John Chambers wrote -

>Heh. In this case, I was the lead musician......  

Hmm.  Benevolent dictatorship.  Probably the best sort of government if you 
can find the right dictator.

Thank you for the rest of that posting; it was very positive.

>How about posting the galactic coordinates?  And schedules for the
>jam sessions?

Lewes, East Sussex, England.  Take a look at 
http://whatson.brighton.co.uk/folk/.  (I would direct you to the Lewes Arms 
Folk Club website but AOL seem to have trashed it as well as my Abacus Music 
site. B@$¬4£DS).  Brighton is dominated by Irish sessions.  There is a strong 
French dance following.  Lewes has two folk clubs and is the centre of an 
area with several pub tune sessions, some dominated by southern English dance 
music, others more general.  If you want Swedish, Ben Paley lives in 
Brighton.  It's a good place to live if you are into folk music (and for 
other reasons).

>Do  we shoehorn music into the
>intersection of all supported features, or  do  we  write  it  for  a
>subset of tools that have the additional features we want.

The point about the explicit key signature idea is that it is widely 
applicable to all sorts of music and all manner of musicians.

Bryan Creer

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