someone wake me up when they get out the kiddie pool
and mud.

or might I suggest just chasing eachother in a circle
for similar results.

;)

agree to disagree, it's the art of mature discussion.



--- "J.T." <[EMAIL PROTECTED]> wrote:

> that's the whole point. who cares with being down
> with a culture or not. who CARES! i have a great cd
> that is supposedly traditional south american indian
> music, but it's actually made by music professors
> from sao paolo. it's great, i like it, i could care
> less about how real they are etc. where do you draw
> the line on these judgement calls of realness
> anyways, and does it ever have positive effects? i
> mean what is the point? did chi people get all
> protective when detroit did their take on house?
> probably some did. i don't have time for that sort
> of nonsense. music is meant to bleed all over the
> place, it's in its nature, it's what it do. trace a
> style back and you can keep tracing it all the way
> back to africa. you don't have to like the new
> permutations, but insisting that new permutations
> are wrong is just assanine imo. i don't care if
> indie rockers start doing some retarded take on
> techno and get famous for it, go for it, i won't
> enjoy it and i'll talk sh*t on it and give it a
> stupid name, but it has as much a right to exist as
> anything else. this is all art 101 if you ask me,
> but tmo is acting like it's a sport of keepin it
> real. some of the best music of all time is made by
> ultra reclusive socially retarded people who could
> care less about being down with a scene or culture,
> they just make music. or maybe they're gregarious
> a-holes, who knows. i don't know spank rock and i
> don't know their motivations or personalities and i
> don't presume to know. i keep hearing tom assert
> that they are fronting on bmore club, but i think
> their name is supposed to be a concept in itself,
> it's spank rock. yes, it's got a rock attitude. it's
> not bmore club per se, it's in the name for godsakes
> 
> 
> 
> 
> 
> -----Original Message-----
> >From: /0 <[EMAIL PROTECTED]>
> >Sent: Jun 27, 2007 8:01 PM
> >To: 313@hyperreal.org
> >Subject: Re: (313) Justice
> >
>
>y0y0y0y0y0y0y0y00y00y0yy0y0y0y0y0yyyy0y0yy00y0y00y0y0y0y0y0y00y0y0y0y0y0yy0,
> >
> >i dont see why this even matters anyways, either
> music is good or it isnt.
> >
> >tom has the for-real-o-meter though, for real. G.
> >
> >----- Original Message ----- 
> >From: "Rob G" <[EMAIL PROTECTED]>
> >To: <313@hyperreal.org>
> >Sent: Wednesday, June 27, 2007 7:47 PM
> >Subject: Re: (313) Justice
> >
> >
> >> >you can add your own influence to something
> else. hiphop culture is
> >>>all over the globe now, and it has been mutated
> and added on to. i
> >>>personally think all of this stuff sucks, but at
> least it is being
> >>>done by people who live that culture as best as
> it is done in their
> >>>country. spank rock and t&a live down the street,
> theyre spectators to
> >>>a culture they then represent.
> >>
> >>>it wouldnt matter if they were purple if they
> were down with the
> >>>culture. but theyre not so it doesnt matter.
> >>
> >> so how are they *not* down with the culture? 
> What would they be doing 
> >> differently if they were down with the culture?
> >>
> >> I always always got the impression from the early
> hollertronix/the 
> >> rub/moneystudies/et all that their whole vibe was
> "we're not you guys, but 
> >> we're *down* with what you are doing" (with
> respect to the baltimore 
> >> producers and such).
> >>
> >>
> >>
> >>
> >>
> >>
> >>
> >>
> >>
>
____________________________________________________________________________________
> >> Yahoo! oneSearch: Finally, mobile search
> >> that gives answers, not web links.
> >>
>
http://mobile.yahoo.com/mobileweb/onesearch?refer=1ONXIC
> 
> >
> 
> 



       
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