Laura remarks:
         >>>>> "John" == John Chambers <[EMAIL PROTECTED]> writes:
             John> The implementations seem to be fairly consistent now, except for  
the
             John> minor  point  that  -  (minus) and _ (underscore) shouldn't be 
mixed.
             John> There's an ambiguity that is  interpreted  differently  by  
different
             John> programs. I'm still not clear what the "right" interpretation is, 
and
             John> the fact that it took a couple of years  for  it  to  come  out  
says
             John> something about how big a deal it is.  So it's probably pretty low 
on
             John> most implementers' lists of problems to fix.
         
         I reported it to Michael Methfessel over a year ago.  And it's high on 
         my list, and I would think on the list of anyone who uses words.  

Hmmm  ...   This  might  be  another  example   of   differences   in
interpratation  of  what  the  notation  means.   I'd consider mixing
hyphens and underscores to be some sort of typo, because  the  way  I
understand  them,  combining them is nonsensical.  They both mean the
same thing, but are represented on paper differently.  So there's  no
apparent meaning added to using both.

But this is obviously not true for at least one user, and thus likely
not  true  for  some class of musicians.  So there must be some other
meaning to this than what's in my mind.  What might that be?

The reason I'd predict that this would be low on a  lot  of  people's
priority  list  is  that  I'd guess that most people would be equally
baffled by why you would use them together. For that matter, I'd also
guess  that  most  musicians haven't even noticed the use of the long
underscores in vocal music, or if they have, they don't  attach  much
meaning  to it.  (In some cases, it seems to just add what looks like
an extra staff line, making for more difficult reading.   ;-)  People
who  don't  understand such notation aren't likely to consider it too
important to implement.

There seem to be many examples of music notation that  is  considered
indispensable by some musicians and not even recognized by others.

(I'm still wondering how a music notation  developed  by  a  strongly
Irish-oriented crowd lacks the triple-dot ornament.  ;-)

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