dimension intrusion remains in my personal experience thus far one of
the finest electronic albums of all time. among a personal top ten or
maybe even five, though discounting the state of hawtin since the past
five years.

On 5/6/08, [mark ] <[EMAIL PROTECTED]> wrote:
> <<It's also easy to be distracted by audio-geekery and too many
> choices available.>>
>
> I think there is so much value in that one sentence, it bears
> repeating ad infinitum.
>
> The possibilities are so endless in 2008, that a number of undesirable
> by-products has emerged...
>
> Most significantly, much like the current state of Hollywood movies,
> it's so easy to fall into the trap of getting wrapped up in to the
> concept of technical brilliance and completely lose the entertainment
> value in the process.
>
> In Hollywood (well, LOTS of movies, really...no need to restrict it),
> the goal is ticket sales. Butts in seats.
> On television, it's faces in front of screens to watch advertising.
>
> In years past, being adept at your craft brought people and the ticket
> sales or faces in front of screens were the by-products. The tables
> have turned, and it's the pure "spectacle"....i.e. the concept, not
> the execution, that brings viewership.
>
> Anyone of my/our generation need only look at the last 3 Star Wars
> movies to prove my point. It wasn't the acting and it CERTAINLY wasn't
> the dialogue that made those films box office successes. If there were
> any other name attached to them but George Lucas, those films would've
> been laughed out of the theater, or worse. The dialogue was absolutely
> ATTROCIOUS.
>
> It was the concept that brought people (including myself) in.  The
> spectacular effects. The story line (which was no surprise if you
> haven't been living under a rock since 1977)...the end product, when
> taken at face value, was fairly laughable.
>
> This is  completely the problem I had with Hawtin's previous "mix"
> cd's - they may have been interesting in theory, and clinically
> perfect, but that's just it. They were clinical. Cold. Sterile. Devoid
> of any sort of soul or funk.
>
> Or entertainment value...For a supposedly  "dance" record, I wasn't in
> any way motivated to even nod my head at the desk by anything I heard
> on those recordings.
>
> If those recordings had been made by me, or any other non-name, they
> wouldn't register a blip on the scale. But because of who he is, and
> his cache of previous successes, the lack of quality was given a pass
> in the name of progress.
>
> I think this was the feeling that a lot of people share when they
> claim that Hawtin is a product of "marketing" more than "substance".
> The confusing thing is, he didn't start this way.
>
> m
>
>
> On Tue, May 6, 2008 at 9:27 AM, kent williams <[EMAIL PROTECTED]>
> wrote:
>> Well,  I don't know that what I wrote is categorically,
>>  deterministically true.  It felt plausible when I wrote it.
>>
>>  I think one knows what moves one's own self when working on a track,
>>  but it's not easy to know how other people react to what you're doing.
>>   It's also easy to be distracted by audio-geekery and too many choices
>>  available.
>>
>>
>>
>>  On Tue, May 6, 2008 at 3:04 AM, Martin Dust <[EMAIL PROTECTED]> wrote:
>>  >
>>  >  On 5 May 2008, at 04:21, kent williams wrote:
>>  >
>>  >
>>  > > I'll say this about Mr. Hawtin -- he's no dummy.  He talks a lot
>> about
>>  > > the concepts he's trying to implement in his music.  I've been left
>>  > > cold by a lot of his output, and my suspicion is that when he's alone
>>  > > in the studio, the concepts rule over the emotion.
>>  > >
>>  >
>>  >  I don't feel the same way about his output as you Kent but I'm also
>> not
>>  > sure I'd agree with the concept over emotion idea either, it just seems
>> to
>>  > determislistic to suggest that this is the case.
>>  >
>>  >
>>  > > It's always difficult to find emotion when you're working with
>>  > > machines in a room by yourself.  A techno producer is like an old
>>  > > school photographer -- you make the music, but don't see how it
>>  > > develops until you see how a dance floor reacts.
>>  > >
>>  >
>>  >  This is just wrong :) I can't and don't believe you think the above is
>>  > actually true, do you?
>>  >
>>
>
>
>
> --
> "Play more things that make me dance around and less things that make
> me sit and look miserable in a plastic chair" - Brian Eno
>
> Blind faith in bad leadership is not "Patriotism".
>


-- 
---
Michael Kuszynski
[EMAIL PROTECTED]
[EMAIL PROTECTED]
http://www.planerecordings.com
New York, NY

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