"Laurie Griffiths" <[EMAIL PROTECTED]> wrote:

> Which is why I am coming more and more to like the recent suggestion of a
> mechanism to define chords beyond a reasonable standard set.
> 
> Incidentally, it occurred to me that "/G" would be a logical name for the
> degenerate single-note chord which has G in the bass and nothing else.  Any
> takers?

I like this. I'm just not sure that I like it for the same thing that 
Laurie does. I quite often want to put in little bass lines as 
transitions between chords. Assuming the '/' mechanism is for 
specifying the bass note of a chord it seems to me to make sense 
to be able to write:

"G/g" "/f#" "/e" "/d"

(or something similar depending on what exact rules we end up 
with for case & accidental).

Bob


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-- Bob Archer      [EMAIL PROTECTED]
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