> >>> 90's rave music, and also "Good Vibrations" by Marky Mark and the
> >> >>> Funky Bunch, and Haddaway "What Is Love". It's the ultimate dance
> >> >>> party anthem chord progression. Kind of like the Louie Louie chord
> >> >>> progression was for rock bands of days gone by.
> >> >>>
> >> >>> As far as Swedish music, I'll take new Adam Beyer and Par Grindvik
> >> >>> any
> >> >>> day over this Aril track.
> >> >>>
> >> >>> ~David
> >> >>>
> >> >>
> >> >>
> >> >
> >> >
> >> >
> >>
> >
> >
> >
>
