Quentin Harley wrote at
> http://www.64studio.com/howto-mastering

Two notes

"Place the dB SPL meter to measure exactly in the spot where your head 
would be while seated at the mastering rig."

One of the problems ;). To be honest there are low-coast dB SPL meters, 
e.g. "DIGITAL SOUND 8928" for 39.00 EUR at Thomann.
http://www.thomann.de/de/digital_sound_8928.htm
I would recommend to lend a more expensive one, if someone has the right 
room, where measuring in the first place can be useful. But I might be 
wrong, maybe db SPL meters like this one are fine too. If you do the 
mastering in your flat or in a "studio" that is lined with molded pulp 
egg carton or other nonsense you don't need to do any measuring, because 
it's useless.
For near field monitors you need to keep your head at one place, but 
most of the mixing is done with other monitors, because you can't do a 
good job, when you aren't able to move around.
You need to check that the sound is fine on cheap equipment and able to 
fit to the broadcasting laws of your country, so you need another 
expensive pair of monitors, e.g. Auratone or a special device called 
Optimod and a phase correlation for the analogue signal, if you won't 
use home-recording tricks, but the professional way.

"Do not use the limiter too much, because the limiter has a distortion 
like effect on the audio, best left alone it possible."

It should be possible to bypass the limiter, while recording with 
headroom that isn't optimized to the "loudness war", but referring to 
Katz's method. Speakers are more important for the mastering, but 
especially an unpleasant limiting for e.g one hit of a cymbal can be 
better perceived by using good headphones. I'm using AKG K240DF, when I 
bought it, it was the best studio headphone, today's studio headphones 
are much better, but modern headphones are very expensive and a soft 
slap can damage modern headphones very easily.
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